Another one from a month or two back from Decay which was painted for this year’s St Paul’s carnival. What is interesting about this piece is that it is a reversion to his older style of work with ‘Chuck’ in the centre of rays of concentric ovals eminating from the middle. I guess this design probably fit the space better than his more recent writing designs which are better on a ‘landscape’ wall.
Of course the colour selection is entirely appropriate to the carnival and many other pieces by other artists carried the same base colours. I can’t think how many pieces Decay has painted this year, and I haven’t captured them all by any means. I think that together with Rezwonk he bears the crown of most productive Bristol artist 2019, unless things change for the remainder of the year.
Decay is one of the most featured artists in Natural Adventures at the moment on account of his incredible productivity and I dread to think what his monthly paint bill must be. I mentioned in a recent post that his work is getting better with each new piece and that trend is continuing. I think that he is reaching a new level and although my expectations are raised, he is largely exceeding them with each new work.
This beautiful piece is part of a collaboration with Rezwonk (to follow) on one of the long walls of the M32 roundabout. There is so much movement and animation with the explosions and decorations that the whole thing is a feast for the eyes. It is not that long ago that Decay confined his work largely to a palette of red, greys, black and white, what a contrast with the hugely colourful work he is producing now. This is another gem from the man.
It just keeps getting better and better from Decay, and there seems to be a joyful freedom about his work at the moment. This gorgeous piece is just by the entrance to St Werburghs tunnel and has an instant presence or class about it.
The wall is not high and so Decay has had to vertically squeeze his writing into a limited space, creating more regularity to his letter heights than he is used to when he has more space. Perhaps this is why this piece looks rather different from his recent writing pattern. It might also be the great colour selections and fill in his letters. Whatever it is, I think that this is a very nice piece indeed from one of the most productive artists in Bristol this year.
This is an interesting piece by Decay along the M32 cycle path that uses minimal colours to great effect. Looking at his work recently has brought us on a bit of an adventure, crossing over from his abstract work into his writing, while retaining his little character ‘Chuck’ throughout. This piece almost feels like it is a reversion back to the abstract, even though it does spell out DECAY.
Decay has been incredibly prolific this year and has also teamed up regularly with other artists including Rezwonk and Nightwayss. It is interesting how artists build up these paint friendships which seem to be more linked to their personalities than their styles (take SPZero76 and Kid Crayon of the Eat crew for example).
It would appear that Decay has recently joined the LRS Krew (Last Radical Souls) who seem to be a loosely connected global crew who write the LRS everywhere. Here is his contribution (which is rather classier than many of the others on their Instagram feed) which he painted adjacent to the piece above. Always great work from Decay.
Decay is totally excelling at the moment, and it seems to me that each new piece he produces is better than the last. In the last year he has entered into a world of colour selections that might at one time have been unimaginable. This new piece is on the hoardings in North Street, curated by Upfest.
Not the easiest piece in the world to photograph and looking at the hazards around it, probably not the easiest to paint either. I truly believe Decay has found a new level in his work, but he needs to slow down… I’m having difficulty keeping up!
Well here is another one from Decay, with a little bit of collaboration from Rezwonk who provides the orange patterned base. I have to say that of Decay’s recent pieces I think this one just shades it as my favourite. You can find it on the M32 cycle path, which looks like it will be reopening very soon, and perhaps elevate access to this wall which has been a little neglected over the last year or so.
I think it is the first time I can remember Decay using this colour palette and I think that it works really well with his writing style. The evolution of his work is a journey I am enjoying very much, and each piece seems to push the boundaries just a little bit more. Still a whole bunch more to come. Rezwonk is a fine artist in his own right, but his tight, bright designs work extremely well in collaborations. All round great piece.
I said that there would be more from Decay, and by gum I am a man of my word. It feels like he is enjoying a new lease of life, and not only with writing letters, but also with his colour selections – less so perhaps in this piece but generally he appears to be using more colours in his work.
I think I might have to approach him and ask if he would be prepared to do an interview, because I think his story is likely a very interesting one. Note to self – get of arse and message Decay. More still to come from Decay.