Gold – Natural adventures

7108. M32 Cycle path (293)

Tera, M32 Cycle path, Bristol, June 2025

I have continued to dig out Tera pieces that I failed to post at the time they were painted, so this one from June is a little out of sequence, but demonstrates really well his development, which has been so rapid.

I’m not quite sure what the overall message here is, but when I see skeletons and gold coins, I think about avarice and comeuppance. A message that I am always mindful of, and one that reinforces my dislike of selfish billionaires, is that ‘you can’t take it with you’. This piece says that to me. It is a well-painted piece that, in part, reflects his accelerated progress, and highlights some of the areas he can sharpen up on, which, in fairness, he has been doing since painting this a couple of months back.

6853. M32 roundabout J2 (10)

Face 1st, M32 roundabout J2, Bristol, March 2025

Since moving out of Bristol, Face 1st has lived up to his reassurance that he would be back reasonably regularly to carry on painting walls. I have noticed, however, that he has selected spots that are a little bit off the beaten track. This piece is on the junction 2 roundabout of the M32, where turnover is a little slower than other spots.

Face 1st has been concentrating a little on his letter styles of late, playing with new fonts and presentations. He has also taken to painting with gold paint (perhaps he put in a big order of the stuff). These lower-case letters, in pink, have nice fills and shout-outs to his PWA crew Soap, Zake and Chill. Face 1st is a firm favourite on Natural Adventures.

6715. M32 roundabout J2 (9)

Face 1st, M32 roundabout J2, Bristol, January 2025

I don’t tend to venture to the Junction 2 roundabout on the M32, because there isn’t often much to see there, but my most recent trip was rewarded by finding this nice Face 1st piece in one of the multitude of tunnels. This was more special than usual, because as I have said here before, Face 1st has moved out of town, and his pieces appear less frequently.

The piece itself is a classic combination from the artist, with a Girl’s face (somewhat mucky around the mouth), and big hair, with the word FACE in glorious gold, wrapped around. The letters are painted in a chunky block style that Face 1st rather likes to paint, and the whole thing is a bit of a blast from the past. It is great to see that Face 1st is living up to his word of returning to Bristol reasonably regularly to paint a little.

6634. St Werburghs tunnel (469)

Mr Klue, St Werburghs, Bristol, December 2024

I believe that this piece by Mr Klue was painted at breakneck speed. On the day it was painted, I checked out the wall around lunchtime, and there was nothing there. Paul H visited the spot a while later and the piece was completed. This is my account of events… of course I might have had a ‘moment’, or a blind spot and walked past the piece without noticing it, but I simply don’t think that happened. Anyhow, all’s well that ends well, and I managed to snap it up as if it were new, eventually.

2024 was a stand-out year for Mr Klue, and what a way to round-off the year with this fine abstract writing piece set on a festive gold background. The letters spell KLUE, and are more defined here than in some of his more ephemeral pieces. The orange and turquoise work well together and are augmented with splashes of lime green and purple. A fine piece. I am looking forward to another great year from Mr Klue in 2025

6516. Dean Lane skate park (777)

Mr Crawls and Mote, Dean Lane, Bristol, October 2024

Although they appear to have slowed down ever so slightly, Mote and Mr Crawls continue to keep us entertained with their creative monster collaborations. This one on the swimming pool wall has quite a festive feel about it, although it is a little early for Christmas, not that anyone told the supermarkets!

Mr Crawls, Dean Lane, Bristol, October 2024

Set on a gold background, which is a progression from their recent penchant for chrome, Mr Crawls has painted one of his bird characters, it might be a penguin, looking mighty cold, wearing a woolly hat and with icicles dangling from its bill. The coloured blobs dotted around the character work incredibly well, adding a dimension our feathered friend.

Mote has created a monster unlike any other, but which holds a certain fascination in its unusualness. Some aspects of the character resemble ET, but I think that this is coincidental rather than planned. There is something a little haunting about this monster, which I guess is appropriate for the Halloween period.

