This is the second recent piece from Tasha Bee that appeared at the other end of St Werburghs tunnel to her collaboration with Antikki. It is such a pleasure to see her painting again. Although she is really busy with her Pot Heads business, I hope that she finds time to splash a little paint at walls more often.
Tasha Bee, St Werburghs, Bristol, July 2021
This is classic Tasha Bee. A stylised portrait with eyes shut, this time wearing a rather colourful and fetching cap. The criss-cross patterning on the cap I think is a technique she picked up from Soap a while back. Let’s hope this is not a one-off return to painting.
I cannot explain how thrilled I was to see this collaboration recently, because it heralded the return to throwing paint at walls of Tasha Bee, one of my favourite artists. Tasha Bee has been concentrating on other projects for the last three years or so, including her small business Pot Heads Pottery, which seems to be going pretty well, and is a wonderful Bristol creative business. The other half of this lovely collaboration is by Antikki and it is great to see these two working together with their complementary styles.
Tasha Bee, St Werburghs, Bristol, July 2021
On the left hand side of the wall is a beautiful and tranquil, stylised portrait piece by Tasha Bee. All the elements of her work are there, with lots of symbolism and a calmness that is represented in so much of her work. The character’s abundant hair flows to the right appearing to turn into waves on the sea.
Antikki, St Werburghs, Bristol, July 2021
Antikki has continued the theme and colour scheme, although there is much more movement in her dancing figures against the blue waves. I absolutely love this collaboration and it is a pity that it didn’t last very long. I am just so made up that I photographed it when I did. I sincerely hope that these two get together again soon as there is something magical in their partnership.
Tasha Bee and Antikki, St Werburghs, Bristol, July 2021
Often, the columns under Brunel Way are a bit scruffy, because they are painted over and over again but rarely buffed which means that sometimes pieces blend into one another or the eye is easily distracted. Fortunately that is not the case with this delightful piece by Tasha Bee from October last year.
Tasha Bee, Brunel Way bridge, Bristol, October 2019
Two faces for the price of one in this lovely piece and superbly filled and decorated hair in the style we have come to associate with Tasha Bee. I love it that her work incorporates symbols and icons, in this case the peace sign and a yin yang symbol, adding to the mystery and otherness of her work. This is how to decorate a column!
When I find pieces by Tasha Bee in my archive it only reinforces my sadness that it has been quite some while since I last saw a new piece by her. She has been busy with other projects, but I hope her absence from the street art scene is only temporary.
Tasha Bee, Star and Garter, Bristol, November 2018
This piece on the wall of the Star and Garter from November 2018 is truly beautiful. Her style is instantly recognisable and often solemn, although there is the slightest hint of cheekyness in this girls face – or is that just me? Great colours and so typically Tasha Bee.
Each of my next few street/graffiti art posts is going to begin something like ‘another trip back in time’ and this one is no exception. I cannot think for the life of me why I never posted this gorgeous piece from Tasha Bee (Keep it Colourful), but what a pleasure to do so now, especially when she has put the brakes on her street art work lately.
Tasha Bee, Dean Lane, Bristol, June 2019
This one is from June 2019 at Dean Lane, and is a real beauty so typical of her stylised faces work. I miss her soulful faces and hope that when all this Covid-19 thing is behind us she will pick up her spray cans and paint the town red.
I took these pictures back in January this year, but the wonderful piece by Tasha Bee (Keep it Colourful) is way older than that. I have included it in part not only because I love her work but also because I haven’t seen anything new from her for such a long time, which is a great shame.
Tasha Bee, Purdown Battery, Bristol, January 2020
I know that Tasha Bee is working on some other projects at the moment, but maybe once the weather gets a bit nicer she will be lured out to brighten up all of our lives again. The piece is classic Tasha Bee and features a stylised portrait with wonderful ‘big hair’. Everything that is great about street art is right here in this piece. It left me smiling.
When I saw this little collaboration from Tasha Bee and Stupid Stupid Meathole, my first thought was that it looked a bit old and weathered, and I wondered if I might have overlooked it on previous visits to Dean Lane… in other words I have absolutely no idea when it was painted.
Tasha Bee, Dean Lane, Bristol, October 2019
The collaboration is bookended with two beautiful faces from Tasha Bee and filled with what looks like the word ‘meat’. These two have collaborated before in the past, but not for some time. In fact I don’t recall seeing much from Stupid Stupid Meathole for quite a long while.
Tasha Bee, Dean Lane, Bristol, October 2019
I’ll always have time for Tasha Bees stylised faces and am equally fond of SSM’s rather grotesque figures. This piece of writing though is quite uncharacteristic because there is lots of colour, not just the single pink SSM usually uses. A nice low-key collaboration.
Stupid Stupid Meathole, Dean Lane, Bristol, October 2019
One of the most welcome sights on any wall in Bristol has to be the beautiful form and colours of a Tasha Bee stylised face. Distinctive and full of serene character, her work, to me at least, feels like it is very ‘Bristol’ if that makes any sense at all, even though I think, like me, Tasha Bee is not a native Bristolian.
Tasha Bee, St Werburghs, Bristol, September 2019
It would be easy just to focus on the face of this piece at the entrance to St Werburghs tunnel, but that would ignore the fine hair ornament with joyful colours radiating out from a central circle. Unfortunately the piece had been tagged by the time I got to see it… I just don’t understand the point of tagging something as beautiful as this, is it some kind of assertion of dominance from people who are natural undear-achievers? It is difficult to know.
On first inspection, this doesn’t really look like very much, mainly because of the condition of the wall (ramp) and the quality of the photograph. However, take a closer look and there are three lovely pieces of work from Conrico, Rebecca Prince and Tasha Bee. I assume that this is yet another Monday Club production.
Conrico, St George, Bristol, August 2019
The left hand side is a delightful illustration of a Chinese (?) man sitting on a rock blowing smoke rings from his pipe.. The thing I love about Conrico’s work is that the picture he creates is only one part of the work, it is the way he gets your imagination going with trying to unpick the story – a real talent. I could look at his work all day.
Rebecca Prince, St George, Bristol, August 2019
In the middle is street art newcomer Rebecca Prince with a portrait of a girl with fruit in her hair. There is something quite dreamy about this piece, and I am really looking forward to seeing her progress. She and other new starters give me hope.
Tasha Bee, St George, Bristol, August 2019
Finally we have a gorgeous piece by Tasha Bee who has such an assured and confident touch to her work. There is joy in the simplicity of her designs and soul in the poise of the characters. This really is a teriffically difficult wall to paint, because of its textured surface and orientation, but all three artists have done a great job. Love it.
This is the second part of a four-way collaboration in the foot underpass at New Stadium Road between T-Rex, Tasha Bee, Decay and Ryder. The first half (the boy’s end) was posted here. As I always say about this location, the light was not helpful for getting good photographs, but you can still see the quality of the work.
T-Rex, New Stadium Road, Bristol, August 2019
On the left is a beautifully colourful piece of writing from T-Rex with some wonderful and varied fills and her trademark dinosaur character rounding off the ‘X’.
Tasha Bee, New Stadium Road, Bristol, August 2019
On the right is a very nice piece by Tasha Bee (Keep it Colourful) which reaches the very high standard I am used to seeing from her. Tasha Bee’s work never disappoints, and although she pretty much always paintsthese soulful styalised portraits, each one is an absolute beauty. All in all, it looked like these four artists had a great day out.
Natural adventures 