This part of Stokes Croft is quite a difficult area to set up a business, especially in the food sector. There are already quite a lot of cafés and restaurants which cater mostly to the Bohemian set from Montpelier. This particular restaurant ‘Meat Liquor’ was targeted more at the young student market, but I understand it had to close after less than two years, due to incidents in the area and in the restaurant. The area has the highest incidence of drug dealing in Bristol and maybe the closure was connected to that. Anyhow, the hoardings have gone up, and not long after that the graffiti art arrives.
This, I believe, is a collaboration between Ryder and Aspire (the bird man) who must have been visiting from London where he now lives. The writing says Ryder and the bird I think is a turkey, so this must be a festive piece. I looks a little like it might have been done reasonably quickly, but it certainly adds colour and vibrancy to the hoarding.
The fifth RAW piece on this Upfest wall is by Ryder, whose work is just going from strength to strength at the moment. His use of colours in this piece is exceptional, and the wildstyle writing is everything I have come to expect from him.
There is so much going on in this piece, and the different letter styles combined with different colour schemes is somewhat reminiscent of the work of Sky High. I cannot emphasise enough how much I am enjoying the work of Ryder, I’m just surprised at how long it took me to properly register his stuff.
Ryder was sandwiched between Jaksta and his trusty painting buddy T-Rex…a good place to be.
Fish and chips, horse and carriage, Morecambe and Wise…these are all things that we are accustomed to seeing together and so it is with Ryder and T-Rex. This is a rather nice little collaboration in Bedminster by these two painting buddies.
The radioactive R on the left is an icon that Ryder uses quite a lot, particularly when he is doing a quick throw-up. This one is a little more elaborate than some I have seen recently.
The dinosaur is obviously by T-Rex, this time opting for a rather fetching lilac colour, which seems to be in vogue at the moment in Bristol. There is something familiar and comforting about a collaboration between these two.
On the day of ‘Boogie Down Bristol’, a mini festival organised by Inkie in the Full Moon pub, a great many graffiti artists converged on this area of Stokes Croft, and RAW (Read and Weep crew) were represented by Ryder and T-Rex who created this magnificent collaboration right next door to the pub.
It was something of a miracle that they managed to get anything done, such was the pedestrian traffic stopping to admire the work and have a chat (including me).
I can honestly say that I think this is my favourite Ryder piece, it is in my view brilliant. The letters spell out Read and Weep and each one is individually crafted and filled with vibrant colours and patterns. Something of a masterclass for wannabe writers.
Ryder has a signature element to his style, and that is to put eyes and other features into the holes of the letters, so in this instance the first ‘E’ has eyes and teeth.
I also had the fortune to meet T-Rex for the first time, and having overcome the embarrassement of assuming that she was a male artist, we chatted for a while. Her work on this piece is magnificent also, with dinosaurs ‘bookending’ the writing with balance and skill.
The plants decorating the whole collaboration are also by T-Rex.
Coming across this piece and finding Ryder and T-Rex while they were spraying was hugely fortunate. I had actually come down to the area to visit the It’s All 2 Much gallery which was hosting a Tom Miller exhibition. I suppose in life as well as in taking in the streets, you won’t see anything if you don’t look – a recurring theme on ‘Natural Adventures’.
I’ve noticed that Ryder’s work just seems to be getting better and better lately. His use of colours and textures in his writing has gone on to a new level in recent months and this is a prime example of a classy piece.
This is a more complex design than some of his previous work and it is only just possible to make out the letters in this wildstyle piece. both the top blue and bottom yellow portions go through a colour/shade gradient vertically which creates an impressive effect. I am liking =his work more and more. Expect further posts.
All over Bristol you can find collaborative walls by Ryder and T Rex, from the RAW (Read and Weep) crew. What is different about this one is that Ryder (on the left) is more commonly associated with his name in full as part of the work. I think this googly-eyed character is an ‘R’. T Rex meanwhile is…well…T Rex.
The piece is at the base of a stairwell of The Bearpit, and has been sprayed over a Mr Draws piece. Nothing here lasts long, but it is the taggers that are the real menace here. You have to have a thick skin if you want to spray a piece down here.
Let’s hear it for the local RAW (Read and Weep) artists…Ryder and T Rex. I think one of my favourite things about Upfest is that it combines high-end street art with local graffiti art, and bridges all the divides that may be out there in the world of street/graffiti art – at the very least for a few days.
Ryder and T Rex often paint together, and their collaborations can be seen plastered all over Bristol. They have a particular penchant for spraying vans and caravans. I fear they are rather too under represented on this blog, something I will have to rectify.
For now though , take time to appreciate the magnificent ‘fairground influenced’ writing of Ryder and the cheeky, possibly clumsy, dinosaur from T Rex. A popular combo from the Bristol