I don’t think I feature enough of Ryder’s work on Natural Adventures – there is no obvious reason for it, I guess the same could be said for any number of Bristol artists. I would think that for every piece that I post here there are probably two or three that never make it.
This particular offering is a simple chrome graffiti piece with trademark faces worked into the lettering. The chrome colour in the tunnel picks up all sorts of light bouncing around and it is difficult to believe the artist hasn’t used more than one colour. Altogether a nice one from one of Bristol’s best.
This is a very neat and tidy ‘quick one’ from Ryder, which I suspect was painted at the same time as the recent collaboration with Decay, which can be seen in the background of the feature image.
I always expect tidy writing from Ryder and this is a lovely example, I would however like to see a few more of his larger considered pieces like the ones he produces for Upfest. A hugely talented graffiti writer whose work is right up there with the best in Bristol.
How lucky we are to have two such magnificent writers collaborating for a November 5th Guy Fawkes piece.
Remember, remember the fifth of November, gunpowder treason and plot. So the nursery rhyme goes and in keeping with tradition, this collaboration reminds us about the near destruction of parliament in 1605 by Guy Fawkes and his associates.
Another thing that rather resonates at the moment is the face mask for Guy Fawkes which has been adopted by protestors, often subversive, who rally against sitting governments or administrations – something we are seeing a lot of in the UK at the moment, but also globally in relation to the climate emergency or, for example, the protests in Hong Kong.
This piece is full of the fiery flames of bonfires and the two writing styles knit together rather well. It is unusual to see a writing collaboration arranged in this way, as we are more used to seeing the components side by side. I feel I ought to point out how stunning the flame fill in Decay’s letters is, quite awesome really. A nice seasonal collaboration.
In the last six months or so, I don’t recall seeing very much work by Ryder. It might be that I just haven’t been at the right place at the right time, it sometimes goes like that.
This shutter piece is in Stokes Croft and although I have passed it many times, I haven’t had the presence of mind to photograph it until recently. I think it has probably seen better days, but represents beautifully the graffiti scene in this little stretch of road. One of the upsides to painting a shutter (and there can’t be many) is that horizontal lines are easy to paint and the colour shifts in this piece are neatly done by following the lines on the shutter. Ryder rarely disappoints.
Oh I really hate the light in this bridge/tunnel it is almost impossible to get decent pictures of anything, especially near the edge of the wall. Even though the picture doesn’t do it justice, I still felt it was worth sharing this recent collabortation between Decay and Ryder with you.
Decay as you know already is simply smashing it out of the park with every piece he does at the moment, and although the general shape of his writing is reasonably consistent from piece to piece, the colour palette and shadings and backgrounds continue to amaze.
I haven’t posted anything from Ryder for a while now, even though he has painted quite a lot recently, no reason, it just hasn’t happened… I’ll have to raid my archive and unlock a few I think. This small part of the collaboration hosts a couple of Ryder’s trademark character ‘Rs’ one of which is shooting laser beams across the whole thing.
These pieces are two of a larger collaboration which included Tasha Bee and T-Rex (to follow).
I don’t often venture too far down Hepburn Road, but am very glad indeed that I did so on this occasion, because I was greeted by this wonderful protrait by Pekoe. The observant among you will also notice the oil drum has been decorated by Ryder.
Pekoe seems to be producing quite a lot of work at the moment and with each piece there are surprises and improvements. In this one she has made a great effort with decorating the hair in a style that resembles a nimber of PWA artists. I like what she has done with the lips and the eye, using white to create the effect of reflections. A little gem from this Bristol artist.
A couple of weeks back there was a large paint jam in St Werburghs tunnel, and it would seem that it was something of a RAW (Read and Weep) get together. This collaborative piece included the T-Rex burner that I featured a few days ago, which was just to the right. These two are Ryder and Jaksta.
I don’t need to repeat myself, although I constantly find myself doing so, by telling you that Ryder is an incredibly accomplished writer, and here he has created something rather special in shades of gray with blue highlights. Having started trying to paint a little in the garden I realise how much I have to study what these guys do to understand tricks and techniques. Paint big was an important piece of advice I was given – smaller pieces are more difficult.
When I have been in the tunnel, it seems everyone notices the pig – he really stands out and the kids that walk past love him. Jaksta is a master of the character piece and his work often joins up pieces of writing like it does here. It is the details I love in this piece, the black shading and white highlights that give a 3D feel to the whole thing, and the two shades of pink that make it look like the light is coming from the right (which in this part of the tunnel it actually does). Great work.