The incredibly busy and talented Pekoe painted this piece a short while ago along with several of her RBF friends on a section of wall that was long overdue for a refresh. The wall at this particular point is in a narrow stretch of cycle path and very difficult to photograph without being totally over-faced by it.
Pekoe has been producing so many top drawer pieces of late and this is another one to add to her catalogue, although there is something about it that I am a little uncomfortable with, I’m not sure what, but I think it could be the mouth. The feature image gives you an insight into the length of this wall, and the size of the collaborative paint session (all the yellow-background pieces). Still more to come from Pekoe’s purple patch.
Because I don’t get to photograph up at Purdown Battery very often, I am not too sure whether this is a recent or an old piece by Rosalita, but either way it is an absolute cracker. This wall is tucked away a bit and takes a little bit of finding, so I don’t imagine that very many people have seen it, which in one way is a bit of a shame, but in another way it is how some artists like to do things.
The subject of the piece is a mermaid, whose hair is made up of octopus tentacles, but instead of looking rather disgusting as in the Bill Nighy portrayal of Davey Jones from Disney’s Pirates of the Caribbean, her hair is beautiful. This is an outstanding piece and another example of great work coming from Rosalita at the moment.
Right, let’s get down to business. Merny, or Morny as I call him, because that is how he signed himself once in the past at a time when he first appeared on my radar, is an artist I really like. His naive style, with children’s crayon-like scribbles is so unique and refreshing and adds a wholesome and entertaining aspect to our walls.
In this piece Mo(e)rny gives us a super truck to marvel at. Irregular wheels and a curious child-like perspective add to the interest of the work. Sadly it didn’t last very long, and there are some taggers who appear to have a particular dislike of Morny’s work, which is a little ironic, because the stuff they slap over other people’s work is usually pretty shoddy. Is it jealousy? Or just wilful nastiness? Who knows, but I hope it doesn’t discourage Morny from continuing to create these lively vibrant pieces.
I often use the word ‘modest’ when describing Hemper’s work, but I use it in the sense that he turns up and paints with the minimum of bluster. His graffiti writing is always outstanding and often very showy, like this one, but somehow he just gets on with it and keeps a low profile. That he doesn’t have an Instagram account probably reinforces my perception of his modesty.
This is a special piece, painted next to and at the same time as a Benjimagnetic BEN that I posted a few days ago. Each letter is discrete in colour and decoration, but there is a stylistic flow that carries through from left to right. The letters spell out HEMS and splash this wall with colour and joy. This is high-end graffiti writing at its beat.
Over the past four months or so, some seriously epic pieces have started to appear on the ceilings under the M32 and Brunel Way. These magnificent statements are by Risco, and artist I was not familiar with before August this year.
This piece under Brunel Way is a full skeleton in partial foetal position and was painted round about 21 November. I suspect it’ll be here for many years to come, I mean who else is going to go to such effort to tag or over-paint it? I think that Risco must use rollers on long poles to do this and it must be back-breaking work which makes this all the more impressive. Well worth a look.
A second post of wheatpastes by Jarvis only this time there are three individual paste ups for the price of one. I posted a piece by this artist about a week ago, knowing nothing about him, but a rapid comment from theartblogger54 confirmed the artist’s name and even shared his Instagram account.
As far as I can make out, Jarvis appears to live in Bristol and I think probably in Easton, which would explain the location of these paste ups. On the left hand side of the triptych is a bare chested male figure with an interesting six-pack on display and an all-seeing third eye.
In the middle is a blue face with some kind of atomic structure in the neck area. It is a decent coloured sketch amplified by being one of three posted on the M32 roundabout notice board.
On the right is the third figure with a very long neck and a flower in his/her hair, and if I had to choose I would say that this drawing was the pick of the bunch. It would be great to see more of these sketches appearing about the place. This is what street art is all about, a spectrum of different styles, abilities and techniques which gives it such broad appeal and accessibility.