5849. M32 roundabout J3 (555)

Saor, M32 roundabout, Bristol, February 2024
Saor, M32 roundabout, Bristol, February 2024

Saor, formerly known as Flava136, is an artist at the top of his game and one who paints in a similar style to Epok. He consistently pushes the boundaries of design, precision and interesting content. Saor often paints with his NTS crew mates, Mudra and Kosc, and this piece was part of a recent collaboration on the north wall of the M32 roundabout.

Saor, M32 roundabout, Bristol, February 2024
Saor, M32 roundabout, Bristol, February 2024

There is a lot to like about this outstanding piece of writing. The letters spell out Saor in Black Grey and white, with some subtle but impactful tints of green. There is a sense of geometry creating a framework from which some more organic shapes and forms are trying to emerge. Perhaps a tension between precision and softness that grabs the attention. The can control that Saor has is second to none and this is a magnificent piece of graffiti writing. We are blessed.

4938. Dean Lane skate park (556)

Saor, Dean Lane, Bristol, February 2022
Saor, Dean Lane, Bristol, February 2022

Another fine piece that got overlooked in my February postings last year is this magnificent work from Saor. On a dull winter day, the orange elements of the piece really cut through and draw the eye in. The piece was painted alongside NTS crew mate Mudra.

Saor, Dean Lane, Bristol, February 2022
Saor, Dean Lane, Bristol, February 2022

I may have said it before, but Saor’s style reminds me quite a lot of Epok’s work (what has happened to Epok – I wonder). The concept is highly designed and very cleanly finished, almost as if it was painted with fine brushes. I particularly like the shadow behind the right-hand side of the orange letters. As always from Saor, a nicely conceived piece, brilliantly executed.

4759. Cumberland Basin

Saor, Cumberland Basin, Bristol, October 2022
Saor, Cumberland Basin, Bristol, October 2022

I go away for a few days and whaddayaknow, a whole bunch of walls have been refreshed, including the long wall at Cumberland Basin. There are several beauties that have gone up there, and this fine piece by Saor is right up there.

Saor, Cumberland Basin, Bristol, October 2022
Saor, Cumberland Basin, Bristol, October 2022

The thing I most like about Saor’s work is that every piece he paints is immaculately turned out. The lines are sharp, the fills solid and the designs imaginative. As his work develops, there are definitely some similarities with the Bristol writer Epok, whose letter designs contain combinations of curves and geometry in harmonious balance. This is a lovely piece from Saor.

4623. Upfest 2022 (38)

Saor, Upfest 22, Bristol, May 2022
Saor, Upfest 22, Bristol, May 2022

On meeting Saor recently at the Cheltenham Paint Fesitval recently, he said that he would prefer me to refer to him as Saor in my blog posts rather than by his previous name. I said that I would do it, even if it gives me a bit of a headache in terms of tagging and cataloguing things. So Saor it is.

Saor, Upfest 22, Bristol, May 2022
Saor, Upfest 22, Bristol, May 2022

This Upfest piece is an absolute beauty. Crisp and clean and with a wonderful colour colour palette. the form of Saor’s letters remind me a little of Epok’s writing style, which is praise indeed. The letters spell out the name SAOR. It was very sweet, watching Saor’s little assistant helping out.

Saor, Upfest 22, Bristol, May 2022
Saor, Upfest 22, Bristol, May 2022

The monster face seems to be back now, having been left out of a few recent pieces, and you can see that Saor hadn’t quite finished off the wispy circular cloud (a halo?) when I took these WIP shots. Saor is definitely an artist who continues to up his game with each new piece.

4598. Dean Lane skate park (512)

I have encountered a small dilemma, it happens quite a lot in the world of documenting street art. Flava136 is making a deliberate move towards refreshing his moniker to Saor. Part of me feels that I should follow his lead, but the other part of me feels like it will simply muck up all my tagging and labelling which is a nightmare for archiving, searching etc. So as you will see I have decided to stick with Flava136, even though it is now Saor.

Flava136, Dean Lane, Bristol, July 2022
Flava136, Dean Lane, Bristol, July 2022

The name is somewhat irrelevant when it comes to his artwork, which is always presented to the highest possible standards. The piece is horizontally bisected with different colour transitions either side of the line. We also see a return of the toothy monster character, which is becoming a less central part of his work these days. This is yet another sharp, on-point piece from an outstanding artist.

4469. Cumberland Basin

When it comes to precision, there are few artists better than Flava136. In recent months, he has reinvented his work with a new look, ditching the monster character, but still uses the same style of blended straight lines and curves, solid fills and geometry. I would liken his work to Epok, although each has their own distinctive look.

