Tag: Graffiti

382. Upfest 2016 (26)

Having recently posted a piece by Mr Sle7en, I thought it would be good to share his contribution to Upfest 2016. Again, Mr Sle7en incorporates the third eye into this piece and uses the strong colours associated with his work.

Mr Sle7en, Upfest 2016, Bristol, July 2016
Mr Sle7en, Upfest 2016, Bristol, July 2016

The writing says ‘Free Sesk’ which is a reference to the recent custodial sentence dished out to Jack Keeling, a well known tagger and graffiti writer in Bristol. I featured one of his throw ups on New Year’s Day this year. It seems a little unfair that he has been jailed, when there are so many other taggers in town, but I guess this happens from time to time and they all know the risks they are taking.

381. Dean Lane skate park (15)

A witty homage to Pokemon Go by John D’oh on the tarmac of Dean Lane skate park. It looks like Pikachu may have seen better days.

John D'oh, Dean Lane, Bristol, August 2016
John D’oh, Dean Lane, Bristol, August 2016

This is not the only Pikachu in town…I’ll need to dig the other one that I know of out. Fun contemporary stuff from one of the most prolific street artists in Bristol.

380. Armada Place (6)

The fencing in Armada Place is a hotspot that is slightly off the beaten track, and can easily be missed. I make a point of taking the short diversion away from Stokes Croft on my way to work, to be able to capture gems like this one by Fois (Kleiner Shames).

Kleiner Shames, Armada Place, Bristol, August 2016
Kleiner Shames, Armada Place, Bristol, August 2016

It feels like Fois has become a little more active recently, or maybe I am just finding more of his wildstyle pieces. I don’t know, but I always feel good when I come across one for the first time. I like the way that he disguises the name Fois just enough to make it hard for the ‘untrained’ eye to read. This is really a wonderful piece that he calls ‘a quick one’.

Kleiner Shames, Armada Place, Bristol, August 2016
Kleiner Shames, Armada Place, Bristol, August 2016

Only recently I found out that Fois is actually Kleiner Shames – a rather respectable looking designer. It irks me that by calling him Fois all this time I look like a bit of an idiot. I suppose it is all part of being on the outside looking in.

379. Moon Street (16)

One of the great things about Upfest is all the ‘extras’ that get left behind by artists who come over to Bristol for a few days. Hunting these down is all part of the fun for street rats. This is a wonderful set of three wheatpastes left by Din Din, whose ‘official’ stencil was utterly fantastic.

Din Din, Moon Street, Bristol, August 2016
Din Din, Moon Street, Bristol, August 2016

Here on the North side of town it is great to see some of Din Din’s work. Although it is already looking a bit scruffy, it is still a pleasure to see it. I am not too sure who the pictures are of other than they are heavily tattooed men, but I like them regardless. More of these ‘naughties’ to come.

378. Stokes Croft, the Carriageworks (16)

I do love the Carriageworks. The pieces here tend to be quite large because of the framing of the arches, and so we are often treated to ‘special’ work. The turnover for any work here is about a month or so, so this piece is approaching its ‘sell by’ date. It has been a while since I posted about Mr Sle7en, which is a pity, because I love his work. It would seem that he is not as prolific as some of our other artists, but he is no less talented.

Mr Sle7en, Stokes Croft, Bristol, August 2016
Mr Sle7en, Stokes Croft, Bristol, August 2016

In this mysterious piece, we have the ‘signature’ single eye that is common to Mr Sle7en’s work.There is always something about his work that I like. I can’t put my finger on it, but it is unusual, sometimes unsettling but always beautifully executed.

377. West Pallant, Chichester

Having only recently posted about JPS in Weston-super-Mare, I was lucky enough to find this wonderful JPS cat while staying with my mother in West Wittering recently.

JPS, West Pallant, Chichester, August 2016
JPS, West Pallant, Chichester, August 2016

I knew the cat was somewhere in Chichester, but wasn’t sure where. I don’t know if you have ever been to Chichester, but its compass layout should be a simple enough plan to map out in your brain. I, however, and I know I am not alone in this, really struggle to know where on earth I am when in one of the four main streets. This cat I hope will help me to navigate better in future, along with the wonderful Stik not too far away.

