3780. Turbo Island

This was a rather nice little quick collaboration from Face 1st, Soap and Zake that rather predictably didn’t last very long. Turbo Island is a funny spot. Sometimes a piece can last for weeks there, but more often anything that is painted gets tagged within 24 hours and then it is up to someone else to pick up the batton.

Face 1st, Soap and Zake, Turbo Island, Bristol, June 2021
Face 1st, Soap and Zake, Turbo Island, Bristol, June 2021

Of course, we know that PWA boys Face 1st and Soap are regular painting buddies, but it is great to see Zake join them in this collaboration. Face 1st and Soap have merged their pieces in red with their trademark face and mouth/skull respectively. To the right, the Zake face reminds me very much of a ‘man in the moon’ type character, and has so much expression, looking over at the other two.

A great fun collaboration.

3747. M32 roundabout J3 (328)

I am thoroughly enjoying this relatively recent design format from Face 1st, and I think that this is roughly the fifth or sixth piece that I have seen in this style. One of the pleasures of taking an interest in street art is watching how each of the artists evolve their styles and subjects… what they practice and what they choose to discard. Few things on the street/graffiti art scene remain static.

Face 1st, M32 roundabout, Bristol, June 2021
Face 1st, M32 roundabout, Bristol, June 2021

This piece appeared a couple of weeks back, quietly and quickly and unusually not as part of a collaboration with PWA friends. The block letters spelling FACE are filled with the dynamic (crazy) blue hair belonging to the smiling girl, whose omnipresence is at the heart of all of Face 1st’s work. I like the darker tones of the piece, which seem to work really well. Another beauty.

3725. Nine Tree Hill (6)

I don’t visit this area nearly as often as I used to. In the olden days when I walked to the office (a dim and distant memory) I would often take a little detour up Nine Tree Hill and along Armada Place. My reduction in walking this way has coincided with a significant downward shift in turnover of pieces in the locality, indeed across much of the Stokes Croft area. It was rather a nice surprise therefore to come across these three little tag-pieces from PWA crew’s Face 1st, Soap and Nightwayss.

Nightwayss and Face 1st, Nine Trees Hill, Bristol, May 2021
Nightwayss and Face 1st, Nine Trees Hill, Bristol, May 2021

I am a bit of a fan of decorating utility boxes, which in their regimented green or black monochrome colours are eyesores that pollute every street in every village, town and city in the UK. Decorating these boxes is not legal, but in my view most welcome, and in some cities around the world is actively welcomed or even commissioned… imaging that. The three pieces here are quick throw ups, probably painted in haste. The monkey is by Nightwayss, the face by Face 1st and the mouth/skull by Soap. These are the key signature elements of each of the three artists.

Soap, Nine Trees Hill, Bristol, May 2021
Soap, Nine Trees Hill, Bristol, May 2021

The three artists have decorated one box each and brightened up this little corner immeasurably. I am sure that some people will see this as thoughtless vandalism and be quite angry about it. This is the spice of life.

3707. M32 roundabout J3 (321)

This large collaboration goes back a few weeks, and I have already posted the fourth element, the Daz Cat character, a little while ago. The remaining triptych is by Face 1st, Sage and Soap, and is really rather special.

Face 1st, M32 roundabout, Bristol, May 2021
Face 1st, M32 roundabout, Bristol, May 2021

To the left is the familiar work of Face 1st painted in a dazzling chrome. The letters FACE contain a feature used by Face 1st before, the introduction of a couple of  swords. Quite what these swords symbolise I can’t say, but they appear to be driven into the smiling girl’s head, which is a little unsettling to say the least.

Sage, M32 roundabout, Bristol, May 2021
Sage, M32 roundabout, Bristol, May 2021

The middle section is, in my view, outstanding. The character by Sage just has something about it that really chimes for me. It is the perfect centrepiece to the triptych and really shows off Sage’s talent. The cartoon-style character somehow seems to fit the PWA ‘brand’ really nicely and reminds me of a very early PWA wall in St Paul’s (now gone)

Soap, M32 roundabout, Bristol, May 2021
Soap, M32 roundabout, Bristol, May 2021

On the right, as is so often the case in these PWA collaborations is a very nice piece of writing, also in chrome, from Soap. Lots off bones and gems in this veritable archeological/geological piece. The soap tag forms the centrepiece of tis complex piece.

Another wonderful PWA collaboration for us all to enjoy.

3693. Brunel Way (104)

Face 1st is still painting at full tilt at the moment and every day I feel like I am stumbling across something new from him. This piece was from earlier on this month and is in the style of his most recent theme of what looks like burst bubblegum mess surrounding the smiling girl’s mouth and face.

