It has taken me a while to get round to posting this wonderful facade piece from Paul Monsters which in its short lifetime has become a bit of a landmark on Bedminster Parade. What a fabulous boost murals can give to an area, and this is a prime example, I am only surprised that it doesn’t happen an awful lot more than it does.
Paul Monsters, Bedminster Parade, Bristol, April 2021
Paul Monsters’ designs are instantly recognisable and combining his shades of colours with geometric patterns lift the work creating a clever 3D effect. Definitely eye catching even for those with their heads buried in their mobile devices. Let’s get the whole city brightened up! More like this please Paul.
To deliberately misquote a biblical phrase, ‘the Lord taketh away and the the Lord giveth’. The whole area of small businesses and light industrial units in the Upper York Street and Wilder Street area have been knocked down for new developments including housing and student accommodations, depriving street/graffiti artists from some premium walls. The gentrification programme is moving at pace and sweeping all around it aside.
Gage Graphics, Upper York Street, Bristol, May 2021
It would appear that the developers of this block, which has been build with alarming speed during the coronavirus pandemic, have offered a small gesture that acknowledges the area’s street art heritage with this incredible mural from Gage Graphics. We know what an accomplished artist Ollie Gillard is and his outstanding murals can be found on private houses, restaurants and businesses all over Bristol. This is another fabulous addition to his portfolio that contributes to the whole Bristol USP thing.
Gage Graphics, Upper York Street, Bristol, May 2021
The piece itself is a wonderful tropical paradise scene in which creatures of the forest admire a circus act being performed by a little mouse in the wooded foothills of a small mountain. Ollie Gillard transports us to a different place with this mural and there is so much detail to look at and admire. Well worth a visit, but does it compensate for the loss of the local street art walls, I guess only partially. It will be interesting to see whether this new build gets tagged and bombed, once all the hoardings come down.
Silent Hobo paints some of the very best large murals in Bristol and this one on the railway bridge in Stapleton Road is so large that I have split it into component posts to keep it manageable. This bit of the remarkable mural is on the side of the of the bridge and runs perpendicular to the M32 motorway. I was lucky enough to have a quick chat with Silent Hobo as he was just starting on this elevation.
Silent Hobo, Stapleton Road, Bristol, April 2021
I say this every time I write about Silent Hobo, and I am certainly not going to break with tradition now, that he has an incredible knack for capturing a mood and reflecting it back to us. The youth of Bristol and a contrast of urban clutter offset by nature and hope are themes he explores in so much of his work.
Silent Hobo, Stapleton Road, Bristol, April 2021
On this section of wall some Easton youths are interaction with nature and their environment, and key to this embrace is rail and bus services which are greener methods of transport than cars. I love the artwork and I love the themes.
I noticed a few days ago that the bottom of this wall had been tagged with white paint, but when I went there yesterday, the offending tags had been painted out. I love it that people care about this community mural. The rest of the mural will be in a new post soon.
Tom Miller is an artist I have taken a great deal of interest in ever since I first encountered his unusual surreal pieces in Stokes Croft and in The Bearpit back in 2016. At that time he was still studying his craft at the university, but it was clear that he was creating something rather special. Some of his work is captured in this gallery.
Tom Miller, New Stadium Road, Bristol, February 2021
What is most pleasing is that he is now getting a number of commissions and his artwork is appearing on large walls around the city, but he is keeping it real by continuing with his street art work too. This magnificent piece on one of the most prominent walls in Bristol took him a couple of weeks to paint and during that time I stopped to catch up with him.
Tom Miller, New Stadium Road, Bristol, February 2021
Tom is genuinely one of the nicest artists I know, he is so modest and always seems to enjoy a bit of a chat. I have to say that I was concerned for his safety when he was painting this, because it was incredibly windy and the scaffold tower was wobbling much more than would have been comfortable. He survived though and what an amazing job he did.
Tom Miller, New Stadium Road, Bristol, February 2021
This piece, as you would expect, is so full of colour and detail. Some might call it busy, but I would call it expressive. Lots of body parts combined with flowers and other familiar shapes and objects fill the space, and then there is some respite from this crowded scene to the right of the piece with two less frenetic panels.
Tom Miller, New Stadium Road, Bristol, February 2021
The focal point is the face in the middle, and I wonder if it might be a subconscious nod to a piece that stood here for a few years of a large portrait of a girl with a yellow face.
Tom Miller, New Stadium Road, Bristol, February 2021
As I said, the two panels on the right offer something different from the rest of the piece, with some landscape and cosmos to calm things down a bot. The far right section reminds me a little bit of the Pink Floyd record sleeve of ‘Dark Side of the Moon. This epic wall is a great addition to Bristol’s iconic street art culture and is one that people leaving the city on the M32 can’t fail to see.
Nina Raines dropped me a message on 17 January to say that she and some friends were going to be repainting the North Street dental surgery, just in case I was able to come along. Unfortunately work is so busy at the moment, it is impossible for me to choose the moments I get to visit spots around Bristol, and the two days this was being painted were chockablock, which was very disappointing. Far from disappointing though was the outstanding piece that Nina Raines, Phoebe Tonks and Ana Cruz painted along the practice wall.
Nina Raines, Phoebe Tonks and Ana Cruz, Dean Lane, Bristol, January 2021
This is one of those collaborations where all three artists have combined their talents in the one piece and it is impossible for me to know who painted which bit, so this is a true fully-integrated collaboration. The 1950s look and feel of the lady with her toothbrush and toothpaste at the ready is inspired and adds a superb splash of colour in this corner between North Street and Dean Lane.
