I think it is fair to say that Werm has been on fire this year, and this piece on the roundabout is further proof of that. First off, his colour combinations leap off the wall and make this a rather mesmerising piece.
The symmetrical letters spelling WERM are filled with tidy vertical stripes in warm browns, reds and oranges. These are contained within a double white and turquoise border and supported with an upwards drop shadow offering perspective. A very nice tidy piece from Werm.
A gallery of fantastic characters and graffiti writing from Bristol-based artist Werm (formerly Eman).
Instagram: @wermpaints
All photographs by Scooj
Now, regular readers will know that brown is my least favourite colour when it comes to graffiti writing, and it is a path I am unlikely to deviate from or be persuaded otherwise, so the selection of brown aside… this is a really nice tight piece by Werm.
I rather like this letter style, which while keeping up the symmetry theme that Werm enjoys so much, also has something of a feel of Marvel or DC Comics about it, as if it should say ‘blam’ or ‘whack’ or something like that. Definitely a fun piece, well presented. Pity about the colour.
This is a delightfully clean and crisp piece by Werm, whose symmetrical pieces are a well known sight in the various graffiti spots around Bristol. I particularly like this one with its delightful colour scheme, and the boldness of it set on a white background.
It is well worth getting up close and taking a proper look at the letter fills in this piece, the overall colour is a blend of reds from dark to light, and running through the midline is a wonderful continuous orange line… a golden thread through the piece. This is a very attractive piece by Werm, that unfortunately only lasted a short time.
I am chronically short on time for today’s post, indeed I was short of time when I wrote it yesterday. This is another intricate bilaterally symmetrical piece piece from Werm, to bolster his catalogue of such pieces. I feel that he might move on to another theme before too long, especially as he has been painting these types of pieces for a while now.
This set of letters spelling WERM are rather nicely filled with a white and off-white colour and a contiguous pattern that runs through the piece. A deep pink drop shadow is bordered with a blue line and the whole thing is set on a blue splash, also symmetrical. Nice work.
Tucked away behind the iron fence of the swimming pool at Dean Lane is this fabulous collaboration combination piece from Werm and Zake. Werm, more than adequately providing the symmetrical letters, and Zake offering a couple of different cheeky characters peering over the top of them.
The horizontal band colour scheme, painted on an off-white background, works really well, and Zake has cleverly incorporated the band of colour into his characters. I’m not quite sure what it is about it, but this feels like a really classy piece to me, and I really like it.
Werm is becoming one of those consistent, drumbeat graffiti writers whose work is always there and reminds us what the Bristol street/graffiti art scene is all about. His current style takes us through his playing with symmetry of the letters WERM, forever striving for perfection.
In addition to his beautifully presented letters, Werm has set the piece on a pattern of pixelated cubes, adding just enough interest to lift the piece. Unfortunately, the afternoon sun has crept into the right-hand half of these pictures, but that is a daily hazard when photographing street art… and bins, and parked cars etc.
This is a neat and tidy piece of Winter writing from Werm painted in his symmetrical theme design. What is particularly attractive about this piece is that the proportions work really well, and it is really tight.
Orange and green are common colour combinations in graffiti writing and are colours that work extremely well together. It looks like Werm too his time with this piece, as all the lines are nice and straight, the fills accurate and the highlights very nicely placed. First-class writing from Werm.
I am tired, really tired. Returning to work from a week on leave is tough, and expectations on me are high. Over the Christmas period, I was informed that I would be ‘on loan’ to another team for 2 days a week. I was given no clear instruction, there was no discussion, and today I will be finding out what the tasks expected will be. I am unhappy about the situation, and it is causing me all sorts of unnecessary anxiety, but I will of course be professional and try to do the best job I can. My biggest concern is that I was already working at maximum capacity, and I am worried about the work I will have to drop, and the ‘clients’ I will have to let down. On a more cheery note (thank God I have street/graffiti art to lean on) here is a fine Christmas collaboration from Kool Hand and Werm.
A frosty, cold background is a fine setting for both pieces, and Kool Hand has gone for some big KOOL letters which are nicely filled and have some snowy white accents to give a little bit of a 3D perspective. Very festive.
Werm presents his letters in the symmetrical form he has been painting throughout 2024, but it is the festive colour selection that is the talking point of this piece. The two-red colour stripes are slightly reminiscent (consciously or otherwise) of Christmas candy sticks, and the green 3D drop shadow completes the holiday mood. Some nice star bursts complete the piece very nicely indeed. A good Christmas piece in a year when there were fewer than usual around the city.
I find myself sitting on a Great Western train on my way to London to get to a football match between the mighty Arsenal and Nottingham Forest. The journey has provided me with the gift of time that I don’t get too much of these days, and I am enjoying every second. I am even pushing the boat out with the third street art post of the day, something I am finding increasingly difficult to do.
This wonderfully symmetrical piece by Werm is typical of his style at the moment, and one in which I think he is hitting his best form. The letters in a script-like pattern spell WERM and are filled with two shades of orange. The drop shadow is dark blue and the border green. I feel instinctively that these colours shouldn’t really work well together, but somehow they do. In true graffiti writing style, Werm has included plenty of shout outs around the perimeter of the piece.
Natural adventures 