This magnificent Elvs piece near the entrance to St Werburghs tunnel didn’t last too long, but then again, nothing seems to last too long in there at the moment… probably something to do with the incessant wet weather we’ve been having since December.
Elvs, St Werburghs, Bristol, February 2020
As always, Elvs presents us with a meticulously finished piece so distinctive in its style. The horizontal graduation of the fills is exceptional as always and the 3D shading with a central disappearing point is nicely done. Another keeper from the DBK artist.
Just wow! Another epic collaboration in St Werburghs tunnel, this time from Rezwonk and Nightwayss, featuring Dennis the Menace from the fabulous old comic the Beano. I am guessing that this might have been prompted by the recent Storm Dennis that wrought havoc across the midlands and the rain from which is still causing flooding in Ironbridge, Shrewsbury and Worcester.
Rezwonk and Nightwayss, St Werburghs, Bristol February 2020
I took a walk with the dog last week to the tunnel and got lucky, because the pair were still hard at work painting this outstanding piece. The dog became a little unsettled when Nightways was jumping up and down rollering his pink border along the top of his piece. The barking was loud and I had to move on, and returned a little while later when he had calmed down. My own Gnasher slightly cramped my style.
Nightwayss, St Werburghs, Bristol February 2020
It was great to stop and chat with both artists and an additional bonus was that DJ Perks was down there too admiring the work and we were able to catch up too. It seems that I missed Paul H (again) by only a few minutes, but that is how it happens… beig in the right place at the right time.
Rezwonk, St Werburghs, Bristol February 2020
Both of these pieces are stunning and it was really interesting watching them bring their work to life. I find the whole process of spray painting totally counter-intuitive, and I think I am going to have to put in a whole load more practice this spring and summer. Rezwonk was writing REZER with the fills, which he then put outlines on; in other words did the colouring in before there was anything to colour in (does that make sense?).
I understand that Nightwayss painnted the Dennis and Gnasher characters from pictures on his phone. What a talent to be able to do that. It was great to see some recent work from him as he has been a little dormant on the streets this winter. This NIGHT absolutely makes up for it though.
Nightwayss, St Werburghs, Bristol February 2020
All in all, this is a spectacular collaboration and lies in the same place where Rezwonk and Decay painted a Dr Seuss Cat in the Hat scene last year. Keep it going folks… even with the difficuly light conditions this is a fabulous wall.
Rezwonk and Nightwayss, St Werburghs, Bristol February 2020
I first met Sirens a few years ago in The Bearpit when he was contributing to a paint jam, I think organised by Georgie. I have had a soft spot for his work ever since. His scenes are most unconventional and unlike anything else you see in the city. Often his work contains strong horizons and vanishing points and that interface between humanity and nature.
Sirens, St Werburghs, Bristol, February 2020
I also know that Sirens enjoys the chalenge of painting in corners, a form of anamorphic art that needs to be viewed from a certain angle in order to make sense. This naive style is instantly recognisable and although not technically up there with some of the Bristol masters, it is original and in a way aesthetically pleasing. I haven’t seen any of his work for ages so it was great to find this one at the tunnel.
Just outside St Werburghs tunnel there are several caravans and mobile homes, which give the area something of a distinctive character. It seems to be a situation that the local residents, council and police put up with, although one never knows how long patience will last. Several of the vehicles get little make-overs every now and again, and this little caravan has been decorated by Minto.
Minto, St Werburghs, Bristol, February 2020
This is a particularly nice caravan pieve, as sometimes they can look a little perfunctory or rushed, but not this one, it is a beauty. I haven’t seen too much of Minto’s work, which I guess is because although he lived in Bristol for a while, he now lives in London and I imagine only visits from time to time. Great to have this mobile piece though.
Mr Klue is going through a productive and creative patch at the moment, and it is a real pleasure to see his work springing up all over the place. This large piece in the tunnel at St Werburghs is a bit of a feast for the eyes.
Mr Klue, St Werburghs, Bristol, February 2020
Unfortunately, the light in the tunnel has goofed up the colours a bit and a car was parked in a place where I couldn’t swing to the right to get more natural light on the image. Why do people park in the tunnel? Sadly I can’t go back to get more pictures, because it has already gone. Turnover in the tunnel is so high at the moment, probably because we have had so much rain.