Nina Raines, Phoebe Tonks and Ana Cruz, Dean Lane, Bristol, January 2021
While the lady character is the focal point of the piece, there is so much other interest on this busy wall with the decorative patterns and outlines of children and a tooth fairy. In my view this piece is brilliantly designed and brilliantly executed, and I sincerely hope that the dental surgery are pleased with it. This is a fine landmark in this part of Bedminster.
Nina Raines, Phoebe Tonks and Ana Cruz, Dean Lane, Bristol, January 2021Ali Hamish Campbel and Nina Raines, Dean Lane, Bristol, May 2019
It has taken me far too long to take photographs of this wonderful mural by Alex Lucas. It is in Picton Street on the facade of her shop and replaced one that she had painted a few years earlier and which had begun to look a little tired. The makeover is a huge success.
Alex Lucas, Picton Street, Bristol, January 2021
I think that Alex Lucas deserves a title, something like the Duchess of Montpelier would be appropriate on account of the sheer volume of outstanding murals, big and small, that she has painted in the area, helping to make it a ‘go to’ destination for visitors to Bristol.
Alex Lucas, Picton Street, Bristol, January 2021
The black and white birds are beautifully drawn and sit on a backdrop of outstanding purple flowers on a blue background. This is both sumptuous and eye-catching and a massive part of Bristol’s USP (one that Bristol City Council are conflicted about – I’ll probably leave that rant for another post).
This is the third stunning mural I have recently posted by Gage Graphics on the rear wall of house on St Luke’s Road overlooking Victoria Park. I had seen images of this piece before on the Internet, but it wasn’t until I went looking for the new Banksy piece in Totterdown that I stumbled across it.
Gage Graphics, St Luke’s Road, Bristol, December 2020
It is a great thing when neighbours collaborate and decide to commission pieces like this, and this iconic row of houses has about six or seven noteworthy murals that do so much to brighten up the area. In this piece, Gage Graphics has included a couple of iconic Bristol characters from Aardman Studios, Gromit (peering out of the tree trunk) and Shaun the Sheep in the centre of the moral. Other Bristol references are the SS Great Britain designed and built by I. K. Brunel and in the sky a Balloon gently drrifts by. On the right of the mural a surfer is catching an enormous wave. This is a fun and creative piece and a fine addition to the others in the road.
Gage Graphics, St Luke’s Road, Bristol, December 2020
This is the perfect way to end 2020 with a spanking new and rather beautiful mural on the Cheltenham road just before the Arches heading north. The mural is by Alex Lucas and covers the entire wall of what was Flour and Ash but is now a new vegan Mezze bar called Koo Cha
Alex Lucas, Cheltenham Road, Bristol, December 2020
I had been anticipating the unveiling of this piece for some time as I live nearby and had seen Alex painting it on a large scaffold erected in front of the building. It certainly didn’t disappoint, in fact I think it might be one of my favourite pieces by the illustrator/muralist.
Alex Lucas, Cheltenham Road, Bristol, December 2020
The cheetahs are absolutely stunning and stand out well on the blue background and the flowers are a beautiful touch that ‘glue’ the whole thing together. We are so lucky in Bristol to have Alex Lucas whose work lights up the city and brings such happiness to its citizens. Bravo Alex, bravo!
It has been an extraordinary year for street art and graffiti in Bristol and around the country. A succession of lockdowns and an extended period of social distancing behaviours haven’t done anything to stem the tide of wonderful artwork and I have had difficulty keeping up with it all. I think this year has been the most productive since I started Natural Adventures almost six years ago. The quality of work has increased too and there has been an influx of artists from the UK and beyond.
Some artists have gone to ground for periods this year, reflecting what had been a troubling time, and work patterns have gone haywire too which will have affected some people’s ability to choose when they can make time for street art. In spite of it all, it has been an outstanding year on Bristol’s streets. Here’s to more in 2021.
On the eve of 2021, it think it is appropriate to post this beautiful piece by Gage Graphics as a way of looking forward to the summer when we can be ourselves once again and figure out what our world looks like. It might not be like it was, but it will surely be better than right now.
Gage Graphics, St Luke’s Road, Bristol, December 2020
This large sunflower mural is one of several on this row of houses that overlook Victoria Park, and represents one of the best ‘free galleries’ in Bristol. Gage Graphics is responsible for several of them. There is something very special about sunflowers, I’m not sure what magic they possess, but I’ve yet to meet someone who doesn’t marvel at their magnificence. I think that they grow from a seed in such a short time and produce large happy flowers adds to their popularity.
Gage Graphics, St Luke’s Road, Bristol, December 2020
Gage Graphics has captured the majesty of the sunflower perfectly and in addition the services it provides to pollinating insects such as bumblebees. This is an outstanding mural and emblem of hope.
I can’t think of a better piece to post on Christmas Day than this beautiful mural from Zoe Power tucked away in Bedminster. Sadly it is yet another prize wall that nearly always has a car parked outside and this is the best view of it I could get.
Zoe Power, Martin Street, Bristol, December 2020
Zoe Power is known for her wonderful and bright colourful work which often has an element of symmetry about it. In this piece two characters are caught in an embrace where they almost fuse and become one, it is wonderful work and although simple on the outside, full of sophistication and class.
Zoe Power, Martin Street, Bristol, December 2020
Whenever I see her work, I am always reminded of the great Matisse, and that is the biggest complement I can pay. Well worth seeking this out.
Natural adventures 