Awkward, Fade and Dibz, Dean Lane, Bristol, July 2024
The FUA (From Up Above) boys are at it again, although this time they are joined by Awkward, and have opted for a smaller wall for this collaboration. In this piece we see our two main protagonists getting closer and closer to fusion in their work.
Fade and Dibz, Dean Lane, Bristol, July 2024
Fade on the left and Dibz on the right have opted to use the same colours, 3D drop shadow, decorations and background, and it is only their stylistic differences that separate them. Dibz’ work tends to be a little bit more angular than the smoother edges of Fade. The colour transitions in the fills are excellent in both halves.
Awkward, Dean Lane, Bristol, July 2024Awkward, Dean Lane, Bristol, July 2024
The central piece is book-ended by two characters by Awkward, who has painted with Dibz and Fade in Dean Lane not all that long ago. Messages contained in the speech bubbles are ‘roll the dice’, ‘Awkward’ and ‘Stop the war’. The characters look typically alarmed/animated with their exaggerated eyes and wobbly outlines. A rather nice collaboration from the three artists.
In Dean Lane on the edge of the curved wall, Daz Cat has painted one of his trademark cats, but how his artwork has come on. In recent years, he has worked on and improved, immeasurably, his depth and features, which in his earlier work were rather flat. I guess I am saying that his work has become much more sophisticated. If you look at the image below, you will see what I mean.
Daz Cat, Dean Lane, Bristol, July 2024
This cheeky cat, sporting a bit of a quiff, is licking his face, something that cats seem to delight in being able to do. While this is a bit of a quick ‘stamp’ it is nonetheless really rather good.
There is no doubt in my mind. I simply have to publish a gallery of great graffiti writing by Noise, because his work is now so completely bedded down in Bristol, something he has managed to do in a relatively short amount of time. As well as working solo, he has also teamed up with a host of other Bristol artists in his celebrated collaborations, which has helped him to become super-established.
Noise, Dean Lane, Bristol, July 2024
This magnificent gold and red piece, painted on one of my favourite walls, is big and bold, and has the tiniest nod to calligraffiti on the up ticks on the tops of some of the letters. I like the shout-outs to Dibz and Fade, who were probably painting other walls in Dean Lane at the time, and interestingly the words ‘Joburg-Bristol’ which makes me think that perhaps Noise has South African connections.
Living in Bristol (as I do) and tracking down street/graffiti art (as I do) it is impossible not to be familiar with a stylised fox mega-tag that appears in all corners of the city. The foxes are painted by Foksymoron, and this is by far the largest one I have seen yet, in Dean Lane for Dean Lane Hardcore.
Foksymoron, Dean Lane, Bristol, July 2024
This skate ramp has often been decorated by Feek for the Dean Lane Hardcore event, but not this time, and Foksymoron appears to have done a pretty good job, filling the space. Foxes have a long and studied history in Bristol, and it is great to see so many featured on the street art scene. I have a host of foxes by Foksymoron in my archives, and feel that perhaps I ought to dig them out and post them all together… watch this space
One of this summer’s pleasures has been the reasonably regular appearances by Kid Crayon and his painting pal, I am Ian. This wacky piece features a large cartoon-style character, with tears flowing from his exaggerated eyes, and the caption ‘Ain’t easy being macho’, which is really funny.
I am Ian, Dean Lane, Bristol, July 2024
Although it isn’t necessarily intended to be topical or political, this piece and the caption speaks to me about a growing and disturbing phenomenon of disenfranchised white males, often poorly educated and with limited prospects, turning to the far right of politics, encouraged by the untruths and promises of divisive and disingenuous politicians and activists. The perfect example of this was the man in a grey tracksuit at the race riot in Southport this week, who was posturing and puffing out his chest in front of a line of police with their riot gear, only to be hit on the head with a brick and another large item, thrown by other rioters at the police, and then on retreating back to the fold, got struck in the bo**ocks by another missile. ‘Ain’t easy being macho’.
I’ll let you into a small and rather unimportant secret… I wrote this post yesterday because today I am going to visit Cheltenham tomorrow for the Cheltenham Paint Festival, which this year has an extraordinary line up, so expect some rather nice posts in about 2-3 weeks time. I am so pleased for Dice67, AKA Andy Davies, who has been running the festival since its inception, which is just becoming bigger and bigger with each year.
Zake, Dean Lane, Bristol, July 2024
This is a rather nice collaboration from PWA duo Zake and Face 1st in the narrow bit between a building and a skate ramp, hence the rather odd angle in the top photograph. Zake has painted a character yelling, painted with as much relief and texture as it is possible to get.
