2999. M32 roundabout J3 (218)

A second post of wheatpastes by Jarvis only this time there are three individual paste ups for the price of one. I posted a piece by this artist about a week ago, knowing nothing about him, but a rapid comment from theartblogger54 confirmed the artist’s name and even shared his Instagram account.

Jarvis, M32 roundabout, Bristol, May 2020
Jarvis, M32 roundabout, Bristol, May 2020

As far as I can make out, Jarvis appears to live in Bristol and I think probably in Easton, which would explain the location of these paste ups. On the left hand side of the triptych is a bare chested male figure with an interesting six-pack on display and an all-seeing third eye.

Jarvis, M32 roundabout, Bristol, May 2020
Jarvis, M32 roundabout, Bristol, May 2020

In the middle is a blue face with some kind of atomic structure in the neck area. It is a decent coloured sketch amplified by being one of three posted on the M32 roundabout notice board.

Jarvis, M32 roundabout, Bristol, May 2020
Jarvis, M32 roundabout, Bristol, May 2020

On the right is the third figure with a very long neck and a flower in his/her hair, and if I had to choose I would say that this drawing was the pick of the bunch. It would be great to see more of these sketches appearing about the place. This is what street art is all about, a spectrum of different styles, abilities and techniques which gives it such broad appeal and accessibility.

2986. M32 roundabout J3 (214)

I love making discoveries. Finding things that were meant to be found, but only by those who are looking. This drawing is one such discovery, in one of the tunnels of the M32 roundabout. There are a trio of other pieces by the same artist not far away. Regular readers will know that I am particularly fond of paste ups, and when they are by an artist unknown to me, they are that little bit more special.

Jarvis, M32 roundabout, Bristol, June 2020
Jarvis, M32 roundabout, Bristol, June 2020

I think the artist is called Jarvis, but that is as much as I know about them.  The crown on the top of the signature indicates to me that this artist understands street art culture and is deliberately being a part of it. The piece itself, roughly A4 size, is vibrant and striking. The colours and elements are simple and bold. A red figure in profile, the sea, the sun, the moon and a possible reference to Bristol, a hot air balloon. The wheatpaste is set on a jaunty angle and seems to have been torn from a pad at the top edge. I like this paste up very much and it feels like we might be seeing the emergence of another Bristol street artist. I’ll post the other three pieces soon, and will be on the lookout for more.