A gallery of superb clean writing from the graffiti writer Smut
All photographs by Scooj










A gallery of superb clean writing from the graffiti writer Smut
All photographs by Scooj











This is the second of two ‘lost treasures’ that somehow got stuck in my publishing system from January, and which continues to be a bit of a mystery to me. It is a stunning and bright piece by Smut, and a great reminder of his outstanding talents.

Smut always creates arresting pieces with bright bold letters and the cleanest finish of any artist in Bristol. His work is always immaculate and precise, and a benchmark for others to strive for. The black letters, with a white 3D shadow and border, are interrupted by a school of pink ovals passing through, with an element of ‘transparency’ where they drift in front of the black lettering. Brilliantly conceived and executed.
I am rather excited this morning, because I am off to Cheltenham later on, to enjoy the delights of the Paint Festival, conceived and organised by the brilliant and tireless Dice 67 (Andy Davies). In the meanwhile, I will share this lovely piece from Smut on the long wall at Peel Street Green.

Smut has moved on from his thin script writing, which he has retained in his signature, but what has not changed is his incredible sharpness and accuracy in his work. The letters have been superbly filled, with the ‘watery’ patterning flowing from letter to letter in a coherent way, rather than discrete fills for each one. A black 3D shadow and perfect red border finish the piece off nicely. Smut’s high standards go from strength to strength.
We have discovered lately that Smut is not a one-trick pony, far from it, and his last few pieces have demonstrated that he has great versatility and has managed to be consistently tidy with his writing (sounds a bit like a school report – perhaps I should have been a teacher).

This piece on the M32 roundabout is a long way from his curvy, thin script writing that we have become accustomed to seeing from Smut. I don’t know how he does it, but Smut has the cleanest, sharpest lines imaginable and really knows how to turn out a supremely classy piece. The letter shapes are good, the colour selections fantastic and the shading/details of the green and yellow brilliant. This is an excellent, high-quality piece from Smut.
This is a rather unexpected collaboration for a number of reasons, but is as welcome as it is unexpected. Chill and Smut combining to give us this beautiful piece of writing bookended with cartoon characters.

Perhaps the most interesting thing about this collaboration is the change in style from Smut. His customary script writing has given way to something entirely different. The anamorphic letters are beautifully crafted and as you would expect from Smut painted with precision and a near-perfect orange border, which bleeds across into the two Chill characters.

To the left, the cartoon character is wearing a floppy hat and looking and pointing towards Smut’s letters. The black and white figure contrasting perfectly with the orange border.

To the right-hand side, and concluding the collaborative wall, is an almost mirror image of the opposite character, although this one is wearing a hoodie and baseball cap. The whole thing is a rather unlikely collaboration that comes together really nicely. Watch this space for some more experimental styles from Smut.

I don’t tend to visit Lawrence Hill roundabout all that often as the turnover is pretty slow, and pieces tend to get tagged quite a lot. However I did get down there about a week ago and was rewarded with quite a few decent pieces, many of them is good condition, including this rather nice Smut piece.

Smut is an artist who turns out consistently excellent pieces. A writer who uses a distinctive script style, with lovely smooth curves and sharp borders. With a few more of these it won’t be long before I have enough for a gallery. Always good to stumble across these.
Another fine piece of script writing in a series produced by Smut. Smut is an artist I know precious little about, but I definitely look forward to his bursts of activity on Bristol walls.

Smut has a very recognisable style, which is incredibly neat and tidy, and if I were to liken it with any other artist, I would say it is like a slimmed down version of Slim Pickings’ TES. It is a little difficult to make it out here, but the yellow fill is a beautiful blend of two colours with spots merging in the centre line. This is a superb piece of graffiti script writing.
An infrequent, yet most welcome, artist is Smut – ‘everyone loves a little bit of Smut’ remember? Recently Smut has hit a couple of walls with his characteristic clean and tidy script writing.

Although the tunnel at St Werburghs is a honey pot for graffiti and street art, it is a beast for getting decent photographs, and I am disappointed with these ones which are a little blurred. His other piece on the M32 roundabout (to come) is altogether more satisfying. It is always a pleasure finding a Smut piece.
The third piece by Smut on Natural Adventures, and I couldn’t put it any better than the artist himself does… “Everybody loves Smut”. Well if not everybody, at least I do, and that’s what matters.

As with his other pieces, it is the sharpness of his lines that really catches the eye, and the script form of the whiting is rather seductive. This is a really accomplished piece, as the fills demonstrate. I’m looking forward to meeting the artist at some point in the future, if only to find out about the techniques used.
In the background of this photograph, you can see the iconic telecoms tower that anyone who leaves Bristol along the M32 will be familiar with. And, in this hallowed spot, Smut has given us another beautifully crafted piece of graffiti writing in his very distinctive style.

These pieces by Smut are so easy to look at and enjoy. The simple curves are superbly clean, and he has really treated us with a beautiful wavy line intersecting the word horizontally and some great colour fades along the way. The little pink dots round the piece off nicely. I have to say I am loving Smut’s work and hope to see a whole load more.