In this piece, we have everything that I like about the Bristol street art scene. First, it is a collaboration between Tasha Bee and Soap – firm friends and painting buddies. Second it is bright and vibrant and in a highly stylised form. Third, the location, St Werburghs tunnel is just sooo Bristol.
The two characters in the collaboration work so very well together and the colours read-across seamlessly. I am more used to seeing the large mouths that Soap is recognised for, and indeed there is a hint of that on the hat of his character, but it is this wonderfully expressive face that he paints from time to time that I really like. I was so happy to come across this piece, especially as the turnover in the tunnel is particularly high at the moment.
Ubiquitous is one of the words I would use to describe the work of Tasha Bee. It doesn’t seem to matter where I wonder, I end up finding some of her work. This piece I found while taking the dog on a long walk around Montpelier – I wasn’t even hunting it down.
Tasha Bee I think also wears the crown at the moment for being the most prolific artist in Bristol, giving Laic217 and Nevergiveup and Facef1st a run for their money. I have said before how much I love the serenity of her faces, and am enjoying more and more the fills she is using for the hair. Great work.
I arrived at this piece a little too late to see it in its original condition. It had been a collaboration between Mr Draws (in the middle) bookended by Tasha Bee. However, before I managed to get to see it, Oner had made a little contribution of his own.
I have to admit that I rather like Oner’s burners. There is a certain honesty about them, unpretentious but nicely turned out and often just a little bit edgy. Tasha Bee has rapidly made it into my group of favourite Bristol artists with her stylised characters and pretty flower motifs.
She is very prolific, and even today on a long walk with the dog I found a couple more of her pieces. There is something rather spiritual about her characters, it might be something to do with the simplicity of the lines or the closed eyes or the little peace and love signs, I’m not sure, but they ooze serenity. It is a pity I didn’t see the Mr Draws bit in the middle, but I can imagine it.
I became aware of this piece of work when I saw an Instagram post from Tasha Bee describing a collaboration on Turbo Island, Stokes Croft with Mr Draws. I decided to walk home…I usually get the bus because I don’t feel as fresh as in the mornings…and what a good decision that was.
By the time I got to Turbo Island I had already found two new pieces in roads I don’t often visit, which was a great start, and Mr Draws and Tasha Bee were just finishing off and tidying up.
This wall hasn’t been sprayed for a long time, and a collection of artists supported by the People’s Republic of Stokes Croft (PSRC) are trying to resurrect it as a ‘legal’ wall with a regular turnover. This is a risk, because the site is prone to impromptu parties and gatherings and often gets pretty messed up.
The collaboration itself is rather lovely, with Mr Draws’ multicoloured mountains and two figures by Tasha Bee and the message in both Latin and English ‘All things are in common’, which expresses the idea that the world belongs to everyone, rather than the way society is organised where the disposessed and dominated are overlooked to the benefit of the few.
Sadly the piece was tagged less than 24 hours later – predictable but annoying really.
A serendipitous meeting. I had a couple of hours to race around Bristol seeking out any new works before going away on my summer holiday in mid-August, and the last port of call before packing up the car and heading for Gatwick was the M32 roundabout.
As I approached the southern wall I could see Tasha Bee at work, which in itself was very exciting because I have recently become more aware of her work and have been keen to meet the artist. I struck up a conversation with her and could see that she was contributing to a collaboration with PWA’s Soap and Face F1st. I said that I was sorry to have missed them because I would like to meet them both, whereupon she told me that they were sitting on the grass bank right behind me. Hurrah! I stopped for a chat with them all (I hope I didn’t interfere too much with their work) and Face 1st let me have a flick through his black book which felt like a real privilege.
Soap and Face F1st had pretty much finished their pieces and were watching on and advising Tasha Bee as she completed hers. I love the way that the cross motif has been shared by Soap and FF, and I am seriously enjoying the full figure work that the latter is producing at the moment. The girl with the face is emerging and coming to life.
Sadly I never got to see the the finished piece which got buffed over within a few days, but I thoroughly enjoyed the experience of meeting three lovely artists and seeing them at work. We’ll meet again…
This is the second of two recent pieces by the marvelous Tasha Bee. Regulars will know that I admire her work a great deal, and this piece is no exception to that. One of the things I love about her art is that I rarely go looking for it, tending to find it instead when I am out on one of my little expeditions.
In this one, which is just outside the roundabout on the St Pauls side, there are two serene figures in purple and blue facing each other. Consistent with her work, both have closed eyes and a calmness about them. I rather like the ear decorations, one is a yin yang symbol and the other a peace symbol. A lovely find.
I think I am in love with Tasha Bee’s work…there I’ve said it. I don’t know what it is about her style that presses all of my buttons, but there is something. Maybe it is the slightly 60s look and feel, maybe it is the colour palettes she uses, maybe it is the simplicity of expressions on her subjects or maybe it is that she does awesome collaborations with Face 1st. It is probably all of these and more.
This was one of two pieces I recently photographed in St Werburghs tunnel, lucky me, and each of them is equally good. The only dowenside is their location in the tunnel – the lighting is always so tricky. I think I might have got away with it this time…just.