
I believe that Todoaciem has moved back to his native Spain, which would explain the absence of his outstanding calligraffiti on Bristol’s streets in recent months. I think he makes the journey back from time to time, probably to see his Bristol friends, and when he does he drops a piece, and this was a recent one from Cumberland Basin.

As ever, the writing is inch-perfect, spelling out CIEM, with incredible precision and discipline. The horizontal depressions in the wall make it a little easier to gain the uniformity of the letters, but that doesn’t take away from the skill needed to paint with this level of accuracy. Todoaciem’s fills transition beautifully in horizontal layers, and create a kind of metallic sheen for the piece. It is always great to find a piece by Todoaciem, especially as they are fairly infrequent these days.


























