Florist, Upfest 2026, Merrywood Road, Bristol, May 2026
This particular spot, a bricked up window recess, has hosted some wonderful Upfest pieces over the years, and this time it is the turn of a mosaic artist from London called Florist.
Florist, Upfest 2026, Merrywood Road, Bristol, May 2026
The mosaic was installed in about five or six prepared sections and the shoes, part of the installation, were attached with adhesive to the window sill. The outcome is a beautiful scene, with a man sitting on a bench with some flowers. What is the story behind the piece? Perhaps only Florist knows. Something a little different for the festival.
This modest piece by Emma Philippa Maeve is one of the smallest of Upfest’s 75 walls in 75 days, and could easily be missed by many due to its location just off North Street and the recess it sits in. It is a really interesting piece and quite unlike anything else from the event, demonstrating the breadth of styles and talent that is on display in Bedminster.
Emma Philippa Maeve, Merrywood Road, Bristol, August 2021, Upfest 21
The bright and colourful piece looks like an etching scratched into the surface of the wall and her work is influenced by her travels. Emma Philippa Maeve has a very interesting website that shows you more of her work and tells you a little about her inspiration. She uses the term Flaneuse, derived from Flaneur, to describe her lifestyle, and it is a subject close to my own heart. To explore for the sake of making new discoveries and learning more about what is around you… keeping your eyes open is what it is all about. Fabulous.
I think that this might just be my favourite mural from Mr Penfold to date. I like everything about it. The proportions seem to work really well, the colours, the balance the designs and the shadows come together perfectly in this bright abstract piece.
Mr Penfold, Merrywood Road, Bristol, July 2020
Because Mr Penfold generally works to commissions, we don’t get to see nearly enough of his distinctive brand of abstract work on the streets, but for him to do so would probably erode his strong commercial brand. I really love this piece.
Yay! more wheatpaste antics from Kid Crayon, following a quick binge with Jimmer Willmott pasting up sketches around Bedminster. I really appreciate wheatpaste art and in my book its status is as high as spray can art. One of the big advantages for wheatpasters is that they can place their art in all sorts of places where spraying simply isn’t an option because in a matter of minutes the dirty deed is done and there is little chance of being caught. Because of this most wheatpaste art can be placed in illegal spots – having said that, the long-term impacts are far less damaging than spray paint… a bit of tired old paper here and there, that’s all.
Kid Crayon, Merrywood Road, Bristol, September 2019
A funny character wearing a silly party hat and a crayon floating in front of his mouth. What could be more fun than that? The crayon thing is part of Kid Crayon’s USP, and used to be the key identifier or signature on his early work, it is not seen so often these days. So pleased that he has had this little retrospective binge.