It has been a while since I last saw a scary clown piece, so this one from Tera is most welcome. It was painted as part of a belated birthday paint jam in the tunnel for Kool Hand, and served as a tasty precursor to Halloween. Tera’s meteoric rise as a street artist of great talent continues at pace.
Tera, St Werburghs, Bristol, October 2025
This scary clown character is superbly presented within a colourful decoration, I want to say scroll, but it is more like a designed plate with interlocking parts. The clown itself is really demonic, and falls very squarely into Tera’s preference for all things satanic. Peeping over the top of the piece is another of the artist’s previous nightmarish creations, see below:
Umbrelle, Emchoux, Kid Crayon, Tera and El Ruby Tattoo, Brunel Way, Bristol, September 2025
The DoorDie club have painted a few collaborative walls this year of which, this might be the best. We are familiar with Kid Crayon and Tera’s work but perhaps less so with the remaining collaborating artists, Umbrelle, Emchoux and El Ruby Tatoo.
Umbrelle and Emchoux, Brunel Way, Bristol, September 2025
We start with an eye-catching black and white vampire portrait from Umbrelle, which includes a fine pair of bat wings. Alongside this character piece is a smaller vampire by Emchoux. Both artists are tattoo artists, which explains their work as resembling tattoo flash sheets.
Kid Crayon, Brunel Way, Bristol, September 2025Kid Crayon, Brunel Way, Bristol, September 2025
Next up are two pieces of writing from Kid Crayon in a Gothic style, resonating with the vampire theme, which spell out ‘do’ and ‘die’, he didn’t have room to paint the ‘or’. It is unusual for Kid Crayon to write letters like this, but he has done a great job.
Tera, Brunel Way, Bristol, September 2025
Taking up centre stage is a satanic piece by Tera. It is worth noting that Tera has only been spray painting for a few months, and is already turning out epic pieces like this one. There is a bit of glare in the photograph which is a little unfortunate.
El Ruby Tattoo, Brunel Way, Bristol, September 2025
The final piece in this collaboration is by El Ruby Tattoo, featuring a character who looks like a female fawn, complete with horns and pointy elf-like ears. A perfect end piece to this impressive collaboration.
Tera and Kid Crayon (credit: Kid Crayon), Stapleton Road, Bristol, August 2025
I am going to break with tradition in this post and contravene my primary rule, that all photographs are taken by me. This is a rare occurrence and it has been necessitated by the fact that I visited this collaboration from Kid Crayon and Tera less than 24 hours after it had been painted, but I was met by a rather disappointing and talentless tag stating that Jesus loves me. While that may or may not be true, it rather scuppered my photo opportunity. Fortunately, Kid Crayon took some of his own pictures, and I have used them for this post. Exceptional circumstances.
Tera and Kid Crayon, Stapleton Road, Bristol, August 2025
This pair have been smashing it all summer long, but I think somebody has it in for them, because few of their collaborations have lasted more than a few days. The two outstanding portraits are painted in the dia de los Muertos tradition, although there are a couple of months before we get to that celebration.
Tera and Kid Crayon (credit: Kid Crayon), Stapleton Road, Bristol, August 2025
On the left, Tera, who I might remind you only started painting walls this summer, has painted a face that reminds me of the band Kiss in it’s makeup styling. He has created some superb depth in the contours of the face with clever reflections of the candles in the lips and cheeks. Utterly brilliant work.
Kid Crayon (credit: Kid Crayon), Stapleton Road, Bristol, August 2025
Kid Crayon, who has been mentoring Tera (and let’s face it has done a great job of that), has gone for a more traditional styling in the facemask makeup, with some nice flowers (mirrored in the hair) and black patterning. Lots of wrinkles in the neck and black nails on the ends of the woman’s fingers poised while she takes a drag on ger cigarette. Kid Crayon offers a slightly different take on candles, but both are superb. One of my favourite collaborations of the year so far.
I have continued to dig out Tera pieces that I failed to post at the time they were painted, so this one from June is a little out of sequence, but demonstrates really well his development, which has been so rapid.
Tera, M32 Cycle path, Bristol, June 2025
I’m not quite sure what the overall message here is, but when I see skeletons and gold coins, I think about avarice and comeuppance. A message that I am always mindful of, and one that reinforces my dislike of selfish billionaires, is that ‘you can’t take it with you’. This piece says that to me. It is a well-painted piece that, in part, reflects his accelerated progress, and highlights some of the areas he can sharpen up on, which, in fairness, he has been doing since painting this a couple of months back.
