A little while back, it looks like Ryder and Rowdy had a bit of fun in the north side of the Cumberland Basin area, with lots of small pieces dotted about the place. I am assuming this column piece was part of that session.
This is so Rowdy… three crazy colourful cats, looking a little bit like children’s drawings. The colours work incredibly well on the pinky red colour of the column. A piece full of mischief and joy from one of the most established street artists in Bristol.
This is the first time I have visited this spot, and it looks like a fairly new one, with a long hoarding that is mostly in mint condition. So far, it looks like Mote and Mr Crawls are the first to ‘colonise’ it. This is a wonderful character piece from Mote, who has had a quiet Winter so far, but appears to be kicking into gear now.
This monster piece, by Mote, resembles a cat who looks both sad and scary in the same moment. The state of the cat reminds me a little of the feral cats that can be found everywhere in Marrakesh (still fresh in my mind and nourishing me). It must feel rather nice being the first to a new spot and painting some ‘virgin’ boards. It will be interesting to see if this becomes a recognised spot, or just occasional. I don’t know what the letters WYWH stand for, but will try to find out.
Two artists, two very different styles, and not a collaboration from Kid Krishna and Daz Cat. Actually, you could argue that there are three artists represented here, because the background of sunflowers and a swirly sky in a Van Gogh style has been on this wall for a while now, and is by an artist unknown to me.
To the left, Kid Krishna has painted one of his mega tags, which are simpler than his larger and more complex graffiti writing pieces. These quick throw ups are usually painted using rollers and can by completed in minutes. The letters, in pink, spell out CRIE as with all of his work, although it can sometimes be difficult to decipher. He has selected two very strong contrasting colours, pink and black, for maximum impact.
To the right, Daz Cat has painted one of his cat portraits on the front door of a flat. The gold cat has also been painted in haste, I would suggest, as it is a simple outline and single colour piece. I always like it when he tags his pieces with Caroline, who I guess is his special person. Cats are always most welcome on Natural Adventures.
Like sentinels guarding the gate to Rivendell, well not exactly, but sentinels nonetheless painted naturally by Daz Cat. The character on the left is definitely a cat, but I am a little unsure about the creature on the right and am going to assume it is a dog. Cats and dogs are appropriate for this spot, because when it rains heavily, this tunnel floods, and you can see it is partially flooded in this picture.
Daz Cat has been reasonably quiet this year, but these quick ones have brought him front of mind once again. The cat painted in steel blue tones is looking a little vexed. It is great to see how much depth Daz Cat works into his characters compared to the flat cat portraits he was painting when he started.
The dog? portrait on the other side reflects the same colours as the cat and also has a certain amount of depth to it. This is not the first time Daz Cat has painted on either side of the tunnels here. Let me see if I can dig out a previous example…
This gorgeous story piece from Conrico somehow slipped under my radar, so on one of my routine visits to the Cycle path behind the Black Swan, I was thrilled to stumble across it. The Japanese street scene is full of atmosphere and ordinary life, with a woman cuddling a cat in the foreground.
Conrico’s style looks more like a paint brush painting than anything created with a spray can, which says a lot about his application style of short bursts like brush strokes. His love affair with Japan and Japanese culture may seem at odds with Bristol culture, but is in fact a refreshing perspective and part of the amazing spectrum of work artwork we see in the city. I love this low-key piece.
This is my 80th post from Purdown, but if I am honest, it feel like an awful lot more. Daz Cat seems to like it up here and the square format of the concrete blocks seems to suit his designs. It is always far more difficult for writers to fill a square space than for character artists.
Daz Cat has painted a cat (naturally) curled up in the square. The blue cat is wearing a fabulous orange striped shirt and shorts combination, and looks really rather cute. The cat is smiling and there is a good feeling all round about this piece. I will never tire of Daz Cats’ cats.
My heart sang when I saw this wonderful piece by Daz Cat on the end of the long wall under Brunel Way. It is not the first time he has decorated this spot with a cat, and somehow the space lends itself really well to his upright characters, which I guess is why he paints there.
In this piece, the androgenous cat is doing a hand stand on top of a globe or water or a toilet seat, or something decorated with clouds. The pants the cat is wearing are hilarious, and the tottering movement of the legs, brilliantly portrayed. This Daz Cat at his fabulous story-telling best.
It is so good to see Lokey painting a little more often these days, and I wonder if the frequency of his painting is related in any way to his daughter joining him and ‘collaborating’ with him – pester power can be a very compelling force. This is one of several recent collaborations that Lokey has painted alongside Ember.
Lokey has taken to writing LOKEA, which I suppose is simply switching things up a little, which writers like to do from time to time. His distinctive anamorphic writing style lifts wonderfully well from the wall. His daughter, Ember, has painted a cat, her character of choice, and I have to say it is rather good. I don’t know how old she is, but I can see that there is great potential. It looks like naïve, childish art because that is exactly what it is. Fantastic!
In Dean Lane on the edge of the curved wall, Daz Cat has painted one of his trademark cats, but how his artwork has come on. In recent years, he has worked on and improved, immeasurably, his depth and features, which in his earlier work were rather flat. I guess I am saying that his work has become much more sophisticated. If you look at the image below, you will see what I mean.
This cheeky cat, sporting a bit of a quiff, is licking his face, something that cats seem to delight in being able to do. While this is a bit of a quick ‘stamp’ it is nonetheless really rather good.
It feels like Daz Cat is pushing all sorts of boundaries at the moment and painting with a freedom in both style and content that is a pleasure to witness. There is a lot going on in this free-flowing story-telling piece in Greenbank.
I can see a lady surrounded by purple/lilac cats, but the intriguing part of this piece is the two ‘robot’ arms that rather randomly seem to have landed in amongst them and are smoking from the arm sockets. There is a story which is skilfully illustrated, but it is a story belonging very much to the artist – as viewers we can only concoct our own stories. Great work from Daz Cat.
Natural adventures 