7106. Cumberland Basin

Fade, Jody, Dibz, Cheo and Acid Face with a Brace, Cumberland Basin, Bristol, May 2025
Fade, Jody, Dibz, Cheo and Acid Face with a Brace, Cumberland Basin, Bristol, May 2025

In Bristol, we are really lucky and get to see a lot of collaborations and paint jams about the place, bringing together local artists who are often joined by visitors, invited or passing through. We get to see all sorts of different styles and levels, and then occasionally a top drawer special production like this one from Fade, Jody, Dibz, Cheo and Acid Face with a Brace.

Fade, Cumberland Basin, Bristol, May 2025
Fade, Cumberland Basin, Bristol, May 2025

Photographing this production in its entirety was something of a challenge due to its sheer length and some difficult light conditions, with so much open sky above the wall. To start us off on this wall we have a semi-submerged piece by Fade, with the water level cleverly portrayed using different shades of colour above and below the water line, a theme continued by each artist through the production. Some dramatic skies round off Fade’s section nicely.

Jody, Cumberland Basin, Bristol, May 2025
Jody, Cumberland Basin, Bristol, May 2025

Next up is a portrait piece by Jody featuring a warrior with a deep fur collar and long sword, so I am imagining a Viking theme going on, although I can’t help feeling that the hairdo doesn’t quite match the machismo of the character.

Dibz, Cumberland Basin, Bristol, May 2025
Dibz, Cumberland Basin, Bristol, May 2025

In the centre and holding the whole production together is a piece of typically brilliant writing from Dibz, again, with the water line running through it and incorporating a wonky long sword. The dramatic skies also continue through this story.

Cheo, Cumberland Basin, Bristol, May 2025
Cheo, Cumberland Basin, Bristol, May 2025

Cheo brings a whole different style to the piece, while faithfully following the Viking idea. His cartoon warrior, wading through the water, is festooned with long blonde hair tied up with red bands. His snarling face is made rather comical with the tilt of his helmet. Of course, a trademark bee, also with a helmet, is in attendance.

Acid Face with a Brace, Cumberland Basin, Bristol, May 2025
Acid Face with a Brace, Cumberland Basin, Bristol, May 2025

Rounding off the production is some more writing from Acid Face with a Brace, whose collaboration with Dibz and Fade in Dean Lane from earlier in the summer is still very much intact. The theme is beautifully embraced by Acid Face with a Brace, and he has included a wave breaking over his letters, mirroring the Fade piece at the other end. Awesomeness all round.

6975. Dean Lane skate park (840)

Fade, Acid Face with a Brace and Dibz, Dean Lane, Bristol, May 2025
Fade, Acid Face with a Brace and Dibz, Dean Lane, Bristol, May 2025

One of the best pieces of the year so far (in my view), this is an outstanding production triptych by Fade, Acid Face with a Brace and Dibz. What is difficult to convey is the scale of the collaboration, because not only is it wide, but it is also tall as well.

Fade, Dean Lane, Bristol, May 2025
Fade, Dean Lane, Bristol, May 2025

There is so much happening here, and it starts off with a superb piece of writing from Fade. The letters are complex and multilayered, with great fills, deep 3D drop shadows that appear to be translucent and some ‘tape’ wrapped around the ends of the word. The purple bubbly background is present through the whole piece.

Acid Face with a Brace, Dean Lane, Bristol, May 2025
Acid Face with a Brace, Dean Lane, Bristol, May 2025

Arguably the most eye-catching part of this collaboration is the central character by Acid Face with a Brace, a writer from Birmingham. The scary, hooded mummy-type character is superbly painted, with tons of movement, and brilliant folds in the fabric and bandages. The blue face and big red eyes are superbly crafted. This is simply awesome.

Dibz, Dean Lane, Bristol, May 2025
Dibz, Dean Lane, Bristol, May 2025

Rounding off the collaboration is a mirroring of Fade’s writing to a large extent, but with enough signature elements to be different and ‘Dibzy’ enough. The way these three have combined their talents to create this amazing production is a testament to their individual and combined skills. A little bird tells me that wall may get a facelift while retaining the character – you heard it here first.

6569. Wine Street

Silent Hobo and Logoe, Wine Street, Bristol, May 2024
Silent Hobo and Logoe, Wine Street, Bristol, May 2024


I took these pictures back in May this year, but even then, I think this enormous mural by Silent Hobo and Logoe had been around for quite a while. I say it is by these two artists, but I only recognise Silent Hobo’s work, but perhaps Logoe was helping out. The piece is painted on a wall which is opposite a street food market and would account for the foodie theme.

Silent Hobo and Logoe, Wine Street, Bristol, May 2024
Silent Hobo and Logoe, Wine Street, Bristol, May 2024

I have had to split the piece into two parts to showcase the vibrant scene. Silent Hobo’s is a real specialist in reflecting the mood and characters of youth culture in Bristol and has an obvious fondness for the city and its people. I find his pieces very touching.

