1966. M32 roundabout J3 (118)

It is obvious from this collaboration combined with Instagram posts from each of these artists that they not only paint well together, but they are really good friends too. Jointly, Hazard and Tasha Bee are at the vanguard of female street art in Bristol, although if I am honest an artist’s gender to me is not as relevant as the quality of their work, both score highly on the latter measure.

Hazard, M32, Bristol, January 2019
Hazard, M32, Bristol, January 2019

The Hazard piece on the left is a copy of the one she painted in Stokes Croft a couple of weeks earlier and has that amazing blue and red shadow thing going on.

Hazard, Stokes Croft, Bristol, December 2018
Hazard, Stokes Croft, Bristol, December 2018

It is so good to have her in Bristol for a while because we get to see her work first hand, rather than via social media – I need to photograph her most recent piece this lunchtime (by the time you read this it was a couple of days ago).

Tasha Bee, M32, Bristol, January 2019
Tasha Bee, M32, Bristol, January 2019

The Tasha Bee piece on the right is in such a different style – flat rather than 3D and highly designed, fitting the ‘Tasha Bee brand’ if that makes any sense at all. I love the work of both of these artists, and although I have met Tasha Bee several times, I would love to meet Hazard too and see her at work. Wonderful collaboration.

1302. St Werburghs tunnel (16)

The turnover of work in St Werburghs tunnel is quite eye-watering. I don’t visit very often, but every time I go, pretty much everything is new. I went down there deliberately this time to find this piece by Hazard.

Hazard, St Werburghs tunnel, Bristol, January 2018
Hazard, St Werburghs tunnel, Bristol, January 2018

It is hard not to be utterly captivated by her work (hers is on the right) which usually features a female portrait, either face on or profile, with beautifully ornate hair and head decorations.

Hazard, St Werburghs tunnel, Bristol, January 2018
Hazard, St Werburghs tunnel, Bristol, January 2018

I am not too sure who the piece on the left is by, but the contrast in styles is really interesting and in fact both work quite well together. I’m not sure that this was a collaboration, but I might be wrong. A fine piece.

There is a comment below from Tasha Bee who painted the lady on the left, she says it was a collaboration, and seeing the joint signature now, it all seems obvious.

1283. Stokes Croft, the Carriageworks (33)

There is so much talent in Bristol, and I am very proud to have adopted it as my home. This is a lovely piece by the amazing Hazard whose Upfest offering was one of my favourites last year.

Hazard, Stokes Croft, Bristol, January 2018
Hazard, Stokes Croft, Bristol, January 2018

Certainly this is a striking work and really stands out on the Carriageworks wall. Hazard sprayed it to promote Bristol singer Katie Sky’s new EP, and the image is taken from the cover and promotional designs for the EP. It would appear from reading Katie Sky’s Twitter feed that she and Hazard are friends, which is how this piece came about.

Hazard, Stokes Croft, Bristol, January 2018
Hazard, Stokes Croft, Bristol, January 2018

Now, you probably know that I am not always too fond of street art being used for advertising, but I am going to have to make an exception in this example because I think that Hazard’s work is so very good. Two very talented Bristol ladies doing the city proud.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1097. Upfest 2017 (90)

On the hoardings in South Street Park, not far from the Miss Wah and Korp collaboration, was this exceptional piece by Hazard. I am not all that familiar with Hazard’s work, but she has been recognised by The Guardian as one of the top five female street artists in the UK, and you can see why.

Hazard, Upfest, Bristol, July 2017
Hazard, Upfest, Bristol, July 2017

Her pieces are often feature a female portrait with ornate hair ornamentation, and this is a really superb example of her work. It is interesting to see that she completed the portrait first and then went on to decorate the hair with scarves and feathers. The horns add another strange element to the whole thing.

Hazard, Upfest, Bristol, July 2017
Hazard, Upfest, Bristol, July 2017

I didn’t get a chance to meet her, but with any luck she will be back in Bristol before too long. I have a feeling, from reading her biography on her website, that she might live somewhere in the West of England, but that is just a hunch.