Pura Decadencia

7163. M32 Cycle path (297)

Pura Decadencia, M32 Cycle path, Bristol, August 2025

Pura Decadencia has smashed it with this gorgeous piece of writing alongside the M32, behind the Black Swan. Her overall style and skill had been on an upward trajectory over the years, and she is now turning out some outstanding graffiti writing pieces.

The regular letters are filled with yellow, light blue and green with patterns reversed out from colour to colour. The letters are bordered confidently with a thick red line that helps the letters stand out. A yellow plasma line runs through the piece, and it is all presented on a black buffed wall, without which it would risk being swamped by surrounding artwork. Excellent graffiti writing from Pura Decadencia.

7139. Cumberland Basin

Pura Decadencia, Cumberland Basin, Bristol, August 2025

This is a pretty difficult damp wall to paint, but that didn’t stop Pura Decadencia and some friends from giving it a go a few weeks back, and because turnover here is very slow, her work is still there to enjoy.

The chrome letters in this piece are accompanied by a red drop shadow and bordered with a thin yellow strip. Each of the letters is split with a red line and little ‘rivets’ either side, giving the look of steel plates hanging together, a device used by quite a lot of writers, and a really effective one. There is a white plasma bolt running through the letters, adding a little bit of extra interest, but not detracting from the big bold letters themselves. Nice work from Pura Decadencia.

A gallery of fabulous graffiti writing and a selection of vampire teeth from Bristol/Spanish artist and tattooist, Pura Decadencia.

Instagram: puratattoos

All photographs by Scooj

Pura Decadencia, Greenbank, Bristol, February 2025

Pura Decadencia, Cumberland Basin, Bristol, December 2024

Pura Decadencia, Dean Lane, Bristol, November 2024

Pura Decadencia, Brunel Way, Bristol, May 2024

Pura Decadencia, Brunel Way, Bristol, April 2024

Pura Decadencia, M32 Cycle path, Bristol, February 2024

Pura Decadencia, Dean Lane, Bristol, December 2020

Pura Decadencia, Brunel Way, Bristol, June 2023

Pura Decadencia, Brunel Way, Bristol, October 2020

Pura Decadencia, East Street, Bristol, September 2021

Pura Decadencia, Redcliffe subway, Bristol, March 2021

Pura Decadencia, River Avon, Bristol, November 2020

Pura Decadencia, Dean Lane, Bristol, February 2021

Pura Decadencia, Dean Lane, Bristol, January 2021

6787. Greenbank (153)

Painted alongside a piece I featured recently by Desi, this super writing by Pura Decadencia took me several attempts to photograph on account of the wrong light conditions each time I visited. This third attempt was, as you can see, was on an unusually welcome overcast day.

Pura has been teaming up with Desi on a couple of occasions now, and they seem to be bringing out the best in each other. Pura’s letters are clear, regular and quite large, providing plenty of scope for playing about with fills. She has nicely blended three pink tones and added in some reversed spots to jazz things up a little. The atmospheric background is in a style I am seeing more frequently on the streets at the moment, a particular favourite technique used by Sub, for example. No vampire teeth this time, but a fine example of Pura Decadencia’s work.

6627. Cumberland Basin

It is that rather curious work week after Christmas, where not a lot really happens, especially with the New Year’s Day bank holiday stuck in the middle of it. Time to prepare for the year ahead and get the brain into gear. One thing that remains constant is the conveyor belt of street and graffiti art that appears on the streets of Bristol, come rain or shine, and subsequently, my recording of it. Tghis is a recent beauty by Pura Decadencia.

For once, Pura Decadencia hasn’t included the lips and vampire teeth that have become synonymous with her work, allowing us to concentrate on her letters. Pura Decadencia pretty much always writes with large curvy bubble letters, and they are cleverly brought to life with great white accent lines that create a 3D effect. Her colours work nicely together and are lifted by the unusual pink and white striped background. Another wonderful piece from the artist.

6547. Dean Lane skate park (781)

Pura Decadencia and Desi, Dean Lane, Bristol, November 2024

This collaboration between Pura Decadencia and Desi is a sight for sore eyes, especially as neither artist seems to be painting very frequently at the moment. The glistening silver (chrome) and gold appearance is especially dazzling in the bright light of an autumn afternoon.

Pura Decadencia is a Spanish artist who appears to have settled in Bristol, along with so many of her contemporaries, which is great news for us. Her typically rounded letters are well presented, and no Pura Decadencia piece is complete without big lips and vampire fangs drawing blood somewhere on the piece.

Desi, who more commonly writes VEIL these days, has had quite a quiet year, but she is making up for it with this piece. Both artists have not only adopted the same colour scheme, but also used the same black patterning at the base of their letters. The shares bubble background rounds off the collaboration nicely.

6330. Brunel Way (285)

I photographed this piece a little while back, in May this year actually, and was lucky enough to meet Pura Decadencia while she was painting. There is something very fulfilling about meeting artists while they are at work, and gaining little insights into their world and inspirations.

Although this is a classic piece of writing complete with vampire mouth and teeth, I believe it to be the tightest piece I have seen from her yet, with beautifully sharp borders and lines and strong, tidy fills and patterns. I absolutely love it, and can’t understand for the life of me why it has taken me so long to post it.

5992. Brunel Way (271)

Although she doesn’t paint walls all that often, Pura Decadencia nearly always makes an impact when she does. Her unique bubble writing style combined with vampire teeth sinking into letters and long tongues makes her work instantly easy to spot.

Pura Decadencia’s work is most endearing; despite the potentially gruesome theme and blood drops, there is something that is gently and warming about her work. Perhaps it is the bubble letters, or the bubbly background, I don’t know, but the bitter-sweet presentation works very well indeed. Nice work.

5847. M32 Cycle path (252)

Every once in a while, Pura Decadencia drops a piece as if just to remind us that she is still out there. It is a pity that she doesn’t paint on the streets more often, because her quirky writing and vampire teeth add breadth to the spectrum of styles, nationalities and content of Bristol’s street/graffiti art culture.

I think that this might be the tightest piece I have seen from Pura Decadencia, with nice bubble letters a strong yellow border/drop shadow and some lovely fills, with great transitions between the colours. Of course, not Pura Decadencia piece is complete without a set of vampire teeth drawing blood. I hope we don’t have to wait too long before her next piece.

5431. Dean Lane skate park (631)

Pura Decadencia and Mono, Dean Lane, Bristol, December 2020

I took a short journey into my archives to find this small collaboration, something I rather like doing from time-to-time, as there are so many fantastic artworks that never make it into this blog. These pieces were painted in Dean Lane way back in December 2020.

To the left is an iconic mega-tag piece featuring one of Pura Decadencia’s mouths, complete with vampire teeth and and very long tongue. I really like her straightforward design that remind me a little of the Rolling Stones logo, filled with mischief. Pura Decadencia paints only occasionally, and I was encouraged by her recent piece in Brunel Way, and hope she’ll bring more of her artwork to Bristol before too long.

Mono, who I believe is no longer living in Bristol has been concentrating on her illustrations and animations that are really fantastic. This is a creative and imaginative piece of a rat (?) smoking a joint. The rat’s tail stems directly from its head, there is no body. The piece as a whole feels slightly provocative and edgy, which is sometimes so easily forgotten with a majority of rather more sanitised street/graffiti art. Altogether this is a fun collaboration decorating utility boxes, which deserve to be painted.

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