Here is a recent fun piece from Ryder down at the M32 roundabout featuring characters from the Willo the Wisp children’s TV programme from the 1980s. There is always something that makes me smile about incorporating children’s characters into the subversive world of graffiti art.
The writing is, as always, perfectly painted, with nice letter shapes and horizontal colour fills that complement each other well. The 3D shadow has a vanishing point in the centre of the piece which is less common than the shadow going in one direction.
The piece is bookended with characters from the show, with Willo on the right and on the left Evil Edna, the TV set. A very nice holiday piece from Ryder.
Sometimes fate plays a part in our lives. Yesterday morning I gave my son a lift to friend’s house quite early because they were heading off for a day’s fishing. On the way back I stopped off at a few street art spots, the first of which was here underneath the M32. I just so happened to turn up as Ryder was finnishing off some rather lovely of graffiti writing.
I stopped for a while but tried not to break his rhythm because he had to be at work for 10am and needed to finish the piece off quickly. He said that he was really pleased with this piece, it had just worked out really nicely for him and that is good to hear because in my experience street artists are unerringly self-critical. It is a bit of a stunner, and the amazing thing is he created this in a little over an hour!.
As he was packing up he asked if I was heading off to the Cheltenham Paint Festival, which got me thinking. I hadn’t been planning on it, our weekends are a bit precious at the moment, but now I am giving quite a lot of thought to going tomorrow (which is partly why I am writing this post yesterday, almost immediately after coming home from taking these pictures, as I might not have time today (written yesterday as if tomorrow was today)).
Finally, I am rather chuffed with the Scooj shout out. Little things matter, and that made me feel very happy.
I got lucky taking the dog for a walk a few days ago because I just caught Ryder as he was putting the final touches on this wonderful piece of graffiti writing. In the car opposite was T-Rex and their new baby… they start them young in the graffiti way in Bristol. He stopped for a chat and it was really nice to catch up – I always feel rather surprised and touched when these guys remember who I am, but I remind myself that they are all really decent folk.
The piece itself is a big bold chrome on pink piece of writing and is shit hot in my view. Proper writing from a proper writer painted with confidence and class. It was this piece that prompted me to publish a gallery of his work last week. Keep ‘em coming.
At last, with the help of Paul H, I have been able to access a spot where great treasures are painted. I guess that it is fitting that the first piece (of many, many I hope) from this spot is by Ryder, who has been tireless in keeping our walls fresh for as long as I have been writing about street/graffiti art, and indeed quite a while longer than that.
This is a very nice piece indeed from the RAW man with his customary tidy writing and faces lurking within the letters being reflected in a ‘watery’ medium beneath a thin layer of mist. Great colours and great execution and an all round winning piece.
L Dub (Lawrence Weston) is a funny old spot. Only a few of the Bristol artists venture out to paint there and some of the artists that paint there such as Dun Sum rarely paint in central Bristol. It is secluded and out of the way and so is favoured by artists practising in the gloom of the tunnels.
This is a wonderful piece of writing from RAW’s Ryder and really demonstrates why he is such a hightly regarded writer on the Bristol scene. The letters are beautifully proportioned and consistent and the pink and red fill almost magical, but it is the yellow 3D shading that really makes the piece stand out. Very nice work indeed.
On Turbo Island, one of the spots in Bristol that often exposes some of our greatest social problems in the city, is this wonderful message of thanks from Ryder to the National Health Service. Of course we must shout out to not only the NHS but also care home workers, all key workers, public servants and civil servants who are keeping this country ticking over during this difficult period. Notable by their absence in this list of heroes are bankers and hedge fund managers – I seem to remember the nation bailing them out about a decade ago. How quiet they are right now, speculating about how much money they can make when we come out of this crisis. Leopards never change their spots.
Ryder has managed to get out during lock down to create this piece, and I guess it could be interpreted as mental and physical exercise, and I guess he may have worn a mask when painting it. Just to emphasise the point about some of the social problems in this area, the plastic object directly in front of the wall is a sleeping bag/tent for some poor homeless person.
Thank you Ryder for raising the spirits of Bristol citizens at this time.
Ryder has stamped his moniker all over Bristol, either with the letters RYDER or with his ‘R’ character. Because his work is everywhere, it is sometimes difficult to know whether you have already photographed a piece or not, and that was the case with this one on the M32 cycle path. While I might have photographed it, I haven’t posted it until now.
The obvious thing to comment upon is the dynamic and free-form fill that Ryder has used – not solid, but rather more organic, like the kind of fills you might see from Ugar (what’s happend to him recently?). The whole thing is unusually subtle from Ryder, but look closely and you’ll see that it is a real gem.
I don’t think I feature enough of Ryder’s work on Natural Adventures – there is no obvious reason for it, I guess the same could be said for any number of Bristol artists. I would think that for every piece that I post here there are probably two or three that never make it.
This particular offering is a simple chrome graffiti piece with trademark faces worked into the lettering. The chrome colour in the tunnel picks up all sorts of light bouncing around and it is difficult to believe the artist hasn’t used more than one colour. Altogether a nice one from one of Bristol’s best.
This is a very neat and tidy ‘quick one’ from Ryder, which I suspect was painted at the same time as the recent collaboration with Decay, which can be seen in the background of the feature image.
I always expect tidy writing from Ryder and this is a lovely example, I would however like to see a few more of his larger considered pieces like the ones he produces for Upfest. A hugely talented graffiti writer whose work is right up there with the best in Bristol.