This year, we haven’t really had to wait too long before being treated to a Laic217 piece on a reasonably regular basis, and this is one of his most recent works on the M32 cycle path. What Laic217 has presented us with here is a rather trippy, and slightly menacing (those black fingernails like talons) piece that plays into his penchant for face distortion.
Laic217, M32 Cycle path, Bristol, June 2024
Although the piece is nicely executed, I personally find it a little unsettling, which I am sure is the point. Laic217 will push the boundaries in a way that his art can. His solid, tight, block letters contrast really well with the unconventional character portrait. Not my favourite piece by Laic217, but a great example of the way he challenges us to see things.
If I were only allowed to keep my galleries of say ten street artists, Laic217 would be close to the top of the list. I feel like I have grown up (in terms of my interest in street/graffiti art) with him, and as he has improved and expanded his horizons, I have learned more and grown my expertise. We both have plenty of headroom, but our journeys have taken a parallel pathway, and that feels good.
Laic217, Sparke Evans Park, Bristol, June 2024
This is a great piece on the long wall at Sparke Evans Park which reminds me a lot of the Hollywood horror film genre. I think it is the check shirt and baseball cap that do it along with the disfigured melting face, of course. This is what Laic217 does so well, and although the subject might not be to everyone’s taste, the technical skills must surely be admired. I loved stumbling across this one.
This is an absolutely classic example of Laic217’s work. Technically and stylistically superb, the piece features two skeletons, one of which is DJing with a twin turntable and the other apparently having a great time.
Laic217, M32 roundabout, Bristol, May 2024
The artistry in the greyscale piece is outstanding, with the story playing out really clearly. The decorative shapes bursting around the piece add a sense of movement and energy coming from the music, and the two gold touches, on the DJ’s hand and a tooth, are classy additions. I love the additional touch of LAIC217 appearing on the record label, rounding the whole thing off nicely. This is a truly fabulous and energetic piece from Laic217.
Ha ha! This outrageous portrait piece by Laic217 at the entrance to the tunnel just makes me laugh. It has all the hallmarks of his work, that takes the grotesque to a new level, softened by some superb paint craft (by which I mean tone and depth) and a brilliant background.
Laic217, St Werburghs, Bristol, April 2024
I wouldn’t ordinarily associate Laic217 with St Werburghs tunnel, but it is great to see him painting here. The distorted face features an enormous toothy mouth and protruding chin, but the character seems happy enough with it. Street artists often add an edge to portraits by omitting to include pupils in the eyes, which gives a bit of a sinister appearance, unsettling for the viewer. The material of the character’s clothes is as you’d expect perfectly painted, and the backdrop of blue smiley faces on a pick background, is suitably trippy. This is a great piece from Laic217.
Some artists are content to stick with what they know and play safe, others are constantly pushing the boundaries, and Laic217 has undergone something of an epiphany recently, taking his distinctive style into new and unexpected places, and as an observer, I am enjoying the trip.
Laic217, Greenbank, Bristol, April 2024
This outstanding portrait piece on the long hoarding at Greenbank features a man holding a miniature trumpet, all in greyscale except for the instrument. The piece is not signed, but there are some telltale signs that this is by Laic217, namely the unusual proportions of the character’s head, and more obviously the folds of material in his clothes, a speciality perfected by Laic217. This is a wonderful piece.
Laic217, Zake and Chill, Dean Lane, Bristol, March 2024
This is an unusual collaboration from the PWA crew notable by the absence of either Face 1st or Soap, the driving forces behind the crew for some years. Not that the absence diminishes in any way this curious collection of character pieces from Laic217, Zake and Chill.
Laic217, Dean Lane, Bristol, March 2024
On the left is something of a trippy throwback from Laic217, with one of his face distortion pieces that are both admirable and disturbing in equal measure. A welcome return of the bucket hat badged with a smiley face sits on top of a stretched out portrait, made up of three faces. I suspect this party animal is enjoying some hallucinations in this captured moment. Weird and wonderful stuff from Laic217.
Zake, Dean Lane, Bristol, March 2024
The middle section of the collaboration is occupied by another slightly weird character piece from Zake this time. A buxom silver-haired lady is pictured in front of a rural house, with a porch and smoking chimney. I have no idea what the story is here, but I think that Zake is enjoying pushing boundaries.
Chill, Dean Lane, Bristol, March 2024
Rounding off the collaboration is a charming portrait of what looks like a Mid-West farmer from the early 20th century with a pitchfork in hand and some chickens. The piece is absolutely brilliant, and all the more admirable for being painted in its entirety in greyscale. I have tried to look for a theme that binds the three pieces but cannot find one. Perhaps the theme is having fun painting together.
Laic217, Zake and Chill, Dean Lane, Bristol, March 2024
Once again, Laic217 seems to be pushing the envelope with his work, most recently with this unusual piece in the little tunnel at Cumberland Basin. Although the fingers of thee character are a little bony, there isn’t a skull or skeleton in sight.
Laic217, Cumberland Basin, Bristol, March 2024
The way that this piece has been painted, it almost loos like oils on a canvass, slapped on in layers. Laic217 has worked cleverly to achieve depth in perspective, but also depth in textures through his use of dark and shade. I don’t know what the arrow represents, but it looks great. It is a nice touch to with the letters LAIC tattooed onto the fingers. Classy stuff.
Well I never! This is a really unusual piece, on several counts, the first of which is a bit of a Bristol thing. It is quite rare to find ‘saucy’ street art, and nudes are almost non-existent. I was chatting with Inkie and Sepr about this a week ago and they suggested that the reason for this is that such pieces get dogged and ‘censored’ very quickly – it would seem that the city is generously populated with prudish activists. Another reason that this is unusual is that I think it is by Laic217, but there is no signature, and it is without many of his usual trademarks.
Laic217, River Avon, Bristol, March 2024
I would say that I am about 95% certain that this piece is by Laic217, and I base this on the style of artwork, which includes the folds in the material of the girl’s jacket, the tones of the flesh and the thin white border around the piece. In my experience, though, this subject is something I have not seen from the artist before, and I very much welcome it. Laic217 is having something of a purple patch at the moment, and is definitely experimenting and pushing a few boundaries. An unusual find.
Laic217 seems to have a plethora of ways to surprise me. Often his pieces appear unannounced, and so discovering them definitely feels special, but what surprised me with this piece is that it immediately took me back to some of the very earliest pieces of his that I started photographing a few years back.
Laic217, Greenbank, Bristol, February 2024
The character, for once, not a skull, is wearing a bucket hat with a satanic protection mask strapped to it. To the right of the portrait is a letter ‘L’ for Laic which has been hollowed out and blocked with a deep 3D drop shadow.
Laic217, Greenbank, Bristol, February 2024
The face, with its harsh features, could only be by Laic217. I don’t know what it is about his style, but it is quite unique. Looking at the close up, it almost looks like it has been painted on a canvas with brushes, and maybe that is what gives Laic217 his uniqueness. This is yet another awesome piece from one of Bristol’s very best street artists.
Laic217 has been smashing it for years now, and I continue to enjoy the ride he is taking us on. His improvement and development continues from piece to piece, always getting better and more interesting to look at.
Laic217, M32 Cycle path, Bristol, February 2024
This piece is full of sharp detail, in the flames, and the folds of the fabric but most noticeably in the reflections of the skeleton’s glasses. There is a lot of precision in this piece, and the mask being worn is amazing. An L on the hat for LAIC rounds the piece off nicely. There is always a home for every piece I find by the artist on Natural Adventures.
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