Each time I see a piece from Pl8o, they just seem to get better and better. Apart from the odd throw up, there is a more considered and designed approach to his work, and this piece, I think really demonstrates the progress made. I recently published a gallery of Pl8o’s work, and you can see the improvements over time, although frankly, his work has always been pretty good.
I have said before that his letters are very kind on the eye, and he has certainly made the most of them. The numeral 8 in particular is great to have in graffiti writing, it is a bit like OO which also works… Look out for those SCOOJ toy letters next summer (maybe). I am still loving Pl8o’s work
Like so many graffiti writers in Bristol I just don’t seem to post nearly as much from Alos as I could or should. I have a lot of pieces in the archive, and perhaps I’ll have to dig them out sometime. Thanks to Paul H, I know that the pronunciation of Alos name is like aloes, as in hellos, which is all rather nice.
Alos is another artist whose letters are irregular and unconventional and more often than not written in monochrome, with some nice little details running through the letters. The style is similar to Whos and their work can often be found side by side.
It would appear that this wall, after a considerable period of neglect is becoming a little popular. A week or two back there was a nice new collaboration from Mudra and Nugmoose. This has now been replaced with this more than half-decent piece from Pl8o.
I am very pleased to see that Pl8o seems to be active again after quite a long absence – he is another artist who has gone to ground for much of the lock down period. This is a delightful deep-shadowed piece of graffiti writing spelling out the artist’s moniker yellow to orange to black fades. His letters lend themselves very nicely to writing and there is something very easy on the eye about them. Great to see Pl8o back hitting walls again.
Ooh, I am really enjoying the work of Pl8o at the moment. The letters he uses lend themselves very well to graffiti writing and provide a lot of scope to do great things, like Boogie for example. There are some letters And numbers that just seem to work well together.
This one was at the farm end of the tunnel and in daylight that makes it so much easier to photograph. All the elements of this piece come together. The gold letters and grey shadow, the stars and spots and white letter stars. This piece is so very easy on the eye.