Kleiner Shames, Coach and Horses, Bristol, February 2023
Kleiner Shames has managed to find a moment to return to Bristol and leave this fabulous FOIS piece on the wall of the Coach and Horses. Seeing this simply serves to remind me just what we are missing since the artist made his move to London a few years ago.
Kleiner Shames, Coach and Horses, Bristol, February 2023
This large piece is part of a collaborative wall painted recently with 3Dom and Sepr (to follow soon). Kleiner Shames is probably the classiest writer about. His incredible eye for design, form, colour and shape is unparalleled, and he pretty much always nails it every time. The observant among you may have noticed the Dott Rotten ‘spoilt’ piece nestling, untouched, above the FOIS. This is a very fine piece on a special wall.
The unannounced visits from Kleiner Shames are probably my favourite surprises in documenting street/graffiti art in Bristol. Kleiner Shames, who writes FOIS, lived in Bristol for a while before moving to London a few years ago. I understand he now lives in Cornwall (a wise man, if it is true), which would explain why some of his w (the St Mawes ferry, for example) has appeared down that way.
Kleiner Shames, M32 Cycle path, Bristol, February 2022
This is one half of a collaborative wall with Ysae, I think, a friend Kleiner Shames often used to paint with when he lived here. The beautiful flowing letters are perfectly set off with a nicely done 3D shadow, blue border and striking red background. Aah, reminds me of the old days.
With this year’s Upfest being spread over 75 days on 75 different walls, it is quite a challenge to know what is being painted where and by whom. On the upside, you get to meet a lot of artists while they are working, but on the downside, there are some pieces that go under the radar and are quite easy to miss. The watch word here is vigilance combined with keeping your ear to the ground.
Kleiner Shames, Argus Road, Bristol, June 2021, Upfest 21
I found this outstanding mural by Bristol old-boy Kleiner Shames while looking for another piece nearby, and what a surprise. One of my absolute favourites so far. I actually have a couple of Kleiner Shames originals hanging up in my home which I bought from before he moved to London and I have a hugh soft spot for his work. Many of his pieces used to spell out FOIS, but I’m not sure if I can see it in this one but I do think there is writing in there somewhere. The shapes, colours and overall design are magnificent, and remind me of what we are missing since he moved away. Bravo!
He doesn’t visit Bristol often (enough) but when he does he always leaves us something special and on a recent visit Kleiner Shames painted this stunning piece which is a slight departure from his more recognisable FOIS letters that we are more familiar with.
Kleiner Shames, Moon Street, Bristol, August 2020
Using colours that KleinerShames favours, and that help with identification, and a couple of designer block letters, the piece spells out the artist’s initials K S. I have missed seeing his work since he left for London, but we are blessed in Bristol that he makes these occasional trips to his old home.
Pre postscript- sometimes you can get things so wrong, and try to read more into a piece than is going on. Everything below is my own speculation and assumptions going into overdrive. The word is XODUS and not FOIS. It was painted opposite Kleiner Shames and Subtle hence the recognition. I’m not sure who XODUS is, but I feel a bit stoopid. Never mind, I don’t expect anyone will read this nonsense anyway…
Aah, the genius of two brilliant artists conjuring up this amazing and highly unusual piece. It would seem that a Kleiner Shames visited Bristol over the Christmas period and hooked up with his old mate Subtle. The pair both produced pieces in the St Werburghs tunnel, and obviously had a bit of time left over to turn out this stunner.
Kleiner Shames and Subtle, St Werburghs, Bristol, January 2020
Signed FoiSubtle, the collaboration presents with two distinct styles. My guess is that the letters FOIS are by Kleiner Shames, he always writes these letters but never quite like this, and the characters, a wolf holding a rabbit by the ears are by Subtle, in a bit of a departure from his writing. There is a message on the piece written backwards that says ‘one tin wonders’. I would think this refers to the two colours (plus black) that were used for the piece.
I cannot tell you how much I love this. It is quirky and retro, the characters look like early Disney creations. As I always say when Kleiner Shames comes to town, come back soon.
I have a feeling that although Kleiner Shames now lives and works in London, he must have friends or family in Bristol who he visits from time to time, and when he does, he takes a little time out to paint, which is lucky for us really.
Kleiner Shames, St Werburghs, Bristol, December 2019
This piece is one of a couple that he painted over the Christmas break in the St Werburghs tunnel. Spelling out FOIS, this is typical of the wonderful designed style that Kleiner Shames uses. The colours and solid fills are trademarks that identify his work, but it is the hint of art influences from the 1920s that I love to see. He is an artist that will always be welcome in Bristol.
One of the great things about Kleiner Shames is that he keeps coming back to Bristol and when he does he usually drops one of his stunning pieces which are always most welcome. The light in St Werburghs tunnel really doesn’t do the piece justice and it would be nice to see his next piece somewhere with more natural light.
Kleiner Shames, St Werburghs, Bristol, October 2019
Kleiner Shames was one of the first writers that I really appreciated and his work led me gently into the world of graffiti writing, which I had previously not engaged with much. It is definitely an acquired taste and takes some getting used to, but it requires as much skill and technique as other forms of street art. Kleiner Shames is a master of introducing a mature designed feel into his street work. Such a shame he doesn’t still live in Bristol.
I really do wish that Kleiner Shames had never left Bristol for the lure of London, but I suppose that is where the work and opportunities are. However, it is so good that roughly two or three times a year he returns to Bristol and leaves one of his distinctive pieces as a gift to all of us that admire his work.
Kleiner Shames, St Werburghs, Bristol, July 2019
Although taking pictures in St Werburghs tunnel is a nightmare, some pieces transcend the quality of the picture, and this in my view is one of those. The letters spell out FOIS (time in French), and for a long time I thought that was the name of the artist. I don’t remember how I met him, or discovered his name, but I do remember buying a couple of pieces of art from him when he was clearing out his studio to move to London, and they are treasured possessions indeed. Come back soon.
Well it appears that Kleiner Shames has been back in town, and left us with a most beautiful FOIS at the farm end of St Werburghs tunnel. His distinctive style and colour palette seems to draw heavily on the Art Deco style combined with a kind of 1970s/80s freedom.
Kleiner Shames, St Werburghs, Bristol, March 2019
His metallic spray paint used for the central lettering is a nightmare to photograph in the tunnel – if it is in shade it is one colour, if it is in the light another and pictured from the front it goes from dark to light. Irrespective of the trickiness of trying to get a nice picture, it is always, always great when Kleiner Shames comes ‘home’.
Regular readers might recognise this as the work of the wonderful talent that is Kleiner Shames. His colour palette and the shapes of his letters are very distinctive, and if that is not enough to go on, the letters FOIS should give it away.
Kleiner Shames, M32 roundabout, Bristol, January 2019
Such sights are a bit of a rarity in Bristol these days since the artist trundled off to london to find his fortune, but I guess he still hankers after the old city of Bristol and makes these occasional trips and marks them with fine pieces like this one. I find his letters very calming and gentle and aesthetically pleasing. Nothing jars. Always a genuine pleasure to find one of these.
Natural adventures 