5913. Cumberland Basin

Andy Council and Acer One, Cumberland Basin, Bristol, March 2024
Andy Council and Acer One, Cumberland Basin, Bristol, March 2024

Andy Council and Acer One are having a productive 2024, which is so good to see, and this is one of several collaborations that they have painted recently. This one is a bit of a play on words, altering the well known cliché ‘one love’ to ‘one dove’ and illustrating it accordingly.

Andy Council, Cumberland Basin, Bristol, March 2024
Andy Council, Cumberland Basin, Bristol, March 2024

The dove (rock pigeon), rather hidden behind a bush, is beautifully painted by Andy Council, and has beautifully captured the colouring of the bird, and represented the iridescence of the collar with greens, reds, oranges and yellows. The typical style that Andy Council uses includes the ‘stitching together’ of component parts with threaded lines. Great pink feet.

Acer One, Cumberland Basin, Bristol, March 2024
Acer One, Cumberland Basin, Bristol, March 2024

The writing is by Acer One, and deliberately or otherwise reflects the raining above the piece, with the vertical lines dominating. The stylised letters are beautifully picked out with the use of a dark shadow dropped behind them, giving them a bit of a lift. This is another wonderful collaboration and continuation of this purple patch the artists seem to be enjoying.

5906. Cumberland Basin

Marckinetic and Kid Krishna, Cumberland Basin, Bristol, March 2024
Marckinetic and Kid Krishna, Cumberland Basin, Bristol, March 2024

Marckinetic and Kid Krishna have been having a rather productive spring following what might be described as a reasonably lean winter. This collaborative pair of pieces, sharing a background and elements of a colour palette, is on the long wall at Cumberland Basin.

Marckinetic, Cumberland Basin, Bristol, March 2024
Marckinetic, Cumberland Basin, Bristol, March 2024

To the left Marckinetic has written the letters FFS, which would be difficult to know if you didn’t already know, if you know what I mean. His trademark galactic space cloud kind of fill is incorporated in the letters and the semicircle, to great effect. He has also painted a very nice black shadow, in the same mode as often used by Acer One. This is a creative and, as ever, interesting piece.

Kid Krishna, Cumberland Basin, Bristol, March 2024
Kid Krishna, Cumberland Basin, Bristol, March 2024

Kid Krishna, who has recently changed his Instagram account to @name_dropin, has been smashing it of late, and here he is again with one of his CRIE pieces so full of colour and interest in a fairly abstract presentation. I particularly like the ‘canyon’ at the bottom of the piece. I have so many unpublished pieces by Kid Krishna in my archive, and I am trying to figure out how I can post them all. A very nice collaborative wall.

5892. Cumberland Basin

Mote and Mr Crawls, Cumberland Basin, Bristol, March 2024
Mote and Mr Crawls, Cumberland Basin, Bristol, March 2024

It looks like the dynamic duo, Mr Crawls and Mote, are going to keep us entertained for some time to come, as their collaborations keep popping up all around the city, and as they paint more often together, they appear to be bouncing ideas off one another to bring about some convergent evolution of styles.

Mote, Cumberland Basin, Bristol, March 2024
Mote, Cumberland Basin, Bristol, March 2024

In these two utility box pieces, the artists have retreated a little back to their original identities, and the discrete nature of the boxes lend themselves to this separation. Mote has painted one of his friendly monster faces on a chrome background (the pair’s background of choice it seems) in his favoured pastel shades. Boldness juxtaposed with modesty – a good look.

Mr Crawls, Cumberland Basin, Bristol, March 2024
Mr Crawls, Cumberland Basin, Bristol, March 2024

On the adjacent utility box, Mr Crawls has seized the opportunity to paint one of his birds, I think this one is an eagle wearing a bucket/pork pie hat. Both pieces have omitted pupils in the eyes, leaving the characters with a bit of a ghostly or ambiguous expression, a deliberate move to leave the viewer a little unsettled perhaps? Great stuff from this pair.

5890. Cumberland Basin

Andy Council and Acer One, Cumberland Basin, Bristol, March 2024
Andy Council and Acer One, Cumberland Basin, Bristol, March 2024

You can definitely tell that spring is in the air when Acer One and Andy Council start teaming up with their wonderful collaborations, and this is one of a couple of recent walls they have painted in the Cumberland Basin area. Their contrasting styles are blended together perfectly in this piece, which really is an outstanding work.

Andy Council and Acer One, Cumberland Basin, Bristol, March 2024
Andy Council and Acer One, Cumberland Basin, Bristol, March 2024

Andy Council’s dragon, stitched together out of hundreds of detailed component parts, is on its own quite stunning, but when combined with Acer One’s geometric 3D cube and double impossible triangles, is utterly magnificent. This piece is a triumph, even by the high standards of the two artists, and has been painted in a spot that is likely to remain undisturbed for a while, so if you live in Bristol it is well worth a visit.

5887. Cumberland Basin

Creamylines, Cumberland Basin, Bristol, March 2024
Creamylines, Cumberland Basin, Bristol, March 2024

There is something about the unique nature of Creamylines’ work that I find very engaging, and I am always pleased to find new work by him. This is the second column piece that I have found recently in the area, and it looks as if the artist had a mini-blitz.