Flava136, Cumberland Basin, Bristol, May 2022
Flava136, Cumberland Basin, Bristol, May 2022

Flava136, now pushing the NTS label, teases us with these abstract shapes and designs, in a well thought out colour palette. I am not sure what the letters spell out, and I will need to get better at interpreting his cryptic work. Suffice it to say though, Flava136 is without doubt one of the tidiest artists painting in Bristol, and always produces spectacular work. This is a beauty.

4134. Dean Lane skate park (447)

You can never rule out anything in the world of street/graffiti art, and to do so would be to suck the surprise and joy out of it all. I would never have predicted a Flava136/Mudra collaboration, and yet down in the Deaner we have a near-perfect mash-up from these two superb artists.

Flava136 and Mudra, Dean Lane, Bristol, December 2021
Flava136 and Mudra, Dean Lane, Bristol, December 2021

This is a great example of a blended collaboration where it is difficult to be certain who painted what. There are of course the obvious bits that have all the hallmarks of the individual artists, but the bits in-between… A trained eye can tell them apart, but to most people you’d look at this piece and consider it to be by one artist.

Basically the central monster and smiley face are by Flava136, and the left and right hand elements (which spell out MUDRA (some creative imagination required)) are by Mudra. The whole thing is an absolute gem and I hopt that they will get together again sometime in the future.

3992. M32 Cycle path (145)

I think that this is the last piece to be posted from a recent and most welcome spate of excellent work by Flava136 in Bristol. Having said that, maybe his trips will continue to be more frequent, and he seems to clicked with quite a few members of the LRS crew in the city.

Flava136, M32 Cycle path, Bristol, August 2021
Flava136, M32 Cycle path, Bristol, August 2021

As with the last piece I posted, Flava136 has produced some cryptic writing into this monster piece. I guess it says FLAVA or part of it, where the F is obvious, but thereafter I am clutching at straws a little – perhaps there is an L just above the tongue. Anyhow, this is yet another outstanding, sharp piece from Flava136.

Flava136

A gallery of outstanding work from this Gloucester graffiti artist

All photographs by Scooj

Flava136, M32 Cycle path, Bristol, August 2021
Flava136, M32 Cycle path, Bristol, August 2021
Flava136, Dean Lane, Bristol, September 2021
Flava136, Dean Lane, Bristol, September 2021
Flava136, Dean Lane, Bristol, August 2021
Flava136, Dean Lane, Bristol, August 2021
Flava136, Cumberland Basin, Bristol, August 2021
Flava136, Cumberland Basin, Bristol, August 2021
Flava136, Cumberland Basin, Bristol, July 2021
Flava136, Cumberland Basin, Bristol, July 2021
Flava136, Dean Lane, Bristol, April 2021
Flava136, Dean Lane, Bristol, April 2021
Flava136, Dean Lane, Bristol, April 2021
Flava136, Dean Lane, Bristol, April 2021
Flava136, Paint Festival 2020, Cheltenham, September 2020
Flava136, Paint Festival 2020, Cheltenham, September 2020
Flava136, Dean Lane, Bristol, July 2020
Flava136, Dean Lane, Bristol, July 2020
Flava136, L Dub, Bristol, January 2020
Flava136, L Dub, Bristol, January 2020
Flava136, Dean Lane, Bristol, August 2019
Flava136, Dean Lane, Bristol, August 2019
Flava136, Paint Festival 2019, Cheltenham, September 2019
Flava136, Paint Festival 2019, Cheltenham, September 2019
Kash and Flava136, Dean Lane, Bristol, September 2019
Kash and Flava136, Dean Lane, Bristol, September 2019
Flava136, Dean Lane, Bristol, September 2019
Flava136, Dean Lane, Bristol, September 2019

3957. Dean Lane skate park (429)

This is another wonderful piece by Flava136 in what has been the latest in a sequence of very welcome visits to Bristol recently. The photograph not only features the outstanding work of the artist, but also a couple of bags of rubbish. Now I am all for people tidying up this grubby corner of the skate park, but not finishing the job by taking the rubbish away and simply abandoning the rubbish bags (spoiling my pictures) is a bit useless really. There are bins not more than 30m away from this spot.

Flava136, Dean Lane, Bristol, September 2021
Flava136, Dean Lane, Bristol, September 2021

The superb work of Flava136 is the most overt writing I have noticed in his work before, such is the cryptic nature of his style. Clearly you can see an F, an L and an A, after that I think that there is a V in the monster’s teeth and an A at the end, with a little H inside it (maybe). Great to look at and so damn neat and tidy (contrasting with the bin bags).