1527. M32 roundabout J3 (85)

Adjacent to the M32 roundabout is a little side road where I like to park when I photograph street art in the area. There are always one or two caravans parked up here too, generally occupied by homeless people. Actually this is becoming quite a big issue in Bristol at the moment, as there are an awful lot of these old caravans appearing all over the city being used as temporary homes. The homeless suituation in the UK is reaching crisis point and austerity continues to hit the marginalised hardest.

Ryder and T-Rex, M32, Bristol, May 2018
Ryder and T-Rex, M32, Bristol, May 2018

On the upside, the caravans are used as canvases for many of the street artists as the ‘owners’ really don’t seem to mind the decoration. On this one we have a rather nice quick collaboration from T-Rex and Ryder. There is real movement in that dinosaur.

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1346. M32 cycle path (12)

Ryder’s work can be found all over Bristol, and increasingly I am enjoying his particular style of writing. In this piece he has gone for some really bright colours and a spotty fill to the deep shadow. His characteristic eyes and teeth filling some of the spaces in the lettering.

Ryder, M32 cycle path, Bristol, July 2017
Ryder, M32 cycle path, Bristol, July 2017

Whether it is with his RAW mates, T-Rex, Rusk or Smak, or on his own, Ryder consistently turns out great work.

 

1336. M32 roundabout J3 (68)

A wonderful new collaboration between Ryder and T-Rex which was part of an informal paint jam organised by Smak. Unfortunately many of the pieces sprayed on the Saturday were sprayed over by the Sunday. I think this one remains.

Ryder and TRex, M32, Bristol, February 2018
Ryder and TRex, M32, Bristol, February 2018

This is quite a common format for this pair, with Ryder spelling out his name in the centre, and dinosaurs book-ending the writing. The orange and blue combination work nicely, especially on such a dull day. Ryder often inserts eyes and teeth into his letters to give them a bit more character.

Ryder and TRex, M32, Bristol, February 2018
Ryder and TRex, M32, Bristol, February 2018

T-Rex’s T-rexs are always fun to see, and can be found all over the city. The one on the left has been painted running down the hill towards the letters, making really good use of the site.

Ryder and TRex, M32, Bristol, February 2018
Ryder and TRex, M32, Bristol, February 2018

Finally the dinosaur on the right is emerging from the bushes making a stealthy attack. Altogether this is a nicely executed and fun collaboration.

1276. Wilder Street (22)

This is an unusual pice of writing from Ryder. I don’t think it is the writing itself that is unusual, rather it is the bare wood hoarding behind it. Usually a backwash is applied to make the piece stand out on a single colour. Not only does this piece ignore such things, it also spans around a concrete pillar.

Ryder, Wilder Street, Bristol, May 2016
Ryder, Wilder Street, Bristol, May 2016

Ryder is a fine Bristol writer, who I was slow to pick up on and appreciate, but I am a fan of his work now. This one does look a bit like a jelly though, all sort of wibbly wobbly, and the shading has a kind of electric/cosmos feel to it. Unusual.

Thursday doors

Door 16.

Door, Moon Street, Ryder
Door, Moon Street, Ryder

Door, Moon Street, Bristol.

The artist who has tagged this door is called Ryder, and this is his shorthand that he sprays quickly as something of an elaborate tag. His writing work though is exceptional, see some examples below. The door itself is a little-used side door which accesses the Lakota club.

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See more doors at Thursday Doors – Norm 2.0

1198. Stokes Croft

This part of Stokes Croft is quite a difficult area to set up a business, especially in the food sector. There are already quite a lot of cafés and restaurants which cater mostly to the Bohemian set from Montpelier. This particular restaurant ‘Meat Liquor’ was targeted more at the young student market, but I understand it had to close after less than two years, due to incidents in the area and in the restaurant. The area has the highest incidence of drug dealing in Bristol and maybe the closure was connected to that. Anyhow, the hoardings have gone up, and not long after that the graffiti art arrives.

Ryder and Aspire, Stokes Croft, Bristol, December 2017
Ryder and Aspire, Stokes Croft, Bristol, December 2017

This, I believe, is a collaboration between Ryder and Aspire (the bird man) who must have been visiting from London where he now lives. The writing says Ryder and the bird I think is a turkey, so this must be a festive piece. I looks a little like it might have been done reasonably quickly, but it certainly adds colour and vibrancy to the hoarding.

1085. Upfest 2017 (85)

The fifth RAW piece on this Upfest wall is by Ryder, whose work is just going from strength to strength at the moment. His use of colours in this piece is exceptional, and the wildstyle writing is everything I have come to expect from him.

Ryder, Upfest, Bristol, July 2017
Ryder, Upfest, Bristol, July 2017

There is so much going on in this piece, and the different letter styles combined with different colour schemes is somewhat reminiscent of the work of Sky High. I cannot emphasise enough how much I am enjoying the work of Ryder, I’m just surprised at how long it took me to properly register his stuff.

Ryder, Upfest, Bristol, July 2017
Ryder, Upfest, Bristol, July 2017

Ryder was sandwiched between Jaksta and his trusty painting buddy T-Rex…a good place to be.

RAW wall, Upfest, Bristol, July 2017
RAW wall, Upfest, Bristol, July 2017