A gallery of outstanding concealed portrait pieces and writing from the brilliant Bristol artist Mind 49, formerly known as Mind Control.
Instagram: @mindfortynine
All photographs by Scooj
Mind 49
Tag: Mind 49
7192. Lucky Lane (7)
What a stunning piece by Mind 49 painted at the Lucky Lane paint jam a couple of weekends ago. The theme for the mini-festival, organised by the Bristol Mural Collective, was luck, although I’m not sure how Mind 49’s piece plays into this, if at all.
The obscured portrait, a feature of Mind 49’s work, shows the eyes of a person peering through what appears to be a floral balaclava or headdress. It is an incredibly powerful piece, which is not only painted beautifully, but also conveys a raft of possible emotions – grief? contempt? sadness? resignation? stoicism? – there is certainly something downbeat about it, and yet it is surrounded with beautiful flowers. Lots to think about in this amazing portrait piece.
7070. Knowle West (2)
I believe that it was Mind 49 who was responsible for organising this paint jam in a sleepy close in Knowle West, and he certainly managed to assemble some great talent to decorate these suburban walls. In this amazing portrait piece he has collaborated with Wxttsart (Milk), although it is difficult to know which bits the latter contributed to, perhaps the sign of a true collaboration.
The portrait itself is clearly the work of Mind 49, whose subjects are often in natural poses, as if caught off-guard, and their faces often partially obscured, in this case with a hat and sunglasses. Pure class is how I would describe the piece. I believe that Wxttsart’s contribution is to the right-hand side, with the abstract designs and ‘rips’ through the piece. Certainly the end result is a winning combination, and a stunning addition to the house.
7056. St Werburghs tunnel (516)
Mind 49 has always been an activist, and although his art has mellowed in recent years, his principles are still very much intact. This anti-war piece is striking, poignant and beautifully presented.
Skulls are a common motif/subject in street art and this is one of the very best examples I have ever seen. Mind 49 has captured the tones, shading and depth perfectly. Strangely, the helmet almost seems as though it is painted by a completely different artist. It is lacking in detail, the perspective is slightly out and the flags a bit untidy. I don’t know why this is, whether it is a deliberate device or that Mind 49 has absolutely cracked the skull and needs to work on helmets. It is a mystery.
The message to take home is clear. ‘Destroy the war machine’, which is directed at the UK, the USA and Israel. I could go into a long and thoughtful essay about the war in Palestine, and the impotence of voices that want an end to the killing and suffering. History will not look favourably on the genocide and the parallels with WWII concentration camps and justifications for extermination. Can’t people see the paradox? I’ll stop there. It upsets me too much.
6805. Cumberland Basin
Ooh! How brilliant to see Mind 49 returning to the streets after a relatively quiet start to the year. Commensurate with his last piece at the Greenbank spot in January, Mind 49 has combined a photorealistic portrait with a cartoon illustration, carrying some threat and menace.
The portrait is superb, painted in his unique style that creates what I would term a blurred photorealism, rather than some of the perfect sharp pieces that you see from time to time. The cartoon parts begin around the main character’s neck and show him holding a pistol. In the background, a hooded character looks on. I love the way that Mind 49 brings these two very different styles together and makes them sit side by side effortlessly. Looking forward to more as the days get longer and weather warms up.
6732. St George skate park (23)
I missed this piece by Mind 49 last year, so it is looking a little worse for wear, although, given that it is in a skate park, it has worn well. I love the way that it has been painted onto a cracked ramp, which makes it feel like an organic part of the park, that it has always been there, kind of.
Mind 49 has been one of the great talents to emerge from the Bristol scene and has developed from a precocious talent, via an activist, into a fine painter of photorealistic portraits. Here, the beautiful profile with soft tones marking out light and shade of the face contrasts with the half-finished look of the shirt and hat. A truly fabulous piece.
6690. Greenbank (150)
So Mind 49 gets the year off to a cracking start with this fine piece, combining two contrasting styles, demonstrating his awesome technical ability. Mind 49 has always had an activist streak, and many of his early pieces were themed along the lines of animal rights. This one appears to be more about peace, and might be a commentary on the overthrow of the Bashar al-Assad regime in Syria.
The character is beautifully painted, peering over a scarf that covers up the lower half of his face. The folds in the material are superbly painted. Superimposed over the portrait is a crudely drawn cartoon of a gun being snapped in half and a dove of peace flying off. The peace symbol to the right indicates quite clearly what this wonderful work is all about. I’m looking forward to a great year ahead from Mind 49, I also think it might be time for a gallery of his work.
6304. Muriel Alleyway (8)
This was a bit of a red-letter day… not only was it gorgeous weather, but I got to meet Mind 49 for the first time, having been following his work for a number of years. He was painting alongside the Bristol Mural Collective at Bristol’s smallest street art festival at the end of July.
This is the first shutter piece that I have seen Mind 49 paint, and although the portrait is magnificent, I’m not convinced that the uneven surface lends itself well to his style, or at least in a narrow lane, where you can’t stand back to get the overall impression of the piece.
This is one of the first times that I have seen a full face portrait piece by Mind 49, as he usually likes to paint heads from all sorts of different angles, or with obstacles hiding parts of the face, creating a sense of mystery. A very nice piece indeed from a lovely artist.
6172. M32 roundabout J3 (593)
A couple of weeks back, there was a superb paint jam on the M32 roundabout. I am not sure if it was to celebrate something specific, or simply a whole bunch of artists enjoying a sunny day (what are those?), but whatever it was all about, it resulted in some cracking pieces, including this meeting of styles collaboration between Mind 49 and SPZero76.
Mind 49 has been smashing it with each new piece he produces. His portrait work, often from unusual angles and with faces partially obscured is painted in a soft photorealistic style, if that makes sense. The character in this particular piece is looking away, but immediately catching the eye is the addition of a large swallow flying by, utterly unexpected, and quite brilliant. This is a wonderfully conceived piece which segues nicely to something completely different via a multicoloured strip.
The two pieces have nothing in common at all, and SPZero76’s animated comic style is not something I would expect to see adjacent to Mind 49 soft-portrait style. The multicoloured strip is the only thing that unites them. The piece entitled ‘after the robot apocalypse’ features a dog? character and a feline robot toting large weapons, in some dystopian future setting. A wonderful and lively animation piece from a truly gifted artist.
6104. Greenbank (122)
I haven’t yet seen Mind 49’s piece for Upfest yet, but his preparation has been on an ever-upwards trajectory. With each new piece that he paints, he seems to grow, not only in confidence but in comfort with and command of his style. This piece on the hoardings at Greenbank is a great example of his soft photorealism work.
In nearly all of Mind 49’s pieces the eyes of his subject are obscured often with sunglasses, and I wonder if that is a signature kind of thing or whether he struggles with painting eyes. I guess I’ll have to meet him to find out. Mind 49 has a fantastic tone with his artwork, which often looks like it might be painted with brushes rather than spray cans – the mark of a great artist. Now, I must hunt down his Upfest piece, from what I have seen on social media, it looks quite remarkable.
Natural adventures 