You don’t often see new Rowdy pieces these days, so when you do it is usually something of a treasure, and this fabulous piece, part of a collaborative wall with Acer One and Andy Council, is up there with the best of them.
Rowdy’s fairly agricultural style of art is so incredibly distinctive and deeply embedded into the DNA of the Bristol street art scene. He is perhaps best known for his crocodiles, but he has produced many characters over the years and this one is a corker. There is something very laid back about his style, unfussy and modest, that makes is interesting and rather loveable. So good to find this wonderful work.
There may be a perception that it is unusual for women to be involved in street art and graffiti art, however, if it is a perception, it is one that I can blow apart right now certainly as far as the Bristol scene goes. This piece on the curved wall is by relative newcomer Pura Decadencia and is a welcome addition to this wall that has been a little stagnant over recent weeks.
I am so glad to have seen this and found out a little bit more about the artist from it, because I have a couple of pieces in my archive that I can now post and attribute to her. The piece itself is a nice bit of writing spelling out PURA on a blue bubble background and some vampire teeth getting stuck into the ‘R’. I think that Pura Decadensia is rather fond of vampire teeth if her Instagram stream is anything to go by. Welcome Pura to Natural Adventures.
We don’t get to see early enough work from Flava136 in Bristol although the artist tends to keep himself pretty busy in Cheltenham where he lives, so when you come across a piece it is always a nice surprise.
Flava136 always creates these pieces which are incredibly clean, and by that I mean the lines are sharp and the fills nice and solid. In style I would say there is some similarity with Nevergiveup’s rabbits. I love these toothy monsters and think that Flava136 is a classy artist.
What a lovely prize to find at L Dub recently, in fact this wonderful work by Flava136 was one of several outstanding new pieces by various artists in this ‘out of the way’ spot. Flava136 is an artist I am very familiar with, but whose work I just haven’t seen enough of, so finding this was a real bonus.
His monster characters are very distinctive, I think it must be those peg teeth, and always so beautifully presented. Such clean lines and fills, fantastic work, and I love the clever way the ‘bubbles’ superimpose colours onto the design beneath. Super work from a talented artist. I just need to see more of his stuff, but I guess I’d have to move to Cheltenham for that to happen.
Zake pretty much owns these columns under the M32, and what is amazing is that so many of them are still there after more than a year – a tribute to his work perhaps. In this piece, one head is being consumed by another which looks devilish/vampire-like.
I do like Zake’s work very much, especially the faces created out of three or four tones of paint, however this one misses the mark ever so slightly for me, there is something not quite right about the teeth in the top head that I find distracting. I think I am being a little picky because this is a good piece, but just not one of his best. Looking forward to more from Zake.
It is always great getting an early glimpse of a new artist in town, and this angry mouse is one of a few recent pieces by Saik One, whose work I have not seen or written about before.
At first I thought it might have been a return to Bristol for Angry Face (whose work I haven’t seen for a while now) on account of the sharp teeth, but this has a personality all of its own. I found another of Saik One’s pieces early this morning, so plenty more to come from Saik One soon, and perhaps I can do a little digging to find out more about the artist.
Strictly speaking this is not actually Dean Lane skate park, but is actually a Dental surgery on the corner where North Street and Dean Lane meet, it is however, adjacent to the skate park. Over the last year or two this whole wall has become progressively grubby as taggers started a job that then moved on to rather useless throw ups. Something had to be done.
I was down at the Deaner a couple of weeks ago and was lucky enough to run into Nina Raines and Ali Hamish Campbell who were just finishing off this fun commission for the dental surgery. Unfortunately I don’t have any pictures of what it looked like before, but this is a dramatic improvement, and just demonstrates how uplifting great street art can be.
Nina told me that she designed the piece (she is a scenic artist) and the pair of them collaborated to paint it, Nina drawing on Ali’s experience of using spray paint. Overall this is a really nice commission, and hats off to the dental practice for making it happen. A win-win situation.
Sweet Toof is a London artist who has always had strong links with Bristol especially through his long-standing friendship with Rowdy. Even now, there are several toothy pieces dotted around the city. It is funny, but I have always thought of him as a Bristol artist, because of his legacy here.
It was extra special to find this triptych of shutters, that look rather recent, when in London last weekend walking in the Brick Lane area with my sister. It doesn’t seem to matter where I pitch up in the world, there always seems to be a Sweet Toof piece close by.
These three are really rather special, and have a feel of ‘see no evil, speak no evil, hear no evil’ about them. It is nice to see the three different aspects of the skulls. Obviously that Master’s degree from the Royal Academy of Arts was not wasted.
I do like Sweet Toof’s work very much indeed, always blending mortality with humour in his incredibly distinctive style. Great find.
Well another weird and wonderful creation from Stupid Stupid Meathole this time on the M32 roundabout. This piece is similar to one he sprayed in Dean Lane but somehow looks a little better in this environment…maybe it is the wall itself that helps it to stand out.
I like his work very much, even if it is a little peculiar. There is some good humour underlying the grotesque nature, but most of all it is utterly unlike anything else on the Bristol scene at the moment. Original work.
Well this pasteup is a little out of the ordinary, and not something I would immediately associate with Object…, but it is a reasonably recent piece from this Bristol (Stokes Croft) based artist which appeared with one or two others in The Bearpit.
I would probably not like to delve too deeply into what is going on here, frankly it all looks a little bit scary. Regulars will know that I love a good wheatpaste, and this one certainly stands out with its arresting subject and exaggerated features. And what large teeth you have grandma…