Mr Crawls – Page 4 – Natural adventures

6002. Dean Lane skate park (713)

Mr Crawls, Dean Lane, Bristol, April 2024

These pictures are my second attempt at capturing this fine bird piece by Mr Crawls, the first effort resulted in photographs that had the piece in brighter light but scattered with shadows. Sometimes overcast days are much better for certain spots, such as Greenbank and Sparke Evans Park, as well as anywhere with overhanging trees or herbage.

Mr Crawls has been having a great few months, especially since joining up with Mote, a partnership that appears to have stretched both artists with some terrific outcomes. In this bird piece, Mr Crawls has used his favoured chrome background as a backdrop for his raptor(?) character sporting a rather nice hat. Although Mr Crawls has been experimenting with all sorts of creative monsters, it is comforting when he returns to one of his classic birds.

5964. Brunel Way (268)

Mr Crawls, Brunel Way, Bristol, March 2024

Everything about this piece by Mr Crawls is good. Utility box painting, in my view is providing a public service, and indeed in some countries is actively promoted, to turn these utilitarian metal monstrosities into something attractive and a talking point. This artwork is of course illegal and considered subversive, and yet what joy it brings.

Mr Crawls has been using chrome backgrounds a lot lately and it works especially well here, providing a neutral backdrop to a stunning red and grey bird character piece. I think that the way this has come together and the location contribute towards making it my favourite piece by the artist so far (I think).

5936. Cumberland Basin

Mr Crawls and Mote, Cumberland Basin, Bristol, March 2024

One of the great joys of the last six months has been the thriving partnership between Mote and Mr Crawls. Rarely do you get the chance to watch on as two artistic talents arrive at a confluence and thrive as collaborators, while maintaining their individual identities.

This collaboration, on the ‘wet wall’ on the north side of the river underneath Brunel Way features two toothy monsters set on a chrome background (a strong feature of their recent work). On the left, Mr Crawls has a go, and smashes it, at painting a monster, which is a bit of a departure from his birds. The purple-faced monster, in spite of the array of sharp teeth, looks gentle enough. On the right Mote has created a monster, also with sharp teeth, in which the fill patterns give the piece away as one of his. As I have said before, they tend to bounce ideas off one another, and you can see how they have both shared an approach to painting the eyelids. So much fun from these two.

5920. River Avon (59)

This piece really made me laugh, taking the brilliant partnership between Mr Crawls and Mote into new territory in this rendition of a couple of fish monsters. Their work is always fun and usually tinged with a touch of humour that brings a smile to your face.

Mr Crawls, River Avon, Bristol, February 2024

This is one of those collaborative pieces from the pair, where their influence on one another makes it quite difficult to know who painted which character. There are some tell-tale signs that give each of the artists away, and the yellow anglerfish is by Mr Crawls, and an absolute beauty.

Mote, River Avon, Bristol, February 2024

The fish monster is by Mote, and consistent with so many of his characters in his vast portfolio. The fill patterning, and little hashtag symbol on the edge of the monster’s mouth give him away. This is a wonderful collaboration from the pair, which took me quite a while to hunt down. Well worth being persistent in my search.

5892. Cumberland Basin

Mote and Mr Crawls, Cumberland Basin, Bristol, March 2024

It looks like the dynamic duo, Mr Crawls and Mote, are going to keep us entertained for some time to come, as their collaborations keep popping up all around the city, and as they paint more often together, they appear to be bouncing ideas off one another to bring about some convergent evolution of styles.

Mote, Cumberland Basin, Bristol, March 2024

In these two utility box pieces, the artists have retreated a little back to their original identities, and the discrete nature of the boxes lend themselves to this separation. Mote has painted one of his friendly monster faces on a chrome background (the pair’s background of choice it seems) in his favoured pastel shades. Boldness juxtaposed with modesty – a good look.

Mr Crawls, Cumberland Basin, Bristol, March 2024

On the adjacent utility box, Mr Crawls has seized the opportunity to paint one of his birds, I think this one is an eagle wearing a bucket/pork pie hat. Both pieces have omitted pupils in the eyes, leaving the characters with a bit of a ghostly or ambiguous expression, a deliberate move to leave the viewer a little unsettled perhaps? Great stuff from this pair.

