A welcome return to John Street and the second of the special pieces in the ten archways on the side of a building undergoing redevelopment. This archway has been beautifully painted by 3Dom and is a direct reference to the Covid-19 pandemic.
As social commentators, many street artists have found the coronavirus pandemic to be a rich source of inspiration and 3Dom has created this powerful piece. This clever work feels rather threatening with CCTV cameras and a whole host of intimidating shapes and references in red surrounding the blue light of humanity – I suppose the blue light is a symbol of hope. It will passs. A nice shout out to Hazard too.
The coronavirus pandemic has provided inspiration for a great many street artists this year, whether characterising the virus itself as in this example from Kool Hand or reflecting the great work of the NHS and other key workers, the common enemy has got the creative juices flowing.
This rather different piece from Kool Hand Depicts the nasty red virus coming under attack from numerous sharp objects and weapons, presumably in an attempt to kill it off. There is a message for all, ‘keep safe people’ which, following today’s news that new cases in the UK are increasing exponentially, is as relevant now as it was when it was written.
I can’t think of a time when I have seen so many John D’oh stencils in such rapid succession including several that I have missed in recent weeks. Many have been about the Government’s inept handling of the coronavirus outbreak, this one however is more about the impacts on people.
Rats have commonly been used by Banksy and many other artists in their work and here a rat is used to illustrate the ‘rat race’ with the words ‘After COVID-19 I am not sure I can join the rat race’. Another nice work recording the impacts of the pandemic on Bristol society.
Playful as ever, John D’oh gives us this topical and relevant political piece featuring none other than our dismal ‘leader’ pushing the ‘back to work’ messaging with a little reference to Dick Turpin and his fellow outlaws. Such is the speed of current coronavirus events, and the ineptitude of our administration, that this recent piece is almost out of date as Boris seems to be preparing the nation for a second lock down.
I am always amazed at how quickly John D’oh manages to conceive, create and spray his pieces. He is a modern chronicler of political events and his vehicle is street art. I like this piece, and there is more to come from JD’s visit to Purdown Battery soon.
I have Paul to thank for pointing me in the direction of this amazing Silent Hobo NHS tribute piece in James Street. I would have found it eventually, but not as quickly, and it is always more satisfying finding pieces soon after they have been painted.
Silent Hobo has been pretty busy just lately with some big murals and there is one nearby that is finished, but under scaffolding that seems to have been there forever. This piece is an absolute stunner and injects Silent Hobo’s portrayal of ordinary (extraordinary) Bristol people going about their business, in this case doctors, nurses and care workers to whom we all owe so much, not only during the coronavirus crisis, but always. The piece has context, relevance and purpose and is painted so beautifully with care and love. A wonderful commentary on society in a time of flux and uncertainty. Bravo!