2202. St Werburghs tunnel (79)

A couple of weeks back there was a large paint jam in St Werburghs tunnel, and it would seem that it was something of a RAW (Read and Weep) get together. This collaborative piece included the T-Rex burner that I featured a few days ago, which was just to the right. These two are Ryder and Jaksta.

Ryder, St Werburghs, Bristol, May 2019
Ryder, St Werburghs, Bristol, May 2019

I don’t need to repeat myself, although I constantly find myself doing so, by telling you that Ryder is an incredibly accomplished writer, and here he has created something rather special in shades of gray with blue highlights. Having started trying to paint a little in the garden I realise how much I have to study what these guys do to understand tricks and techniques. Paint big was an important piece of advice I was given – smaller pieces are more difficult.

Jaksta, St Werburghs, Bristol, May 2019
Jaksta, St Werburghs, Bristol, May 2019

When I have been in the tunnel, it seems everyone notices the pig – he really stands out and the kids that walk past love him. Jaksta is a master of the character piece and his work often joins up pieces of writing like it does here. It is the details I love in this piece, the black shading and white highlights that give a 3D feel to the whole thing, and the two shades of pink that make it look like the light is coming from the right (which in this part of the tunnel it actually does). Great work.

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2077. M32 roundabout J3 (131)

I’m not sure that I’ve posted anything from Ryder for a little while, but that ends here with this recent piece on the M32 roundabout which appears to have been sprayed during something of a paint jam at the end of February.

Ryder, M32 roundabout, Bristol, February 2019
Ryder, M32 roundabout, Bristol, February 2019

High quality letters as always which I’ll have to leave you to feast your eyes on because I have to get togged up for skiing… sorry about that.

1912. Upfest 2018 (108)

With so many artists flooding in to Bristol for Upfest, it is always great to see that there is a good representation of local artists, who keep things real. It can be overwhelming seeing so much street art, and at times awe inspiring, but it is as well to remember the roots of a festival like this whose foundations were built on the work of graffiti writers and street artists who produce work day in and day out on our city streets.

Ryder, Upfest, Bristol, July 2018
Ryder, Upfest, Bristol, July 2018

This is a great piece of writing from Ryder of RAW (Read and Weep) which is technically brilliant as well as rather beautiful. Each of the letters seems to be bursting with character, and the colours and shading are absolutely masterfully worked. Anyone who wants to get more into burners, should take a long hard look at this one and enjoy the technique that has been applied to create it.

1754. Armada Place (13)

Things in the Stokes Croft area have been a bit slow compared with some of the other spots in town, so it was nice to spot this quick collaboration between Ryder and T-Rex. These two nearly always paint together, and their comfortable friendship comes across in all their pieces.

Ryder and T-Rex, Armada Place, Bristol, September 2018
Ryder and T-Rex, Armada Place, Bristol, September 2018

I can’t quite work out where the white lines came from and the writing – I think it says ‘Spray summit innit’, and although it looks slightly incongruous I think it is part of the piece and not a tag. Fun stuff from these two.

1621. Moon Street (51)

An old collaboration, the remnants of which can still be seen in Moon Street. The writing on the left obviously belongs to Ryder and the rather scary voodoo-like character is by the elusive 2Keen, both of RAW.

Ryder and 2Keen, Moon Street, Bristol, May 2016
Ryder and 2Keen, Moon Street, Bristol, May 2016

I have always been rather fond of this wall and can’t think why I haven’t posted it before. Ryder’s writing meets the high expectations one expects from his work, and the 2Keen piece is really rather special. His work is quite unlike anyone else’s and has a soft quality to it, almost blurry. A specialist in character teeth. Great at last to publish this one.

Ryder and 2Keen, Moon Street, Bristol, May 2016
Ryder and 2Keen, Moon Street, Bristol, May 2016

1527. M32 roundabout J3 (85)

Adjacent to the M32 roundabout is a little side road where I like to park when I photograph street art in the area. There are always one or two caravans parked up here too, generally occupied by homeless people. Actually this is becoming quite a big issue in Bristol at the moment, as there are an awful lot of these old caravans appearing all over the city being used as temporary homes. The homeless suituation in the UK is reaching crisis point and austerity continues to hit the marginalised hardest.

Ryder and T-Rex, M32, Bristol, May 2018
Ryder and T-Rex, M32, Bristol, May 2018

On the upside, the caravans are used as canvases for many of the street artists as the ‘owners’ really don’t seem to mind the decoration. On this one we have a rather nice quick collaboration from T-Rex and Ryder. There is real movement in that dinosaur.

1346. M32 cycle path (12)

Ryder’s work can be found all over Bristol, and increasingly I am enjoying his particular style of writing. In this piece he has gone for some really bright colours and a spotty fill to the deep shadow. His characteristic eyes and teeth filling some of the spaces in the lettering.

Ryder, M32 cycle path, Bristol, July 2017
Ryder, M32 cycle path, Bristol, July 2017

Whether it is with his RAW mates, T-Rex, Rusk or Smak, or on his own, Ryder consistently turns out great work.