The curved wall in Dean Lane skatepark has been getting a lot of action lately and this pink blobby piece by Stupid Stupid Meathole only lasted a few days before being replaced by Inkie (see next post).
Stupid Stupid Meathole, Dean Lane, Bristol, June 2019
I have always rather enjoyed the faintly grotesque nature of Stupid Stupid Meathole’s work, and this piece with three eyes staring out of it is itself overwritten by the same artist with a little throw up saying ‘Hole’. I’m not certain that many people will have seen this piece, so it is just as well that I got there to record it for posterity.
We live in curious times. In the UK we have been enduring an insane paralysis brought about by Brexit, something that has irreversibly divided the nation. In the United States, the most powerful man in the world, President Donald Trump, sets an uneasy tone which resonates globally as his uncompromising ‘business man’ approach to politics destabilises all around him in his efforts to deliver an America first agenda. And yet all this pales into insignificance in the light of two of the most pressing issues in human history… climate change and biodiversity loss.
Jody, Upfest, Tobacco Factory, Bristol, May 2019
In such moments unlikely heroes arise, and none more unlikely than sixteen year-old Swedish schoolgirl Greta Thunberg. This incredible painting by Bristol’s Jody, part of Upfest’s Summer Editions programme, is a worthy tribute to a young girl whose voice speaks for millions and whose direct messages have contributed to a change in how governments listen to this narrative. Of course listening and acting are two different things, but Greta seems to be in no mood to stop campaigning just yet.
Jody, Upfest, Tobacco Factory, Bristol, May 2019
Jody, Upfest, Tobacco Factory, Bristol, May 2019
Jody spent a couple of weeks creating this piece and I saw him on a few occasions while he was painting it. We chatted briefly, and I was rather pleased to find out that he has read some of my posts on Natural Adventures. He said that my reviews of his work were kind, and I rather foolishly said that I was kind to everyone, which then made me feel like I was saying that his work was not special. Well let’s put that straight right now… his work is exceptional and of the highest quality and this will I’m sure become an Iconic image of Greta. I believe that pictures and stories about it have already gone global.
Jody, Upfest, Tobacco Factory, Bristol, May 2019
It is funny how Greta Thunberg has become a world leader in taking these issues to governments and citizens and bringing climate change up the agenda. Of course, other campaigners have been banging on about this for decades, but somehow her arrival and campaigning came just at the right time, following huge public opinion shifts around the issue of single use plastics, themselves probably prompted by the amazing work of the BBC and Blue Planet 2 and of course Sir David Attenborough.
We have reached a crossroads, and nations must decide how they are going to meet the challenges of Climate change and biodiversity loss. I would say at this point (and I apologise for pointing this out) that there is a strong correlation between Brexiteers and Trumpists (small ‘c’ conservatives) and climate change denial/apathy or even charges of conspiracy. What these people have not registered or acknowledged is that climate change and biodiversity loss will not discriminate against those people they impact upon, nobody will be immune.
We will all lose unless something is done. Large businesses and their shareholders will lose money and maybe collapse; coastal cities and towns will become battered by increasing frequency of storms and rising sea levels; insurance companies will struggle to operate models that can cope with the claims made; more people will go hungry as crops ruin, trade collapses and selfishness protects the rich.
A bleak future for all of us, and the ‘flat earthers’ who don’t want to face up to these challenges put all of us at risk by their deliberating and self-protection. Fools. Look no further than the man-made islands in Dubai and the most fantastic monuments to human folly – built on funds from fossil fuels, these islands will inundate as sea levels rise. You couldn’t make it up.
Here endeth the rant.
Jody, Upfest, Tobacco Factory, Bristol, June 2019
I thank Upfest for making this happen. I thank Jody for choosing to paint this outstanding piece. I thank Greta Thunberg for giving me hope and inspiration. I have dedicated my life to the environment personally and professionally and at last I feel we might be approaching a tipping point where public opinion influences public policy.
Jody, Upfest, Tobacco Factory, Bristol, June 2019
Let’s hope that this iconic piece and iconic young woman continue to inspire us all (even those who disagree with their message, in fact especially those who disagree with their message).
Two weekends ago there was a special event held at the Tobacco Factory to celebrate 25 years since becoming a Bristol arts venue. As part of those celebrations the Tobacco Factory teamed up with Upfest who organised some artists to paint the car park walls under the Summer Editions banner. A firm favourite for such events is the wonderful Alex Lucas who painted this gorgeous piece.
Alex Lucas, The Tobacco Factory, Bristol, May 2019
Entitled ‘Pipe peace’ the illustration is based on a particular type of smoking pipe, used by a number of Native American cultures in their sacred ceremonies (so Alex tells us in her Instagram feed). I guess the link is tobacco.
