6119. Leonard Lane (47)

John D'oh, Leonard Lane, Bristol, June 2024
John D’oh, Leonard Lane, Bristol, June 2024

It is rather pleasing to be posting another stencil piece, there have been a rash of them lately, and especially one from John D’oh, who has been a little quiet over the last six months or so. This is one of a couple of pieces by the artist currently in Leonard Lane.

John D'oh, Leonard Lane, Bristol, June 2024
John D’oh, Leonard Lane, Bristol, June 2024

This philosophy, I am not sure if it is a quote (Update: it is a quote from the brilliant Chrisopher Walken) or a wisdom from John D’oh himself, is perhaps a message of our times and our collective obsession with consumption, upgrade and appearance. It reads:

“If you knew how quickly people forget the dead, you would stop living to impress people”.

I think that this is aimed at people with outer-directed values, a segment of our society that has ballooned since Thatcher came to power. The statement is accompanied by a skeleton character holding a spray can. Great work from John D’oh.

6116. Leonard Lane (46)

Man-X, Leonard Lane, Bristol, June 2024
Man-X, Leonard Lane, Bristol, June 2024

My sister and brother-in-law had a wonderful West Highland white terrier, or Westie as they are commonly known, called Jessie, who died a little over a year ago at a ripe old age. She was very sweet, and although I didn’t much like dogs when they first got her, I did warm to her over the years. When I saw this beautiful little stencil at the entrance of Leonard Lane by Man-X, my mind immediately turned to Jessie.

Man-X, Leonard Lane, Bristol, June 2024
Man-X, Leonard Lane, Bristol, June 2024

I believe that Man-X AKA Alix Lemetayer is a French stencil artist, but I can find little more information about him. This is a lovely stencil, so full of personality, and captures the animal perfectly. I believe that he may have placed another stencil in the Lane during his visit to Bristol, which I think I missed when I found this Westie, so I rather need to go back. Dogs and stencils, what’s not to love?

6115. Moon Street (106)

Goin, Moon Street, Bristol, June 2024
Goin, Moon Street, Bristol, June 2024

Ooh! This is a superb ‘extra’ stencil piece painted by Goin while he was in Bristol for Upfest. It is pieces like this that separate out the ‘circuit muralists’ from the everyday street artists. Although Goin is often a featured artist at paint festivals, he likes to paint on the streets too, which is something I like and appreciate.

Goin, Moon Street, Bristol, June 2024
Goin, Moon Street, Bristol, June 2024

This is a telling stencil piece, and I don’t think that you need to be a genius to work out what is going on. A soldier is pointing his rifle at a tiny ladybird, and the latter obviously doesn’t stand a chance in this contest. There are many ways of protesting against war, and this piece from Goin is a very powerful image making the point. The red colour of the ladybird in a strange way offers some hope and beauty to this horrific scene. Thank you Goin for this wonderful gift to Bristol.

6092. Upfest 2024 (19)

Karl Read, West Street, Upfest 24, Bristol, May 2024
Karl Read, West Street, Upfest 24, Bristol, May 2024

Karl Read is something of a regular at Upfest, which is a great thing, and with each passing festival his work gets better and better. Painted over a stunning piece by Irony (one of my favourite of all time) cannot have been easy, but what Karl Read has replaced it with is worthy of this spot.

Karl Read, West Street, Upfest 24, Bristol, May 2024
Karl Read, West Street, Upfest 24, Bristol, May 2024

Karl Read uses large stencils for his work, and certainly in the past I have seen him struggle in windy conditions, but he has absolutely nailed his technique in this piece. The contrast between the black and white figures and the colourful peace sign made out of ‘Lego’ building blocks is a clever mechanism to bring focus to different parts of the work. The message is a poignant one in a troubled landscape of conflicts in Gaza and Ukraine. This is a stunning stencil from a great artist.

Irony, West Street, Bristol, October 2021, Upfest 21
Irony, West Street, Bristol, October 2021, Upfest 21

6091. Upfest 2024 (18)

Goin, Spotted Cow, Upfest 24, Bristol, May 2024
Goin, Spotted Cow, Upfest 24, Bristol, May 2024

Goin is a brilliant stencil artist, who has visited Bristol a number of times, usually in association with Upfest. I met him one time when he was doing a little ‘extra’ piece on a non-legal wall, and he was reluctant to give anything away. I knew who he was because I recognised his style, but didn’t let on. This is a wonderful piece painted on the side of the Spotted Cow pub in North Street.

Goin, Spotted Cow, Upfest 24, Bristol, May 2024
Goin, Spotted Cow, Upfest 24, Bristol, May 2024

There is a simplicity to Goin’s work that makes it more meaningful in a way than some of the extraordinary multi-layered stencil pieces crafted by master technicians. The skill here is in telling a story, and the title of the piece ‘stop bullying’ provides enough to see what is going on. A young forlorn schoolgirl with a bag slung over her shoulder, all in greyscale, is equipped with a large red boxing glove, perhaps to protect herself. There is so much to take away from this piece and the imagery sticks in the mind. One of Upfest most consistent visiting artists.

