If only I were as quick to post John D’oh’s political commentary pieces as he is to prepare and spray his stencils… Natural Adventures would feel a bit more contemporary, but a trade-off has to happen, because there is so much high-quality street/graffiti art in Bristol, I invariably have a backlog. Within a day or two of the Rishi Sunak Spring Statement (which did little for the poorer communities facing a cost of living crisis) John D’oh had come up with this piece, although I think it was just before the furore of his wife’s non-dom status, it certainly continued to resonate.
I like it that John D’oh visits various skate parks around Bristol and beyond, because these are places where more people will get exposure to his art and his observations. It is a joy to capture and catalogue John D’oh’s work because in years to come we will be able to reflect on Tory Britain with some grounded and visceral reflections.
Sled One is a great champion for the ASK crew, and will often paint these animated letters in his inimitable style that creates so much movement and character. This is one of two such recent pieces.
The skate park at St George doesn’t have the best graffiti walls, most of the site is rolling mounds and shallow bowls, but this ramp and one at the other end offer graffiti artists some decent opportunities. This vibrant ASK would most likely have been freestyled and I imagine fairly quickly, such is the skill and talent of Sled One. More like this coming soon.
I went up to the skate park to find a small piece from Soap, and am pleased that I did because I came across this rather interesting portrait by Zake. The face in green set on a patterned purple background is not something I would instantly associate with Zake, but on lingering it has many of the characteristics he uses in his work.
The last piece from Zake that I saw was a blue faced girl at the M32 Spot, so it would seem he is experimenting at the moment with colourful faces. This a fun piece.
We live in strange and sometimes farcical times. This rather nice stencil from John D’oh at St George skate park satirises one of the more surreal moments of Trump’s utterly catastrophic presidency. How do Johnson and Trump keep their jobs in the light of such gross incompetence and stupidity? It is a mystery. If I behaved in the way they do, I would have been fired a long time ago.
So Americans, injecting disinfectant might be worth a try, you know it makes sense huh? And now we see Jair Bolsenaro, another populist leader, equally driven by self-interest and fame entering the competition to see who can manage the coronavirus epidemic the worst. These leaders love being at the top of international league tables that it matters not what the rankings are about. How did it come to this? Thank you John D’oh for reminding us with your running narrative about the desperate state of world leadership.
Another artist who has been really busy lately is John D’oh whose running commentary on all aspects of the coronavirus epidemic has given us a record of events through the medium of street art. This way of capturing contemporary events has been a major aspect of art through the ages, and although much of the art is ephemeral some remains and helps to tell future generations what happened in the past and where they came from. John D’oh’s stories are important ones to tell.
This lovely stencil on the side of a ramp at St George skate park, celebrates the fabulous and unrelenting hard work of NHS workers through the pandemic with more than a little nod to Wolverine of X-Men fame. Slightly sinister, slightly edgy but with a great heart. A nice piece from John D’oh.
In St George skate park, at the far end from the car park, is a tombstone of a skate ramp, looking more like the monolith in 2001: a Space Odyssey than a piece of skating architecture. This is a favourite spot for some artists in Bristol, and recently it was the turn of 3Dom to decorate this wall.
I think the story here is putting urban civilisation under the microscope, but to what end I am not so sure. The microscope has been brilliantly observed and painted well and reminds me of the days when I used to do some real science rather than whatever it is I do these days.
This is a simple and striking piece that is brilliantly suited to the wall it has been sprayed on and offers us another aspect of this fabulous artist’s talents. I feared that with the sun behind the wall I wouldn’t get any decent pictures, but I think they turned out ok.
It is a great pity that I didn’t manage to photograph this piece by Slakarts before it got scuffed up (an occupational hazard for any paintings in a well-used skate park), because it is difficult to make out the true beauty of it. Although I have a few of his pieces in my archives, this is only the second of his pieces that I have written about. Probably about time to break some of his older pieces out.
His work often features a face in this style that rather resembles a mask. The subtle colours he has used here are probably more prone to skateboard damage than something that might have been a bit brighter but you can nonetheless get a sense of the rather solemn face. The drips are intentional. More to come from Slakarts soon.
Another rather decent piece by Nightwayss at the St George skate park. I got to this one early in the morning and looking at how unskuffed it is I would think it was probably painted the night before.
Something a little different from Nightwayss, with an interesting background and hollow writing. Of course no piece by this artist is complete without a monkey and this one is rather handsome, beautifully reversed out where his body comes into contact with the letters. Keep ’em coming.
On a ramp at St George skate park is this rather tasty clean and tidy piece by Fiva. I have only been visiting this skate park for about three months and it has yielded so many lovely pieces. The turnover here is quite high, because all the surfaces get pretty scuffed pretty quickly – luckily I got to this one when it was stil pretty fresh.
I am racking up quite a decent collection of pieces by Fiva and this one is a little different from many, with a slightly more forgiving font and softer cloudy background although the whole thing is set on a rather austere blue brick wall background. I like Fiva’s work a lot and always get a bit of a kick out of finding new pieces by him.
On first inspection, this doesn’t really look like very much, mainly because of the condition of the wall (ramp) and the quality of the photograph. However, take a closer look and there are three lovely pieces of work from Conrico, Rebecca Prince and Tasha Bee. I assume that this is yet another Monday Club production.
The left hand side is a delightful illustration of a Chinese (?) man sitting on a rock blowing smoke rings from his pipe.. The thing I love about Conrico’s work is that the picture he creates is only one part of the work, it is the way he gets your imagination going with trying to unpick the story – a real talent. I could look at his work all day.
In the middle is street art newcomer Rebecca Prince with a portrait of a girl with fruit in her hair. There is something quite dreamy about this piece, and I am really looking forward to seeing her progress. She and other new starters give me hope.
Finally we have a gorgeous piece by Tasha Bee who has such an assured and confident touch to her work. There is joy in the simplicity of her designs and soul in the poise of the characters. This really is a teriffically difficult wall to paint, because of its textured surface and orientation, but all three artists have done a great job. Love it.