The pipe reminds me that one of my closest friends at school, and indeed a next door neighbour, had a peace pipe in his house which belonged to his father. His father was an illustrator of children’s books, all of which were Native American stories, brought to life with the most extraordinarily detailed drawings using Rotring ink pens. I loved the books he created and the illustrations were sublime. His name was Paul Goble and I was always full of admiration of his work. I just read on the Wikipedia page that he passed away in 2017, which has made me feel very sad indeed. I digress…
Alex Lucas, The Tobacco Factory, Bristol, May 2019
Alex was very busy with her work when I went to the 25th anniversary celebrations, and I had my dog with me, so I wasn’t really able to have a chat, especially as my dog might have upset her dog which was in the crate next to her. I really like this piece, the lines are so clean and the simple four colours work so well together, a little reminiscent of the Dr Seuss illustrative style. Definitely worth a trip.
What a fabulous piece this is by Rusk. I don’t tend to associate his work with character pieces, but this burner/character combo is a real winner. I never read any of the Garfield cartoons, but certainly know who he is, and this lazy cat is brilliantly suspended in the ‘U’ of Rusk.
Rusk, Dean Lane, Bristol, May 2019
The writing, as you would expect from Rusk is absolutely first class and the colour combinations absolutely perfect. That red is ‘to die for’. This piece was painted alongside an excellent Rezwonk piece (to follow) a couple of weeks back. Really great piece.
Getting a bit lost in Bristol can have its rewards. I dropped my son off at a friend’s house recently, he could have got the local train, but it was a Bank Holiday and they just don’t run very regularly, so the dad taxi it was. Good thing too, because I decided to take a different route home which meant that I drove past this magnificent mural by Alex Lucas that I had no idea even existed.
Alex Lucas, Easton Business Centre, Bristol, May 2019
The commission is an eye catching and vibrant ‘advert’ for the Easton Business Centre, and I imagine has become something of a local landmark. It is an imaginative and creative piece in the wonderful illustrative style used by Alex Lucas.
Alex Lucas, Easton Business Centre, Bristol, May 2019
Three rather shifty looking foxes are dressed and equipped as miners. I am not sure of the significance of this other than that there has historically been some mining in Bristol and maybe this is a reference to that. Whatever the story, this is an absolute gem and finding it was a joyful moment.
Elvs is a fine wildstyle writer from Wales, although I don’t know if he lives in Bristol or in Wales, but he tends to do several pieces every year in the popular Bristol graffiti spots. This is one of at least two pieces he did during May this year (more on his other one soon) and it really shows mastery of his elaborate ‘tag’, which remains broadly similar in shape from wall to wall.
Elvs, Dean Lane, Bristol, May 2019
This piece is characteristically clean and sharp, with three lovely horizontal layers of pink acting as a backdrop to the detailing in black that makes this so obviously an Elvs piece. I’m not certain what the Japanese writing says, but I do know that it is in the Katakana form. It might say HiSoKu. I’ve noticed that Elvs quite often has this Japanese influence in his pieces. I’ll have to ask him to elaborate next time I see him.
Iain MacArthur is an artist and illustrator based in London who only occasionally paints street art pieces, mostly focussing his efforts on designs for t-shirts and skateboards etc. (so his Upfest biography tells me).
Iain MacArthur, Upfest, Bristol, July 2018
This is a really interesting and somewhat challenging piece that shows a cut-away black and white face with a host of colourful strands bursting out like ideas or thoughts. The whole piece has a distinctive illustrative style, and the circles with the little motif inside them are particularly striking. I’d be interested in seeing more from Iain MacArthur.
I love wheatpastes (in case you hadn’t noticed) and at Upfest 2018 we were blessed with a series of poignant and thought provoking stencil paste ups by About Ponny. I was particularly moved by these small scenes, each one depicting the marginalised or forgotten, the vulnerable or neglected.
About Ponny, Upfest, Bristol, July 2018
This one, produced in sepia tones, shows two small children sheltering under a small basket, and has overtones of iconic images from the Vietnam or Cambodian conflicts. There is so much emotion and sadness and pity captured in this image. Really, truly this is an outstanding piece of art.
Inkie is no stranger to Upfest, nor indeed to the streets of Bristol, and this piece sitting above a burner he turned out in 2017 is a festival classic, and has a strong connection with the piece he did for Upfest 2016 also featuring Isambard Kingdom Brunel.
Inkie, Upfest, Bristol, May 2018
This piece combines the tools of the trade both for Inkie and for the draftsman and engineer, both local heros in their own field.
Inkie, Upfest, Bristol, May 2018
I think that Inkie does a great job for Upfest every year, and isn’t at all shy abut shouting out the Upfest brand at every opportunity.
Inkie, Upfest, Bristol, May 2018
From recollection, I think that Inkie didn’t quite manage to finish this wall during the festival, and I had to return some days later to get some pictures of the completed work. Well worth the wait though.
It seems I am drawn to the amazing work of Bex Glover, having recently shared two new pieces by her in Bristol. This was her Upfest 2018 piece and is neatly tucked away in the Hen and Chicken pub back yard and can still be viewed (having had a reprieve due to the absence of a festival this year).
Bex Glover, Upfest, Bristol, May 2018
Bex Glover’s elegant style is instantly recognisable and thoroughly accessible. Usually a natural/wildlife theme drawn out with simple clean lines and a colour palette that is so very easy on the eye and consistent between pieces. I am a big fan of her work and this is another example of her enormous talent.
Natural adventures 