Face 1st, Brunel Way, Bristol, May 2021
Face 1st, Brunel Way, Bristol, May 2021

It is interesting how some artists hit upon an idea or theme and then work on it for a while before moving on to the next thing. Decay is another artist who reinvents his theme roughly annually and then produces lots of versions of the new theme. All fascinating stuff. More of these from Face 1st to come.

3669. M32 Cycle path (124)

Another flurry of activity from Face 1st and Soap, whom are really making my life very difficult at the moment with their productivity and quality of work. If their stuff was rubbish, then I could easily ignore it and move on, but it is not and I feel compelled to post it whenever possible.

Face 1st, M32 cycle path, Bristol, May 2021
Face 1st, M32 cycle path, Bristol, May 2021

This pair of PWA artists have collaborated in this spot quite a few times over the years and their friendship appears to be as strong as ever. The collaboration is a Kill the Bill piece, which will meet with a lot of sympathy in Bristol. Another cheerful expression on this happy girl from Face 1st with a subtle FACE written into her hair.

Soap, M32 cycle path, Bristol, May 2021
Soap, M32 cycle path, Bristol, May 2021

Soap has reverted to a standard form of his iconic skull/mouths design, and the character is holding up a protest banner. The fill is very nicely blended with some nice decorations. The whole collaboration is set on a pinky cloudy kind of backdrop and ticks a lot of boxes for me. Nice work.

Face 1st and Soap, M32 cycle path, Bristol, May 2021
Face 1st and Soap, M32 cycle path, Bristol, May 2021

3665. St Werburghs tunnel (238)

At the entrance to St Werburghs tunnel, Face 1st left this beautiful trademark piece a little while back. It would seem that Face 1st has been experimenting of late with some angular block lettering which I have seen two or three times now.

Face 1st, St Werburghs, Bristol, March 2021
Face 1st, St Werburghs, Bristol, March 2021

As ever, there is an enormous amount of expression in the piece, something that Face 1st manages to achieve with the minimum of fuss, not dissimilar to the way Stik conveys emotion with his simple figures. I have lots of Face 1st pieces to catch up on… aargh, the backlog!

3636. Moon Street (88)

Here he is again, the beating heart, the drum-beat of Bristol graffiti art reassuring us that all’s well. Face 1st has painted this doorway in Moon Street many times in the past, but his visits to this holy place for graffiti, along with visits of other artists, have declined in frequency since the area started undergoing some major gentrification. Soon Moon Street and the nearby hotspots for street art and graffiti will be mere memories, embedded in photographic archives and digital spaces. The Bristol scene will continue to thrive though, I am sure, just in different places.

Face 1st, Moon Street, Bristol, April 2021
Face 1st, Moon Street, Bristol, April 2021

This piece is similar to one that Face 1st painter on the M32 roundabout a couple of weeks back, with a lot of pink bubblegum kind of stuff going on with the character’s hair. I think that Face 1st must have had a job lot of pink and needed to use it up. Always good and always present. Fun from this PWA perennial.

Face 1st, M32 roundabout, Bristol, April 2021
Face 1st, M32 roundabout, Bristol, April 2021

3623. M32 roundabout J3 (309)

A classic piece of Face 1stery going on here on the M32 roundabout. In times of turbulence and disruption there are rocks, sturdy landmarks, that remind us that actually everything is ok. Face 1st is one of those rocks. His pieces are painted regularly and when I see them I feel comforted and grounded.

Face 1st, M32 roundabout, Bristol, April 2021
Face 1st, M32 roundabout, Bristol, April 2021

This is a lovely example of his work with the customarily cheerful girl whose hair is composed of the letters FACE. This time there is a pink goo highlighting the letters, looking a little bit like bubblegum, which in my experience is best kept well away from hair.

I remember once back in the 1970s I was in a smoke-filled cinema in Muswell Hill (incredible to think that smoking at the cinema was the norm). Half way through the film a discarded piece of bubblegum that had been lobbed from the circle seats landed and lodged in my 1970s hair. Disgusting. My mum had to cut it out with scissors when I got home. I felt violated and humiliated. If I ever catch the perpetrator I’ll…

3616. Cumberland Basin

Here we have a classic Face 1st piece. A wall tucked away from general view and a chuckling girl’s face splashed on it. It is pieces like this, dotted all over the city that add to the overall fabric of Bristol. Sub-consciously, many thousands of people in Bristol will have seen one of these faces, they might not have registered them, but they will have seen them, and they will process them simply as being part of the furniture of the city.

Face 1st, Cumberland Basin, Bristol, April 2021
Face 1st, Cumberland Basin, Bristol, April 2021

Somehow, Face 1st injects a sense of fun and mischief into his work that comes across so well. These cheeky girls probably play slightly into the hands of subversive minds (it is graffiti after all), but are entirely accessible for all to enjoy and feel free. This one is a particularly lovely ecxample.