Face 1st, Dean Lane, Bristol, July 2024
Face 1st has painted his name in rather fetching reds and pinks with some interesting cross-hatching in the ‘c’ and in the hair of the laughing girl. I like the way that Face 1st has been experimenting with his writing a lot lately, although I miss his full body character pieces – I guess you can’t have it all!
Recently I have managed to miss out on a couple of Hire pieces, because I have just been too slow, and for some reason, his work has been getting overpainted quite quickly lately. I think it is bad timing on his part more than anything more sinister than that. So I was particularly pleased to catch this one.
Hire, Dean Lane, Bristol, July 2024
I have been an enormous fan of Hire’s since the first pieces I saw, many years ago. He consistently turns out brilliant graffiti writing and occasional rabbits to such a high level of precision. In this piece he has used the willing combination of pink and blue to create his HIRE lettering, but what I particularly like here is the interaction between the letters and the brown background, which is impacted by, and augments the letter shapes. Very nice work from Hire.
I am hugely encouraged to see that Kid Crayon had rediscovered his appetite for painting on the streets, or perhaps he has had a slight lull in his commercial work, whatever the reasons, he has painted several pieces of late, including this surfing polar bear behind the railings at Dean Lane.
Kid Crayon, Dean Lane, Bristol, July 2024
The combination piece features a rather cool polar bear surfing on an orange board in a sea of bubbles. The words Kid Crayon create a fine backdrop for the bear. Readers will know how much I like Kid Crayon’s work, however, this piece seems to lack something from my point of view. I think that maybe the black background isn’t right, or perhaps the bubbles don’t quite work, I don’t quite know, but when it comes to Kid Crayon I do set my expectations very high, so am probably just being a bit hyper-critical. More to come soon.
Over the last couple of months I have tried to post three pieces a day (upped from two a day before) to try and do justice to the sheer quantity and variety of artwork in Bristol. The harsh reality though is that about 60-70%, still, of the art I photograph never sees the light of day. I could make things easier for myself by being more selective and only posting ‘high-end’ pieces, but that is not what this blog is all about. Within these pages I strive to include, new entrants alongside established artists, stencils alongside graffiti writing and so on to reflect the diversity of the street art/graffiti scene in the city. So I shall plod along driven by my own enthusiasm and desire to share the amazing art in this Bristol.
Dirtygypo, Dean Lane, Bristol, July 2024
This is the second piece by Dirtygypo that I have posted and it most definitely won’t be the last. His work is bright and energetic and although different in style to Grimes, for example, it leaves one with a similar feeling of excitement and positivity. These two artists, and there are others, appear to be bringing something fresh to the mainstream that we are used to here, and I thoroughly welcome it. Great use of colour and unusual letter shapes, nicely defined with a black border combine to make this a really rather good piece.
This is the second piece (the first was by Deamze) I have seen in Bristol featuring Asterix and Obelix from the children’s comic book series written by Goscinny and illustrated by Uderzo, both, regrettably no longer with us, but their legacy lives on through apprentices who have carried on the series of books. I am something of an expert on Asterix, I was brought up on the books, and in my youth they were the only thing I would read (much to my family’s dismay), so I judge this remarkable piece by Fade and Dibz through critical lens.
Fade, Dean Lane, Bristol, July 2024
Starting with Fade, the strong and on-point letters in black with orange drop shadows, are nothing more than I would expect. For me, though the writing is eclipsed with the appearance of Dogmatix, Obelix’s dog, at the bottom left.
Fade and Dibz, Dean Lane, Bristol, July 2024
Dogmatix, obviously had a non-speaking part in the books, other than the odd growl or woof, and Fade’s rendition of the little character is perfect, picking up on his personality faithfully.
Fade and Dibz, Dean Lane, Bristol, July 2024
The centrepiece, probably painted by both Fade and Dibz features the heroes of the piece, Asterix and Obelix. The large sidekick, Obelix is 100% spot on, everything about his is brilliant. Getting on to Asterix though, my hypercritical eye isn’t quite happy with the warrior’s face, which feels slightly elongated… there is something not right about the proportions. I’ll let it go though, because they have tapped in to something that is deeply rooted in my childhood.
Dibz, Dean Lane, Bristol, July 2024
Dibz rounds off the production piece by mirroring Fade’s style and colours to provide balance to the whole collaboration. Remarkable stuff really and a red-letter day for me on finding it. Below is the Deamze piece from 2018 before he emigrated to Tasmania.