2600. St Werburghs tunnel (112)

Now a little break fom all that heady Upfest stuff and this great piece of writing from Corupt, who as well as writing ‘Corupt’ also writes ‘Stick’ – don’t ask me wht… he just does.

Corupt, St Werburghs, Bristol, November 2019
Corupt, St Werburghs, Bristol, November 2019

Corupt is one of the unsung heroes of the Brisol graffiti art scene. His work is ubiquitous and he keeps a steady flow of pieces coming year-round, but he is rarely written about or mentioned in passing. I think he keeps himself to himself and paints for the sheer joy of it. This is a lovely sharp clean piece beautifully and thoughtfully constructed.

2586. St Werburghs tunnel (111)

This is the second piece of fine writing I have seen from Face 1st in recent weeks and once again shows the diversity of his ability. In my view, this is a very fine piece of graffiti writing indeed and unfortunately the pictures just don’t convey how good it is. I think the piece was painted during a session with Fiva (to the left and already posted on Natural Adventures) and if you look closely there is a little shout out to Fiva at the top above the C and E.

Face 1st, St Werburghs, Bristol, November 2019
Face 1st, St Werburghs, Bristol, November 2019

The piece transitions seamlessly from gold through light bronze to silver, an effect that is accentuated by the yellow lighting in the tunnel. This particular work kind of gives me a warm feeling – maybe it is nostalgia as the letters have a bit of a 1970s feel about them. A classy piece.

Face 1st, St Werburghs, Bristol, October 2019
Face 1st, St Werburghs, Bristol, October 2019

2581. St Werburghs tunnel (110)

Yes, Fiva/Fiver has been at it again in St Werburghs Tunnel (goddam the light), with a piece full of Autumn promise. Copper tomnes and leaves leave us in no doubt about the time of year this one was created.

Fiva, St Werburghs, Bristol, September 2019
Fiva, St Werburghs, Bristol, September 2019

Fiva is up to his usual creative deceptions of superimposing one style of writing over or into another. In this brilliant example a brick Fiver is covered over by a Fiver made of rather untidy wooden planks. The whole thing works really well and shows off his imaginative talent. Looking forward to more.

 

 

2579. St Werburghs tunnel (109)

This lovely sprite-like face by Face 1st has been at the entrance to St Werburghs tunnel for a little while now, but remained completely untouched, which is as it should be. There is a seasonal feel to the piece with bronze-coloured leaves for hair.

Face 1st, St Werburghs, Bristol, September 2019
Face 1st, St Werburghs, Bristol, September 2019

All of Face 1st’s work is really good at the moment, in fact it has been for a few years now and the artist is showing his versatility by adapting his style iteratively from piece to piece. For its simplicity and beauty this is opne of my recent favourites.

2546. St Werburghs tunnel (108)

Another day, another Fiva piece in St Werburghs tunnel. This piece is perhaps a little less elaborate than some we have seen recently and there is no accompanying character, but it retains all the great hallmarks of Fiva’s fabulous work.

Five, St Werburghs, Bristol, October 2019
Five, St Werburghs, Bristol, October 2019

Brick walls in street art are something of a ‘thing’ and are painted as a backdrop by many Bristol (and other) artist to great effect. Fiva’s large full caps letters stand out from the brick background and are beautifully filled with a graded colour scheme and spots. All in all a lovely addition to this artist’s growing catalogue of pieces.

2541. St Werburghs tunnel (107)

One of the great things about Kleiner Shames is that he keeps coming back to Bristol and when he does he usually drops one of his stunning pieces which are always most welcome. The light in St Werburghs tunnel really doesn’t do the piece justice and it would be nice to see his next piece somewhere with more natural light.

Kleiner Shames, St Werburghs, Bristol, October 2019
Kleiner Shames, St Werburghs, Bristol, October 2019

Kleiner Shames was one of the first writers that I really appreciated and his work led me gently into the world of graffiti writing, which I had previously not engaged with much. It is definitely an acquired taste and takes some getting used to, but it requires as much skill and technique as other forms of street art. Kleiner Shames is a master of introducing a mature designed feel into his street work. Such a shame he doesn’t still live in Bristol.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2538. St Werburghs tunnel (106)

An unusual piece by Face 1st in St Werburghs tunnel, unusual because it is writing without a character. I think this is the first time I have seen this from him although he quite often does character pieces without writing.

Face 1st, St Werburghs, Bristol, October 2019
Face 1st, St Werburghs, Bristol, October 2019

Simple in its construction and tidy in his use of fills this is a rather fun piece, and it has lasted well in the tunnel where the turnover is often quite rapid. I particularly like the orange and red stripes on the ‘A’  – something for me to go away and practice. Also you might notice one of his girl faces at the base of the ‘F’. Always good to see Face 1st breaking boundaries.

2529. St Werburghs tunnel (105)

At the farm end of St Werburghs tunnel is this magnificent comic-strip piece by Conrico. I was lucky enough to meet Conrico last week while he was just putting some finishing touches on  a different work on the M32 cycle path. I stopped for a chat and do you know what, a nicer bloke you couldn’t hope to meet. He stopped what he was doing and we chewed the fat for quite a while, during the course of our conversation he gave me a ‘banana cap’ (a type of cap that you fix to the top of a spray can that regulates the pressure and spread of the paint) which he said might help me with my thinner lines. It was very kind of him and greatly appreciated.

Conrico, St Werburghs, Bristol, October 2019
Conrico, St Werburghs, Bristol, October 2019

I think the thing I like most about Conrico’s work is that each pecture tells a pretty elaborate story, and trying to work out what that story is is all part of the fun. I don’t know enough about anything to explain what might be happening here, but it is beautifully illustrated and the little details simply make the piece. His style is quite different from many of the character artists in Bristol, and I for one love it.

2524. St Werburghs tunnel (104)

It tends to be fits and starts with Mr Klue’s street pieces these days. You can wait for an age for something new, and then suddenly there is a rush of them – let’s hope tghat this is the beginning of such a rush.

Mr Klue, St Werburghs, Bristol, October 2019
Mr Klue, St Werburghs, Bristol, October 2019

In one of his favoured spots at the Farm end of St Werburghs tunnel, this abstract street artist has given us another of his magical pieces of writing, which usually spell out KLUE, but I am not sdo sure about this one. He has used colours that I would most associate with Mr Klue, that is, purple with white accents and a touch of green. Great to see a new piece from him.

2517. St Werburghs tunnel (103)

I love my little trips through my archives every now and again, and the recent weather has dictated that fewer new pieces are being painted and this has given me the tiniest bit of space to dig up some gems. This is one from Lobe from April this year before I knew who the artist was.

Lobe, St Werburghs, Bristol, April 2019
Lobe, St Werburghs, Bristol, April 2019

Regular readers will know that I am going through a bit of a Lobe ‘period’ in Natural Adventures, and am very much enjoying her work. Adopting her usual style of a stylised portrait filled with bold solid colours, this is typical of her work. There is a lot more to come from Lobe, I am sure of it and I am looking forward to watching her work develop.