Silent Hobo and Logoe, Wine Street, Bristol, May 2024
Silent Hobo and Logoe, Wine Street, Bristol, May 2024

The contemporary piece offers a wonderful insight into the youth of the city, into fast/street food culture, and makes some references to place, for example, the Clifton Suspension Bridge in the top left. This is a busy, bustling blockbuster by Silent Hobo’s and Logoe, pity about the tagging on the lower sections.

6215. Brunel Way (279)

Acer One, Dibz, Jody and Fade, Brunel Way, Bristol, July 2024
Acer One, Dibz, Jody and Fade, Brunel Way, Bristol, July 2024

I don’t think that I have ever seen so many production pieces as I have this year. The driving force behind these productions is the Dibz/Fade FUA brotherhood, and they have been oh so busy over the last eighteen months or so. In this full wall piece, they have been joined by Acer One and Jody, and what an amazing piece it is (gone now of course – overpainted by further FUA productions).

Acer One, Brunel Way, Bristol, July 2024
Acer One, Brunel Way, Bristol, July 2024
Acer One, Brunel Way, Bristol, July 2024
Acer One, Brunel Way, Bristol, July 2024

The production is bookended by two pieces by Acer One using his highly designed lettering spelling out ACER on the left-hand side and JODY on the right-hand side, thus ensuring that all four artists are named overtly in the production. The writing is painted over a moon/sun icon, and commensurate with the oriental feel of the entire collaboration.

Dibz, Brunel Way, Bristol, July 2024
Dibz, Brunel Way, Bristol, July 2024
Fade, Brunel Way, Bristol, July 2024
Fade, Brunel Way, Bristol, July 2024

There is a second set of inner bookends provided by Dibz and Fade, who present their wildstyle writing in a similar style and adopting an identical colour palette and decorations. In terms of painting, these two are brothers from different mothers, and while it is possible to tell the art of one from the other, it is becoming more difficult to do so.

Jody, Brunel Way, Bristol, July 2024
Jody, Brunel Way, Bristol, July 2024

Everything about the production points towards the centrepiece which is provided, as is often the case, by Jody, and he has surpassed even his very high standards with this astonishingly beautiful portrait piece. Jody has been working on this robot/human interface a fair bit lately, and this follows on from his remarkable Upfest piece (not yet posted here). It is the detail in the piece here that is so admirable, the hair and garland, the features of the face, machinery in the neck and patterns on the kimono. The portrait is a fitting climax to the whole production and shown how the coming together of different elements complement one another in perfect balance. Awesome stuff.

Jody, Brunel Way, Bristol, July 2024
Jody, Brunel Way, Bristol, July 2024

6160. Dean Lane skate park (728)

Fade, Andy Council and Acer One, Dean Lane, Bristol, June 2024
Fade, Andy Council and Acer One, Dean Lane, Bristol, June 2024

What I love about recording and writing about street/graffiti in Bristol is the enormous array of quality, experience and styles that I get to see – it is never boring, and I love to try and represent it all here. This is an extraordinary ‘high-end’ production from Fade, Andy Council and Acer One. I get the feeling from the balance of the piece that Fade may have been an opportunistic addition to this piece, but has integrated perfectly with the colour scheme and tone,

Fade, Dean Lane, Bristol, June 2024
Fade, Dean Lane, Bristol, June 2024

Fade, using all his experience, manages to create such a tight finish to all of his work, and it feels like there is never any part of it that is untidy or out of place. His letters spell FADE, and are filled beautifully in black fading to brown. The writing is set on a stunning grey/brown cloud that runs through the whole collaboration.

Andy Council and Acer One, Dean Lane, Bristol, June 2024
Andy Council and Acer One, Dean Lane, Bristol, June 2024

The balanced symmetry of the Acer One and Andy Council element of the collaboration is what makes me think that Fade was an add-on. It comprises one of Acer One’s designs that he is currently favouring, which is accompanied by two of Andy Council’s famous Ammonites.

Acer One, Dean Lane, Bristol, June 2024
Acer One, Dean Lane, Bristol, June 2024

Acer One has come up with this incredibly clever and intricate concept, where two words are incorporated into one design – something he has done before, but is now more refined. Some of the words are easier than others to see. The upper chrome lettering spells ACERONE and the lower black letters spell COUNCIL. If you block off the upper or lower part, it is easier to read the names.

Andy Council, Dean Lane, Bristol, June 2024
Andy Council, Dean Lane, Bristol, June 2024

I love it that Andy Council will often return to his ammonites in his mural work. They obviously hold an important part in his work because his signature incorporates one. These creatures are ‘composites’ made up of elements ‘stitched’ together in Andy Council’s unique and inimitable style. This is overall a brilliant production, and a precursor to a larger one including Dibz and Jody… watch this space.