Mr Klue, St Werburghs, Bristol, February 2020
The piece itself is classic Mr Klue fare with the added bonus of a character and his top hat, most likely influenced by Carroll’s mad hatter. Mr Klue has used this imagery several times in his murals and it adds another layer of mystery to his abstract work. A grand piece.
Well, he’s on fire really isn’t he? Each time I do my rounds of well known street art spots there seems to be a Smak piece lurking there somewhere. This relatively recent one is bang in the middle of St Werburghs tunnel. I am quite pleased that the photograph has come out reasonably well considering the dire light conditions there.
Smak, St Werburghs, Bristol, February 2020
This has all the elements of a typically technically brilliant Smak piece. Sensational design and lines, clean and tidy, wonderful 3D and fill work. I’m not sure he ever has a ‘bad hair day’ and if he does, I’ve yet to see it.
This is a really nice piece by an artist I call Corupt (because that is what he most commonly writes, although he also writes Stik) unusually he has written BS3 in this piece which is a postcode reference to the Southville and Bedminster area of Bristol (south of the river). It is unusual for an artist to paint a postcode outside the area of that postcode.
Corupt, St Werburghs, Bristol, February 2020
The piece is beautifully painted, with a fine spotty fill and nice 3D shading on the letters. My guess is that Corupt may have been a bit pissed off that his background was about six inches shy on the right hand side, it would certainly annoy me. It matters little to the overall quality of the piece.
Yay, let’s hear it for the boys whose recent collaboration in the tunnel is full of happiness, music and soul. Last year, Face 1st and Soap went through a period of not collaborating for whatever reason, but they seem unstoppable just now with several walls that this pair have painted already this year.
Face 1st and Soap, St Werburghs, Bristol, February 2020
On the left of the piece is a nice piece of writing from Face 1st with a beautifully worked horizontal gradation through his lettering and a decent 3D effect using a vanishing point underneath. On the right is a cheerful mariachi singer surrounding the whole collaboration with happy notes from his guitar. I’m not too sure if Soap has ever actually played a guitar, but the left hand is gripping the neck in a rather awkward upside-down position. Overall a wonderful and joyful piece.
The year is yet young, but already I have seen a feast of outstanding individual works and collaborations in Bristol – I am beginning to think this might be a great year for street art switching up a level. This amazing collaboration between Dasco and Oseque is a great example of the quality of work on display.
Dasco, St Werburghs, Bristol, February 2020
On the left, the writing from Dasco is simply sublime. I can’t believe that I have only recently registered his work, and must go through my archives to see if I can unearth some of his older stuff. Everything here is sheer perfection from the rectangular frame to the design, carefully considered shades and tones to the sensational execution. This is as good a piece of writing that I have seen so far this year, and probably a lot longer.
Oseque, St Werburghs, Bristol, February 2020
I am not familiar with the work of Oseque, and I am not sure, but I think he might be visiting. I know that there is a new collaboration from these two in Dean Lane, but I just haven’t had time to go and take a gander. Maybe tomorrow. In the meantime just feast your eyes on this beauty – it is amazinng how a piece like this on a grubby wall in St Werburghs tunnel can look like the very best of canvasses in a studio or gallery. Even the graffiti beneath the protrait seeping through seems to add to the quality of the piece overall. Magnificent work.
It is not too often that you get to see a piece by Gage Graphics that is not a commission or a festival work, so this recent stunner in St Werburghs tunnel is something of a rarity. Featuring writing and a character, it is a real beauty and was a nice surprise when I came across it last week.
Gage Graphics, St Werburghs, Bristol, February 2020
The writing says serif (I wonder if it is in anyway related to the typeface) and is expertly painted, with some nice arrows incorporated too. I suspect that Biers (who has other names) would definitely approve of the horse/donkey braying ‘ooohhhyyyeeeaaahhh’. A real treat.
Gage Graphics, St Werburghs, Bristol, February 2020
Natural adventures 