Creamylines, Cumberland Basin, Bristol, March 2024
Creamylines, Cumberland Basin, Bristol, March 2024

Creamylines has used the background colour of the column to great effect, creating a prefect backdrop to his ‘sunlit uplands’ landscape style. All the elements of his landscape work are there, the sun and clouds, a patchwork of colour and a river running through the whole piece. Of course, he has character eyes dotted around the place too. This is a really interesting style and quite unlike anything else we see in the city.

5852. Cumberland Basin

Kid Crayon, Cumberland Basin, Bristol, February 2024
Kid Crayon, Cumberland Basin, Bristol, February 2024

Kid Crayon holds a special place in the evolution of Natural Adventures, as it was his paste ups that drew me into the exciting and mysterious world of street art in Bristol, with posts such as this first one, my 11th post, or this one of the boy eating cheese. I developed a love for wheatpastes because of Kid Crayon, who eventually turned his attention to painting with spray cans.

Kid Crayon, Cumberland Basin, Bristol, February 2024
Kid Crayon, Cumberland Basin, Bristol, February 2024

Kid Crayon is nowhere near as prolific as he used to be, but this is probably a good sign, because it means that his work as an illustrator and animator is keeping his busy and bringing in an income. In this bright and colourful piece Kid Crayon has written his name in letters with a variety of fills, and the eye is drawn to the character in place of the letter ‘O’. A fun and most excellent piece reminding us all what a fabulously creative artist he is.

5804. Cumberland Basin

Marckinetic, Cumberland Basin, Bristol, January 2024
Marckinetic, Cumberland Basin, Bristol, January 2024

Marckinetic usually paints alongside his friend Kid Krishna, and so when the latter goes quiet, so does Marckinetic. Now that Kid Krishna has started firing on all cylinders again, Marckinetic has been out on at least two occasions recently.

Marckinetic, Cumberland Basin, Bristol, January 2024
Marckinetic, Cumberland Basin, Bristol, January 2024

This piece, painted in January, shows us just how original the artist’s style is. I believe that there is writing here, just not the way we are used to seeing it (there is a possibility the letters say MARC – CORRECTION – they spell out FFS (thank you Paul H)). The deep white shadows have a little bit of Acer One about them, but the ‘cosmic’ fills are all Marckinetic, and something of speciality. This is an unusual and very welcome piece in the vast spectrum of Bristol street/graffiti art.

5790. Cumberland Basin

Mr Draws, Cumberland Basin, Bristol, January 2024
Mr Draws, Cumberland Basin, Bristol, January 2024

Mr Draws is one of the most enduring and endearing artists in Bristol. His writing is familiar, albeit unconsciously, to any Bristolian who keeps their eyes open, and has been for several years. This large piece in Cumberland Basin is a cracker, which reminds m a little of a koi carp.

Mr Draws, Cumberland Basin, Bristol, January 2024
Mr Draws, Cumberland Basin, Bristol, January 2024

This is a very nice piece of writing from Mr Draws, with his typical letter shapes, a nice deep drop shadow and some nice fills. The gold ‘A’ draws the eye, and I have noticed a few pieces lately that have contained a gold letter… perhaps it is a thing. This is a fine piece from a fine artist.

5785. Cumberland Basin

Mr Crawls, Cumberland Basin, Bristol, January 2024
Mr Crawls, Cumberland Basin, Bristol, January 2024

One of the nicest surprises of 2023 has been the rise and rise of Mr Crawls, whose bird pieces have become a familiar sight all around the city. More recently, he has teamed up with Mote to produce some great fun pieces that work so well, each painting in their own style, which somehow come together seamlessly.

Mr Crawls, Cumberland Basin, Bristol, January 2024
Mr Crawls, Cumberland Basin, Bristol, January 2024

At first, I thought that Mr Crawls might be a bit of a one-trick-pony, but far from it, he has been modifying his characters and switching them up as he goes along. This solo bird has a comical cartoon expression, that Mr Crawls manages to paint so well. I predict another bumper year from this irrepressible artist.

5769. Cumberland Basin

Abbie Laura Smith, Cumberland Basin, Bristol, December 2023
Abbie Laura Smith, Cumberland Basin, Bristol, December 2023

Vigorously waving the banner for paste-ups in Bristol, pretty much single-handedly, is Abbey Laura Smith with her intriguing black and white portraits. Regular readers of Natural Adventures will know that I am an admirer of paste-ups or wheatpastes, and will drone on about how we just don’t see many in the city these days. This niche art form must not be confused with bill posters, which in my view are a plague, driven by the selfish interests of advertising for a product or a cause – they (in my very humble view) are not art in themselves despite being illustrated in most cases by graphic designers or artists, but are tomorrow’s litter, and today’s eyesore. Well we all have opinions, and that is mine, so there!

Abbie Laura Smith, Cumberland Basin, Bristol, December 2023
Abbie Laura Smith, Cumberland Basin, Bristol, December 2023

Wheatpasting is as much about the siting of the piece as the art itself, and Abbie Laura Smith has done a great job in thinking about the placement of this portrait on a utility box in Cumberland Basin. The artwork itself is a clean and crisp line drawing of a pretty lady, with some nice ‘graffiti drips’ at the base. I hope that Abbie’s efforts encourage a revival of this lost art in Bristol.