5871. Manchester, Northern Quarter

C215, Northern Quarter, Manchester, February 2024
C215, Northern Quarter, Manchester, February 2024

When randomly walking the streets of a town or city I am unfamiliar with, I am reminded of the iconic line from the film Forrest Gump “Life is like a box of chocolates, you never know what you’re going to get”, and that is pretty much how my recent stroll in Manchester unfolded.

C215, Northern Quarter, Manchester, February 2024
C215, Northern Quarter, Manchester, February 2024

I turned a corner and found this incredible stencil portrait piece by C215 staring out at me. He is an artist who has made a couple of appearances on this blog before, but I don’t think that he has ever painted anything in Bristol, surely it is time to change that (Upfest?). The stencils that C215 uses range from very small up to this kind of size, and he achieves this scaling without compromising his style at all. A memorable piece from my recent trip.

5713. Elton Street (27)

Prefab77, Elton Street, Bristol, October 2023
Prefab77, Elton Street, Bristol, October 2023

I am not sure that I have come across Prefab77 before, but as a massive fan of the North East band Prefab Sprout, I can’t help liking this artist simply because of his name. In addition to this large piece in Elton Street, Prefab77 also left a smaller one in Leonard Lane, perhaps during a single visit to Bristol.

Prefab77, Elton Street, Bristol, October 2023
Prefab77, Elton Street, Bristol, October 2023

The black and white piece is really clever, looking like a collage of words and images stuck to the wall. It is actually a composite of stencils to create this ‘scrapbook’ appearance. A busy piece with lots to look at, Prerfab77 has brought us something rather special.

5670. M32 Spot (176)

John D'oh, M32 Spot, Bristol, October 2023
John D’oh, M32 Spot, Bristol, October 2023

With his finger pretty much always on the pulse, it was only a matter of time before John D’oh would create a stencil commentary piece about the war in Gaza and here it is. In this column piece, John D’oh presents a touching and tender piece that also references Bristol and Banksy.

John D'oh, M32 Spot, Bristol, October 2023
John D’oh, M32 Spot, Bristol, October 2023

The message is clear, and one I think anyone in their right mind would agree with – ‘teach peace’. A young child and teddy look on at the right approach to conflict – the correct example throwing flowers and the incorrect version throwing Molotov cocktails. Along with most of us, this piece is asking for conflict to stop.

 

5651. Brunel Way (247)

John D'oh, Brunel Way, Bristol, October 2023
John D’oh, Brunel Way, Bristol, October 2023

For many years, and more acutely this year, there has been a massive focus on the issue of compensation overflows in the UK. These overflows are essentially permitted activities of pumping raw sewage from water treatment plants, when heavy rainfall makes the processing of large quantities of sewage almost impossible. Some (and I include myself in this) point the finger at underinvestment in the infrastructure of water treatment plants, rather favouring healthy annual handouts to investors and shareholders.

The problem existed before the privatisation of water companies, but has been exacerbated by privatisation and a growing population and demand on the existing infrastructure, that simply isn’t up to scratch. Much easier to lean on a polluting permitted activity than to spend money fixing the problem.

Privatisation of water has, in my view, been a disaster, making a few investors, chief executives and foreign companies very wealthy indeed, but leaving the necessary investment and impact on the environment way behind. The public have had enough and are demanding that something is done about the situation. National commentary and pieces of art, like this one from John D’oh reflect this public mood.

John D'oh, Brunel Way, Bristol, October 2023
John D’oh, Brunel Way, Bristol, October 2023

In its minimalist way, this stencil by John D’oh distils the issue and makes it simple. ‘Shit doesn’t just happen (we have known about this problem for decades and done nothing about it), clean our rivers’. I have worked in the water/environmental sector my entire life, and John D’oh has nailed it. Clever placement too with the River Avon in the background. This is an understated and poignant protest piece. Bravo John D’oh.

5595. Cheltenham 2023 (14)

Unify, Cheltenham Paint Festival, Cheltenham, July 2023
Unify, Cheltenham Paint Festival, Cheltenham, July 2023

One of the very earliest street art pieces I posted on Natural Adventures was by Unify, painted on the side of the Highbury Vaults in Kingsdown. Both Unify and I have come a long way since then. This wonderful monkey in a spacesuit stencil piece is perfectly presented on the side of a ramp in the Cheltenham skate park.

Unify, Cheltenham Paint Festival, Cheltenham, July 2023
Unify, Cheltenham Paint Festival, Cheltenham, July 2023

The freehand background is very dramatic and sets the scene perfectly for the intricate stencil work. I love the reflection of the earth in the space helmet. I don’t know why, but I have seen a lot of space monkey street art over the years and it appears to be a really popular theme (note to self – potential for a themed gallery). This is a classy piece from Unify, whose work can be found all over London where I think the artist lives.

Unify, High Kingsdown, Bristol, June 2016
Unify, High Kingsdown, Bristol, June 2016