2742. Turbo Island

Oh my goodness, Sled One is literally (almost, figuratively too sort of) on fire at the moment, or at least painting fire, with this bright character toasting a cartoon marshmallow over a hot flame.

Sled One, Turbo Island, Bristol, February 2020
Sled One, Turbo Island, Bristol, February 2020

This piece is more contrived than might at first be apparent. The subject is a direct nod to the bonfires that are regularly started on the little ‘green’ on Turbo Island usually by revellers, homeless people or addicts of one sort or another. I think that this is a remarkable piece by Sled One in so many ways. Technically it is brilliant, but equally brilliant is the little story that is unfolding in front of us.

Sled One, Turbo Island, Bristol, February 2020
Sled One, Turbo Island, Bristol, February 2020

I don’t really know how it is even possible, but I think this young artist is just getting better and better and I’m not sure he is even close to peaking yet. I hope this purple patch we are seeing from Sled One continues well into the year.

2687. Turbo Island

Turbo Island Has seen quite a bit of action in the last month. First there was a reminder to vote in the election from DNT (not posted), then there was a happy Christmas message from Rezwonk and Decay, and then early in the new year, Mr Klue gave us this lovely abstract piece.

Mr Klue, Turbo Island, Bristol, January 2020
Mr Klue, Turbo Island, Bristol, January 2020

Nothing lasts long on this hoarding before it gets tagged, and I was a bit slow in photographing this one. I do think though that it is a great place for street/graffiti art and I would like to think that this will become a high quality high turnover space for local artists. It certainly is in a fantastic spot with a whole ton of cars passing by every day, and I think that there is an element of curation from the Peeople’s Republic of Stokes Croft.

Mr Klue has included a Mad Hatter’s hat, which is a motif used reasonably frequently in the artist’s work. Great to see a flurry of Mr Klue pieces this winter, because as many will know I am an admirer of his nicely understated work.

2667. Turbo Island

Of all the wonderful street art pieces that I write about on Natural Adventures, by far the most tricky are the ones linked to dates in the calendar, such as Christmas and Halloween. This is because I am pretty much always running with a backlog of posts and because I tend to write them in advance. This means that if I take pictures of a wonderful collaboration like this one by Decay and Rezwonk on Christmas Eve (which I did) it takes several days and sometimes weeks to process and write about them. What I am saying is that my system is not very flexible and I am not very agile in my approach. No matter, I get there in the end, and the artwork is no lessim pressive for the delay.

Rezwonk and Decay, Turbo Island, Bristol, December 2019
Rezwonk and Decay, Turbo Island, Bristol, December 2019

I couldn’t get a clean front-on shot of this piece at Turbo Island, because there were several homeless people sleeping just in front of it and I didn’t want to be insensitive to their privacy (not that you have any sleeping in the open air).

The collaboration itself is yet another from these two regulars who have painted together many times this year and seem to enjoy it – I think they paint together under the crew name HTM, but I don’t know what it stands for yet. The snowy scene is beautifully crafted by both artists, but it is the twinkling lights that top the piece off perfectly, and I love the socket and plug too, a great touch. A  near perfect Christmas piece (I think it has already gone).

2655. Turbo Island

Here at Turbo Island we have two Mutatee faces for the price of one. One has been painted over while the other had been stuck to the wall more recently at the time I took this picture.

Mutatee, Turbo Island, Bristol, November 2019
Mutatee, Turbo Island, Bristol, November 2019

On the left the face is almost invisible, especially from a distance as it blends into the wall. What is rather comforting is that both of these little faces will probably be here for some time and undergo reasonably frequent facelifts whenever the wall is repainted.

Mutatee, Turbo Island, Bristol, November 2019
Mutatee, Turbo Island, Bristol, November 2019

The more recent face on the right has retained its vibrant blue colour that we have come to know and love in Bristol. I have now found quite a few of these little installations, but am rather hoping that there are plenty more to find.

2449. Turbo Island

FTurbo Island is a dynamic spot in Bristol. It is in the heart of Stokes Croft and attracts a spectrum of visitors, many high or drunk, who use the space to sit and while away the day. It also has a nice wall that the People’s Republic of Stokes Croft (PRSC) try to curate, but tagging is a real problem here which is a great shame.

Hazard, Turbo Island, Bristol, September 2019
Hazard, Turbo Island, Bristol, September 2019

I decided to go ahead and post this beautiful portrait by Hazard in spite of the tags because I don’t  think it had been up for much more than a day when I photographed it. I spoke to Hazard about it when I met her at the Cheltenham Art Festival and she was fairly philosophical about it and said ‘well it’s Turbo Island, isn’t it?’.

The portrait is another in shades of blue and red and is really beautiful. There is something even more annoying about the tags that are indiscriminate in their destruction, can’t the DBK lot appreciate beauty? Are they incapable of leaving some beautiful things alone? Untouched it would have looked a little bit like the pieces below:

 

2084. Stokes Croft, Turbo Island (4)

Yet another amazing surprise from a week or two back walking on my way to work was this magnificent collaboration by DNT and Hazard. Previously this wall had hosted a fine collaboration by Soap, Hazard and Tasha Bee.

Hazard and DNT, Stokes Croft, Bristol, March 2019
Hazard and DNT, Stokes Croft, Bristol, March 2019

I haven’t seen any animals by Hazard before, only pictures of people’s faces, so this was definitely a lovely new insight for me. The Tiger’s face is brilliantly painted using as spectrum of white through to black spray paints, and it works perfectly on this wall.

Hazard and DNT, Stokes Croft, Bristol, March 2019
Hazard and DNT, Stokes Croft, Bristol, March 2019

The whole piece is brightened up with colourful writing by DNT on then left and Hazard on the right. The only thing I am n ot certain about here is whether Hazard’s name was by her or DNT. If it was by Hazard, then this is another first for me. Turbo Island is becoming a really great spot once again thanks to the efforts of PRSC and others who are working hard to make use of this wall.

1984. Stokes Croft, Turbo Island (3)

Turbo Island has taken on a new lease of life since the PRSC (the People’s Republic of Stokes Croft) and associates tidied things up here. They should be really proud of the work they have done to set this wall up as a viable curated street art spot. Just look at this amazing montage of an old Sepr piece on the right, some monstrous advertising hoarding and an extraordinary collaboration by Soap, Hazard and Tasha Bee below it.

Soap, Hazard and Tasha Bee, Stokes Croft, Bristol, January 2019
Soap, Hazard and Tasha Bee, Stokes Croft, Bristol, January 2019

The collaboration itself is nicely balanced and colourful and combines three distinct but complementary styles.

Soap and Tasha Bee, Stokes Croft, Bristol, January 2019
Soap and Tasha Bee, Stokes Croft, Bristol, January 2019

Starting on the left is an interesting combination from Soap and Tasha Bee, who are collaborating a great deal at the moment. It is great to see Tasha Bee working on a different design, this time a rather pretty stylised cat.

Hazard, Stokes Croft, Bristol, January 2019
Hazard, Stokes Croft, Bristol, January 2019

In the centre of the collaboration is a magnificent grayscale portrait by Hazard…have I said yet how great it is to have her back in Bristol creating these beautiful artworks around the place? And those flowers and cacti bring an exotic touch and richness to the piece.

Tasha Bee, Stokes Croft, Bristol, January 2019
Tasha Bee, Stokes Croft, Bristol, January 2019

Finally, on the right hand side of the collaboration is a trademark Tasha Bee portrait looking on with deep serenity. This is how a great wall should look, and well done to the three artists who do so much to uplift the streets of Bristol.