Cort tends to keep a very low profile, and I think he likes to keep it that way. On the few occasions that I have met him, he has been a man of few words, letting his artwork do the talking. Although he is not as productive these days as he has been in years gone by, the quality of the work has made up for the infrequency.
Cort, Peel Street Green, Bristol, April 2024
This piece in Peel Street Green is a belter, and he has replaced his usual CORT letters with the word DRUNK. I wonder if that references the state he was in when painting it, or whether there is another story behind the letters. The piece is nice and sharp with good colours and some nice letter fills. There is both fun and movement in the whole thing that gives it some vibrancy, and it certainly stands out in this long gallery wall.
This piece from Haka is simply perfect in every way.
Our country is in a mess, largely thanks to the appalling Government that have been in power for the last 14 years, and their lurch to the right. Their latest culture war that they are waging on the good people of the UK, is that anyone protesting for peace in Gaza and an immediate ceasefire is branded an Islamist, which when you look at it, is absurd. Calls for an end to the war, and indeed countless other wars, are treated as a threat or anti-government, rather than being a cry to stop the needless killing and suffering. What else can citizens do to express their concerns other than protest. I would think that the vast majority of British people are against the war in Gaza, after all what kind of person would want the killing to continue? Only those who stand to gain financially or politically.
In this piece Haka peacefully makes his own statement ‘Free Palestine’, accompanied by a small peace flag. Does this make him a fundamentalist or an Islamist? I don’t think so. Nor does it make any of the other street artists who have painted commentary pieces about the war in Gaza some kind of threat to our British values. On the contrary, British values are based on compassion, fairness, decency, honesty and truth. It is politicians and political leaders who bend these values to suit their own narratives, and in this respect the right wingers have excelled themselves in recent years. Decent people have had enough. We need a change of government, but alongside that we need to return to a united society, because we have some far greater challenges ahead of us which we must face together. There is no room for selfishness any more, that way leads to our mutually assured doom.
Sermon over.
Haka, Peel Street Green, Bristol, February 2024
This piece is beautifully recreated in the style of Dr Seuss and perfectly captures the moment. The innocence of the camel adding to the pathos of the message. Haka has created something both beautiful and powerful and I salute him. This is not a ‘hate’ piece, it is a cry for peace piece.
Mr Klue, Peel Street Green, Bristol, February 2024
Mr Klue has definitely woken from his winter slumbers and is doing what he does so well, and decorating the walls of Bristol with his unique abstract ethereal letters. I am not too sure though that I have ever seen a piece of his on this wall before, and it is nice to see him break away from the security of his favourite spot in the tunnel.
Mr Klue, Peel Street Green, Bristol, February 2024
I suspect that Mr Klue has a large stock of blue, green and white tints, as his last three pieces have all had very similar colour schemes. The letters spell, as usual, KLUE, but are so very well disguised. I am guessing, and hoping, that this early year flurry of pieces extends well into 2024.
Having only recently graced the pages of Natural Adventures, Sub, I have a feeling, is going to feature more and more going forward. This large piece in Peel Street Green combines his big letters with a pussycat character. The piece was overpainted last week with some writing that incorporated (and by implication, took credit for) the cat… Sub has since returned and restored his own letters.
Sub, Peel Street Green, Bristol, February 2024
Sub’s letters tend to be super-large and simply filled, but it is the inclusion of his cartoon, manga-style cat, that adds lots of interest to the piece. This is a nice clean and tidy piece, and it will be interesting to see if the incorporation of characters will become more of a thing for the artist. Nice work.
Although he only paints occasionally, Serm always leaves a good impression. This is a nice large piece of graffiti writing on the long wall at Peel Street Green. One of the interesting features of this wall is that it is broken down into about eight equal sized sections, each one just the right size (actually on the slightly large size) for an individual to showcase their work. Each ‘frame’ is rarely dogged, and some pieces can remain here for quite a while.
Serm, Peel Street Green, Bristol, February 2024
Serm writes with large chunky letters and a deep 3D drop shadow, in this case in lilac/purple shades that contrast with the green/yellows in the letter fills. There is a certain amount of panache about his work, and it is a genuine pity that he doesn’t manage to get out and paint more often.
As with my last post, I have been a little distracted by my birthday today and have very limited time to write a blog post. I will let Phour do the talking with this magnificent large piece of writing in Peel Street Green.
Phour, Peel Street Green, Bristol, December 2023
This chrome piece is loud, bold and confident. It is unapologetic and unfussy. Sometimes big fat ‘in your face’ graffiti writing can be just the ticket, and I think Phour has done a great job with this one.
Mr Crawls and Mote, Peel Street Green, Bristol, November 2023
One of the most entertaining and, on reflection, most likely collaborative partnerships is that between Mote and Mr Crawls. The biggest surprise is perhaps that this coming together hadn’t happened Sooner. This is the second collaborative piece that I have posted, and I have another waiting to post, although that one is rather badly tagged.
Mr Crawls and Mote, Peel Street Green, Bristol, November 2023
To the left, Mr Crawls has come up with something really unusual, and for once not a bird. Quite what it is, though, I am not sure. Bones, horns, a muzzle with sharp teeth – a rather nasty monster. Next tom this imaginary beast is a bird monster by Mote, looking a little more evil than some of his character creations – perhaps it is the company it is keeping. This motley duo (the characters, not the artists) prop up the far end of the long wall at Peel Street Green.
Daz Cat, Peel Street Green, Bristol, November 2023
I have to say that I am missing the large ‘storytelling’ pieces that Daz Cat has produced over the last couple of years, and can only think that he is busy with other things to have time to put into his more complex pieces. I will have to make do with enjoying his quicker pieces that he is continuing to turn out reasonably regularly.
Daz Cat, Peel Street Green, Bristol, November 2023
This is a wonderful blue cat in three-quarter profile, full of detail and character, which demonstrates just how far Daz Cat has developed over the last few years. There is a confidence and self-assuredness about his work now, as if he has nothing to prove, that comes across as relaxed and easy to look at. I hope he gets some time soon to pull together one of his storytelling pieces before too long.
Claro_que_sssnoh, Peel Street Green, Bristol, October 2023
It feels like quite a while since I last posted a piece by Claro_que_sssnoh, and even longer since I saw evidence of a paint jam by him and his Spanish compatriots in the Sunday Lovers crew/collective.
Claro_que_sssnoh, Peel Street Green, Bristol, October 2023
I like the wall at Peel Street Green, because its layout lends itself to a gallery appearance, with each section of wall occupied by a single piece. Also there is very little tagging that happens here, rather there is a rolling replacement of each piece with a new piece. Claro_que_sssnoh has written his usual HONS letters in his unique style and added in plenty of decorations to his light off-white fill. The numbers 23 tell you it was painted in 2023 and the letters SL refer to Sunday Lovers. It is always good to fine pieces by Claro_que_sssnoh.
I remember, looking back, that a few years back I used to think of Haka as something of an ‘edgy’ graffiti writer and artist as there were sometimes quite hard-hitting narratives alongside his work, but I think I was wrong at the time, and in recent years his work has been gentle and humorous and a joy to witness.
Haka, Peel Street Green, Bristol, October 2023
This new piece in Peel Street Green is a reflection of his work over the last 20 years and features a wonderful Snoopy character sitting on a rocket alongside some cheery bright and colourful letters. His work is upbeat and fun and these days works especially well for younger viewers, as many of his references are children’s cartoon or picture book characters. I hope this one stays as long as his Garfield piece in the same location.
Natural adventures 