When it comes to precision, there are few artists better than Flava136. In recent months, he has reinvented his work with a new look, ditching the monster character, but still uses the same style of blended straight lines and curves, solid fills and geometry. I would liken his work to Epok, although each has their own distinctive look.
Flava136, now pushing the NTS label, teases us with these abstract shapes and designs, in a well thought out colour palette. I am not sure what the letters spell out, and I will need to get better at interpreting his cryptic work. Suffice it to say though, Flava136 is without doubt one of the tidiest artists painting in Bristol, and always produces spectacular work. This is a beauty.
You can never rule out anything in the world of street/graffiti art, and to do so would be to suck the surprise and joy out of it all. I would never have predicted a Flava136/Mudra collaboration, and yet down in the Deaner we have a near-perfect mash-up from these two superb artists.
This is a great example of a blended collaboration where it is difficult to be certain who painted what. There are of course the obvious bits that have all the hallmarks of the individual artists, but the bits in-between… A trained eye can tell them apart, but to most people you’d look at this piece and consider it to be by one artist.
Basically the central monster and smiley face are by Flava136, and the left and right hand elements (which spell out MUDRA (some creative imagination required)) are by Mudra. The whole thing is an absolute gem and I hopt that they will get together again sometime in the future.
I think that this is the last piece to be posted from a recent and most welcome spate of excellent work by Flava136 in Bristol. Having said that, maybe his trips will continue to be more frequent, and he seems to clicked with quite a few members of the LRS crew in the city.
As with the last piece I posted, Flava136 has produced some cryptic writing into this monster piece. I guess it says FLAVA or part of it, where the F is obvious, but thereafter I am clutching at straws a little – perhaps there is an L just above the tongue. Anyhow, this is yet another outstanding, sharp piece from Flava136.
This is another wonderful piece by Flava136 in what has been the latest in a sequence of very welcome visits to Bristol recently. The photograph not only features the outstanding work of the artist, but also a couple of bags of rubbish. Now I am all for people tidying up this grubby corner of the skate park, but not finishing the job by taking the rubbish away and simply abandoning the rubbish bags (spoiling my pictures) is a bit useless really. There are bins not more than 30m away from this spot.
The superb work of Flava136 is the most overt writing I have noticed in his work before, such is the cryptic nature of his style. Clearly you can see an F, an L and an A, after that I think that there is a V in the monster’s teeth and an A at the end, with a little H inside it (maybe). Great to look at and so damn neat and tidy (contrasting with the bin bags).
It is a very good thing indeed that Flava136 has decided to visit Bristol several times recently, and long may it last – perhaps he should move here, that would be nice. His work is some of the cleanest you could hope to see, and by that I mean that everything, from the Emulsion backdrop to all the elements in his work are left with clean lines. There are no border lines tidying up little blemishes. Everything is perfectly painted, and this takes a lot of skill and patience.
The customary monster, with big teeth, is joined by a green smiley and decorated with all sorts of shapes, lines and colour schemes. The truth being tyold, I don’t think I can get enough of his pieces, each one being turned out immaculately. I don’t think I have seen a scrappy piece from the artist, ever. Superb piece, and more to come.
As a long-time admirer of Flava136’s work, it was a real treat to meet the artist for the first time during a paint jam on the long wall at Cumberland Basin. As is so often the case when meeting these folk, he was an awful lot younger than I had expected, but isn’t that what old people say about everyone?
Watching Flava136 bring this piece together was an education, and his skill and technique shone through in his ability to keep such clean lines throughout. The design and colour selections of this one are quite exceptional, and I think this might be my favourite of his yet.
Featuring a kind of mash-up of a monster and some abstract artwork, Flava136’s work is always instantly recognisable and definitely a crowd-pleaser. Although he doesn’t live in Bristol, he manages to visit reasonably regularly which can only be a good thing. Excellent piece.
I can’t be a hundred percent certain whether this was a collaboration or simply two pieces that had been painted adjacent to one another, but the black background leads me to believe it is the former.
On the left is another wonderful piece from Flava136 painted on a recent visit to Bristol from his native Cheltenham/Stroud kind of area. It is an absolute scorcher with a lot of complex things going on in the fills and shadings of the goofy monster. Lovely precise work.
To the right of the curved wall is a rather nice chrome set of letters spelling out VEK with a fine blue and green border, reflecting the colours of the 2DAE piece at the top of the wall, which I don’t think is a part of the collaboration, although I wouldn’t swear to it. Veks is having a bit of a busy time at the moment. I wonder how much all of these artists will be getting out once we resume a more ‘normal’ pre-Covid situation.
It looks like Flava136 may have spent a few days in Bristol a week or two back and during that visit he left us two very nice pieces indeed, this being the first one. Flava136 has worked hard on perfecting his monster style and his execution seems to improve with each new piece I see.
Although this piece didn’t last too long, it certainly made a lasting impression. When I took this picture, Varo was painting next to it. He offered to move his trolley, but I said that trolleys were all part of the picture and he needn’t bother. It almost looks like Flava136’s monster is about to devour the trolley. I love the way that Flava136’s work is becoming this mash-up of abstract and character art. Great colours too. This is a lovely fresh piece.
Cheltenham is home to a small number of artists, but thanks in large part to Dice67 and his Cheltenham Paint Festival, it is firmly on the street art map of the UK. One of those local artists (although he might be from Gloucester, I can never quite remember) is Flava136 whose piece for this year’s festival was simply beautiful.
It is just such a pity that we don’t see more of his work in Bristol. His monster character is becoming more and more stylised and the design elements becoming more prominent. This piece is so clean and tidy and is a great showcase of his fine work. Flava136 is an artist I’ve yet to meet, but I’m sure it will happen soon enough.