5875. Cattle Market Road (16)

Mr Crawls and Mote, Cattle Market Road, Bristol, February 2024

The ‘dynamic duo’ continue to entertain us with their increasingly frequent monster/character collaborations. Since Mr Crawls and Mote teamed up, they have been creating some fabulous monster pieces spread around the city and they don’t appear to have a favourite spot, so finding them seems to be a bit of a random process.

This one, on the ever-shrinking hoardings behind Temple Meads station, features a bird from Mr Crawls and a monster from Mote, set perfectly on a chrome background, something they seem to enjoy adopting in their work. As they continue to work together, they are learning from one another, and here they have gone with a black border that matches in thickness, and draws the collaboration together. I have plenty more pieces in the can waiting for posting.

5821. M32 Cycle path (250)

Mr Crawls and Mote, M32 Cycle path, Bristol, January 2024

The series of Mr Crawls and Mote collaborations simply goes from strength to strength, and as far as I am concerned, they can just keep on coming. This is a recent one from the M32 Cycle path not too far from the M32 Spot.

Painted on a chrome-buffed wall, the two birds sit snugly side by side, the different styles complementing each other perfectly. The bird on the left is by Mr Crawls and features the hollow and haunting eyes. On the right, another Mote monster bird comes up trumps. Although they have used different colours, they both adopt minimal colour palettes, so the whole thing isn’t over fussy or complicated. Such a great and productive.

5806. Greenbank (105)

Mr Crawls, Greenbank, Bristol, January 2024

Mr Crawls continues on his quest to delight Bristolians with his birds and monster birds all over the city. This smaller piece is on one of two that were presumably painted around the same time on the long hoarding at Greenbank.

The gull-like cartoon character looks rather charming with his sleepy eyes. I am guessing this was a quick one, as the white fill is a little on the thin side. The thick pink border does just enough to separate the bird from the busy background, without the need for buffing the wall. If Mr Crawls continues with his high volume of pieces, I might have to start grouping them into posts.

5798. St Werburghs tunnel (402)

Mr Crawls and Mote, St Werburghs, Bristol, January 2024

With this double collaboration from Mote and Mr Crawls, we are treated to some outstandingly creative monster characters, demonstrating that this relatively recent pairing is thriving, and their partnership is becoming one of the most interesting in Bristol at the moment.

While I have met Mote on this many occasions, I have not yet met Mr Crawls, but hope that I will catch them painting together before long. The left-hand side pairing of bird monsters are painted in rich colours and superbly designed. The different styles, as always, complement each other perfectly, and to date this is my favourite piece by the two artists so far.

To the right, two more imaginative creatures hang out side-by-side, set on a chrome background. As these two paint more often together, they are clearly bouncing ideas off each other and incorporating elements of each others’ work. For example Mote’s monster horns are straight out of the Mr Crawls song book. What a fabulous collaboration.

5785. Cumberland Basin

Mr Crawls, Cumberland Basin, Bristol, January 2024

One of the nicest surprises of 2023 has been the rise and rise of Mr Crawls, whose bird pieces have become a familiar sight all around the city. More recently, he has teamed up with Mote to produce some great fun pieces that work so well, each painting in their own style, which somehow come together seamlessly.

At first, I thought that Mr Crawls might be a bit of a one-trick-pony, but far from it, he has been modifying his characters and switching them up as he goes along. This solo bird has a comical cartoon expression, that Mr Crawls manages to paint so well. I predict another bumper year from this irrepressible artist.

	scooj on 7400. St Werburghs tunnel…
	scooj on Winter afternoon
	scooj on 7400. St Werburghs tunnel…
	scooj on Sands
	scooj on 7398. Peel Street Green (…

	M. on 7400. St Werburghs tunnel…
	skat on Winter afternoon
	Cethru Cellophane on 7400. St Werburghs tunnel…
	paulh121 on Sands
	M. on 7398. Peel Street Green (…

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