JPS, West Pallant, Chichester, August 2016
JPS, West Pallant, Chichester, August 2016

This cat by JPS has been stencilled in other places too…another post maybe. It is quite beautiful. The stencil itself is exceptional and the colouring really makes it stand out. If you look carefully you will see the the letters J P S disguised in the cat’s fur. One of my favourite stencils.

JPS, West Pallant, Chichester, August 2016
JPS, West Pallant, Chichester, August 2016

376. Hoxton Square, Shoreditch, London (2)

I couldn’t resist sneaking this wonderful stencil by Unify in during this ‘Upfest lull’. One of my earliest posts was a Unify piece in Bristol, that is as fresh today as the day it was sprayed. I have looked for other pieces by him, but found nothing in Bristol. In London however, his hometown, I have found some of his work.

Unify, Hoxton Square, Shoreditch, London, August 2016
Unify, Hoxton Square, Shoreditch, London, August 2016

This amazing piece that I recall seeing on digital media a little while ago, is obviously a commentary on immigration and probably the Brexit referendum. It is a powerful bit of street art.

Unify, Hoxton Square, Shoreditch, London, August 2016
Unify, Hoxton Square, Shoreditch, London, August 2016

This piece sits quietly next to the wonderful Mr Cenz and Fanakapan pieces that I recently posted here. More to come from Unify soon.

 

 

375. M32 roundabout J3 (15)

I am enjoying posting about Upfest, but equally, like taking a break to post some of the more ‘earthy’ or visceral graffiti art that Bristol plays host to. Upfest comes and goes…this stuff is the beating heart of the Bristol scene, without which Upfest would possibly have less meaning or context.

Laic217, M32 roundabout, Bristol, June 2016
Laic217, M32 roundabout, Bristol, June 2016

This is a typical piece by Laic217 which I photographed a couple of months ago. The characteristic letters of his name and character piece. There appears to be a bit of symbolism going on here as well, an impenetrable wall, behind which lies a heart. There is a story.

Laic217, M32 roundabout, Bristol, June 2016
Laic217, M32 roundabout, Bristol, June 2016

I like Laic217’s work but would say that I prefer his full size faces to his burners, but that is only my personal preference. Nice to write about some local artists again.

374. Upfest 2016 (25)

Anyone who reads this blog regularly will know that I am particularly fond of wheatpastes. First it was Kid Crayon that got me interested and then 23 Magpies. More recently I have discovered the magic of Phoebe New York. Always there though, has been the work of D7606 a recent convert to the world of street art. Take time to read this excellent interview with D7606 by London Graffiti Interviews, in which he explains his name and describes his transition into wheatpasting.

D7606, North Street, Upfest, Bristol, July2016
D7606, North Street, Upfest, Bristol, July2016

When D7606 first pasted up this “Twiggy” post box, there was nothing else there, just a clean red box and his Twiggys. By the time I came to photograph it a day later, it was accompanied by no end of stickers…it would seem that a great many sticker enthusiasts enjoy the freedom that Upfest affords. You will spot also that some horns and glasses have been added to the left hand Twiggy.

D7606, North Street, Upfest, Bristol, July2016
D7606, North Street, Upfest, Bristol, July2016

I really like D7606’s work, and have spotted it all over the place so look out for more posts about him coming soon.

373. Upfest 2016 (24)

Tucked away in the garden of St Francis Church on North Street were a collection of artists who had prepared their works on boards 1.2m x 1.2m. Lurking here in one of the festival ‘backwaters’ were some wonderful treasures.

Swilfa, Upfest, Bristol, July 2016
Swilfa, Upfest, Bristol, July 2016

This magnificent piece by Swilfa, a London artist, captures Bob Marley really beautifully. What is different about his pieces is that they are created using a combination of acrylic paints and old pieces of vinyl records. If you look carefully you will see that the hair is styled from some 40 vinyl records (according to Swilfa’s Facebook page).