6257. Dean Lane skate park (738)

There is no doubt in my mind. I simply have to publish a gallery of great graffiti writing by Noise, because his work is now so completely bedded down in Bristol, something he has managed to do in a relatively short amount of time. As well as working solo, he has also teamed up with a host of other Bristol artists in his celebrated collaborations, which has helped him to become super-established.

This magnificent gold and red piece, painted on one of my favourite walls, is big and bold, and has the tiniest nod to calligraffiti on the up ticks on the tops of some of the letters. I like the shout-outs to Dibz and Fade, who were probably painting other walls in Dean Lane at the time, and interestingly the words ‘Joburg-Bristol’ which makes me think that perhaps Noise has South African connections.

6102. Cumberland Basin

Sait Bare, Cumberland Bain, Bristol, May 2024

Rather annoyingly, I keep missing pieces by Sait Bare, either finding them prior to completion or that they have been overpainted, so it was a relief to find this one finished and intact. This letter/character combination piece is painted in a metallic gold colour, that is strong, and the background decor reflects the general messiness of the wall.

The letters spell SAIT with the character taking the pace of the letter ‘i’, and there is a deep red and black striped drop shadow. The character is painted in a carton style, with the eyes and mouth standing out in white against the gold. There is a lot to like about this piece and I look forward to finding more from Sait Bare.

6032. St Werburghs tunnel (424)

Fade and Pekoe, St Werburghs, Bristol, May 2024

Ah! Bravo! Bravo! What a magnificent and, if I am honest, slightly unexpected collaboration from Fade and Pekoe in the tunnel. Although the pair have painted together in the past, it still somehow feels like a surprise when they hook up to paint together.

I was going to write that this might not be the tightest of pieces, but the more I look at it the better it gets I’m my view. The sumptuous colour palette of gold and light purple ticks all the boxes and turns a good wall into a great one. Fade has kept the purple flashes to a subtle minimum, with just enough colour to complement the wonderful gold writing. Lifting the letters further is the beautifully clean white accent line along the upper edges of the letters. Brilliant.

I wasn’t too sure about Pekoe’s portrait on first glance, but I am sure now that it is absolutely on point. The lady is wearing a gold hoody that frames a beautifully expressive face and flowing hair. The woman’s face looks quizzically amused about something, and seems to be suspended in that moment before breaking into laughter, at least that is what I see, and that is the joy of art, we each take home what we see. I really love this collaboration and look forward to their next project together.

5866. M32 roundabout J3 (558)

Stivs, M32 roundabout, Bristol, February 2024

It was great to catch up with Stivs while he was painting this piece, and it gave me the opportunity to tell him how much I admired his incredible technical skills with creating these amazing calligraffiti letters. Stivs has made a deliberate choice to move back to writing words he used to write before writing Stivs, namely the word KRAP and variants of it. In this case he has written KRAPSTER.

The letters are not only beautifully crafted and proportioned, but they also incorporate four shades of yellow, one for each elevation, which together create the appearance of gold letters and a three-dimensional effect. The letters are set on a contrasting matrix of pink lines and squiggles, which rounds off the whole production nicely. Great piece by Stivs.

5777. Dean Lane skate park (679)

Noise, Dean Lane, Bristol, December 2023

Ooh! this is a very nice piece of graffiti writing from Noise, which was painted in collaboration with Werm for the ‘World Wall Stylers’ December 2023 challenge (@worldwallstylers), which I think incorporated the colours gold and red. Noise followed the brief well.

I like Noise’s large letters, that really impose themselves, and the fact that the ‘I’ sits over the ‘O and S’ which in turn sit over the ‘N and E’. The gold fill is nice and solid with only a few decorative elements, leaving the letters looking uncluttered. This is yet another decent piece from Noise.

	paulh121 on 7352. Cumberland Basin
	Sheree on 7352. Cumberland Basin
	paulh121 on 7350. Hillgrove Street (9…
	Bill Bisgood on Thursday doors – 11 Dece…
	scooj on Thursday doors – 11 Dece…

	paulh121 on 7352. Cumberland Basin
	Sheree on 7352. Cumberland Basin
	paulh121 on 7350. Hillgrove Street (9…
	Bill Bisgood on Thursday doors – 11 Dece…
	scooj on Thursday doors – 11 Dece…

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