6479. Redcliffe Way

Mr Crawls, Redcliffe Way, Bristol, October 2024
Mr Crawls, Redcliffe Way, Bristol, October 2024

Although this piece by Mr Crawls was painted some time ago and not intended as a Halloween piece, it fits the bill nicely and is serendipitously next in the production line of pieces I have prepared in advance.

Mr Crawls, Redcliffe Way, Bristol, October 2024
Mr Crawls, Redcliffe Way, Bristol, October 2024

It is incredible how Mr Crawls has become so established and known around Bristol for his character pieces and his collaborations with Mote. This stylised skull piece is a slight departure from Mr Crawl’s customary bird-themed work, but carries so many of the distinguishing features that he has been developing over recent months, such as the recessed eyes, and thin vertical lines, bringing emphasis to certain parts of the piece. Lovely work from Mr Crawls.

6464. Redcliffe Way

Mr Crawls and Mote, Redcliffe Way, Bristol, October 2024
Mr Crawls and Mote, Redcliffe Way, Bristol, October 2024

A quick one today as I need to get myself sorted for a day of fishing. This is a magnificent pair of characters from Mr Crawls and Mote… the gift that keeps on giving. The piece can be found on the hoardings opposite Temple Meads station.

Mr Crawls and Mote, Redcliffe Way, Bristol, October 2024
Mr Crawls and Mote, Redcliffe Way, Bristol, October 2024

The trademark chrome background helps to lift the characters and give them prominence. A bird with a hat from Mr Crawls, and a lovesick monster from Mote. What’s not to like about these characters?

6453. Redcliffe Way

Peggy, Redcliffe Way, Bristol, October 2024
Peggy, Redcliffe Way, Bristol, October 2024

More from the hoarding on Redcliffe Way, and this time from Peggy, and once again, these panels have been painted to support the Bristol Tattoo Convention. Peggy, like so many others, is a tattooist who has transferred her remarkable talents to decorating walls in Bristol, there is such a great crossover between the two disciplines.

Peggy, Redcliffe Way, Bristol, October 2024
Peggy, Redcliffe Way, Bristol, October 2024

Peggy’s floral pieces bring something rather different and her distinctive style is perfect for small walls and spaces that she can fill with ease. The centre of this flower is beautifully painted with a yin yang symbol. It is easy to see how this design could transfer to a tattoo.

Peggy, Redcliffe Way, Bristol, October 2024
Peggy, Redcliffe Way, Bristol, October 2024

Not content with one piece on this hoarding, Peggy decorated a second section with a larger arrangement of flowers and greenery, this time including one of her eyes in the centre of the flower. I think she may have missed a trick here, because that utility box is in serious need of a makeover, and she might have included it into the piece. Perhaps that was a risk she wasn’t prepared to take, which is fair enough.

6452. Redcliffe Way

Sepr, Redcliffe Way, Bristol, October 2024
Sepr, Redcliffe Way, Bristol, October 2024

These small pieces by Sepr have been lurking on the hoarding on Redcliffe Way for quite a while and have been on my ‘hit list’ for ever, I am glad at last to have photographed them before they have degraded too much or been tagged. I have a feeling that they might have been painted to promote the Bristol Tattoo Convention.

Sepr, Redcliffe Way, Bristol, October 2024
Sepr, Redcliffe Way, Bristol, October 2024

Both of these small pieces resemble samples or examples that tattooists offer their clients. King Cooper refers to an artist called James Cooper, who ran his business Dapper Signs, a sign writing company in Bristol, and who tragically died in 2023 aged 42. He was hugely respected by the urban art community.

Sepr, Redcliffe Way, Bristol, October 2024
Sepr, Redcliffe Way, Bristol, October 2024

Sepr’s second piece on this hoarding is a rather lovely character piece featuring a heart and an apple? With an arrow running through it. A conflation of William Tell and Cupid perhaps. Such simple yet expressive pieces, and both so obviously designed by a tattooist.

6446. Redcliffe Way

Mote, Redcliffe Way, Bristol, October 2024
Mote, Redcliffe Way, Bristol, October 2024

I arrived at Bristol Temple Meads station a little early recently, on my way to a football match in London, and had a few minutes to kill in the area around the station and managed tom photograph some pieces that I have been meaning to capture for quite a while, one of which was this monster piece by Mote.

Mote, Redcliffe Way, Bristol, October 2024
Mote, Redcliffe Way, Bristol, October 2024

I have given up hunting down Mote pieces, and tend to embrace them as and when I come across them, so sometimes they are already quite old by the time I get to photograph them. This is a rather attractive looking character with the trademark cross lines for pupils in the eyes, a very Mote motif. This whole panel was decorated a while back by various artists, I think to celebrate the Bristol Tattoo Festival.

2413. Redcliffe Way (1)

Sometimes you glance a piece of street art when driving about the place and make a mental note to go back on foot. This is one of those, and well worth the legwork to find it. It is a beautiful stencil of an owl by Kin Dose, which I figured was several years old, but is probably less than 18 months old if streetview is anything to go by.

Kin Dose, Redcliffe Way, Bristol, August 2019
Kin Dose, Redcliffe Way, Bristol, August 2019

The first observation is that this spot is a prime location for a stencil. Blocked out windows like this always make such fantastic framed backdrops for street art. I think that this is a barn owl, and the stencil is in very much the same style as his 2018 Upfest stencils, with the animal sprayed over a coloured swirl background. When I spoke to Kin Dose earlier this summer, he said that he has moved away from doing stencils because the cutting out process is tedious and he is preferring his spray-brush style at the moment. Lovely piece.