It has been quite difficult trying to keep up with Tera’s incredible output this summer, and I have had to do a little trawl through my summer archive to find some of his pieces that I haven’t yet posted, including this one painted alongside Kid Crayon, back in May this year.
Tera, M32 roundabout, Bristol, May 2025
This is one of Tera’s earliest pieces (he touched the ground running), and demonstrates a certain amount of experimentation. It is an interesting piece of writing spelling out his name, but definitely feels like something that hasn’t yet formed an identity. The technique is good throughout, with some nicely graded fills and some good interlocking letters. Given some of his more recent large character pieces, this one looks like a stepping stone towards improvement.
Kid Crayon and Tera, M32 roundabout, Bristol, July 2025
This is a wonderful character collaboration from Kid Crayon and Tera, otherwise known as the Doordie crew (do or die). What is extra special about this is that it has lasted a couple of weeks, which is quite rare for a Kid Crayon piece these days, and should be celebrated.
Kid Crayon, M32 roundabout, Bristol, July 2025
The character on the left is by Kid Crayon and on the right by Tera, between the battling zombies we see a collection of bones spelling UZI (Undead Zombie Infection). The green zombie looks very much like the characters from Plants vs Zombies, a game that my kids very much enjoyed a few years ago. There is so much detail and expression in this zombie, brilliantly crafted by Kid Crayon.
Tera, M32 roundabout, Bristol, July 2025
Tera, continues to amaze with his rapid progress this summer with this fantasy style zombie, a little more menacing and scary than his counterpart. There is, once again, plenty of detail in the piece, with the bony fingers taking a prominent role. Altogether a fine and fun collaboration. It is so good to see Kid Crayon out so often this summer, with a regular painting partner.
I guess that it was fairly inevitable that tribute pieces to the late Ozzy Osbourne would start to emerge, although in Bristol, I have only found two, of which this impressive piece by Tera is one. I see how much the musician meant to so many people, but I’m afraid I don’t count myself amongst them. I always thought he was a bit of an arse, and I was less than captivated by the puerile ‘fly on the wall’ documentary series about the Osbournes, but each to their own.
Tera, St Werburghs, Bristol, July 2025
What is incredible about this large portrait is just how quickly Tera has adapted to upscaling his tattoo skills to large walls, literally in a mater of months. There is some great use of positioning bright colours against the greyscale portrait, which creates a certain dynamism. This piece captures the mood of Ozzy perfectly, and I rather like the epitaph ‘Rest in Darkness’.
It is crystal clear that Tera doesn’t do things by halves. New to the form of street art, he has picked it up at an alarming rate and is churning out large fantasy character pieces, making significant improvements with his technique every time he paints a wall.
Tera, Cumberland Basin, Bristol, July 2025
Tera is a tattooist by profession, which comes across in his elaborate designs, but I am amazed at how he has managed to upscale his work from a few square inches to several square feet in size. The fantasy warrior, with three swords, seems well-prepared for any eventuality. The detail in the hands is superb, although the design of the mask and headdress is lost a little (I am being uber-picky). Basically, Tera keeps smashing it, and I suspect he’ll continue to do so for the foreseeable future.
Tera has exploded onto the Bristol street art scene in a matter of only weeks. The tattooist (by trade) has only recently picked up spray cans under the watchful eye of Kid Crayon and is already creating some impressive productions, that are not only ambitious, but also really well executed. Some people are born naturals, and Tera is definitely one of them.
Tera, St Werburghs, Bristol, July 2025
At the entrance to St Werburghs tunnel, this is an awesome ‘horror’ piece that has so much to admire about it. The greyscale central character and hooded figures are brought to life with the green glow, which works exceptionally on the skull’s face as part of the overall shading. Tera describes this as a toxic medieval zombie fella – well, it works for me.
One of the fastest entries into the Bristol street art scene has to be that of Tera. I met him earlier this summer, painting his first ever piece (!) under Brunel Way, alongside Kid Crayon. The two have set up a symbiotic relationship. Tera is a Tattoo artist and runs a parlour in Bristol, which Kid Crayon has joined as a newbie, there is employment and some money to be made in body art. In return, Kid Crayon has been teaching Tera the finer points of street art. Both are learning really fast.
Tera, Dean Lane, Bristol, June 2025
I met the larger-than-life Tera while he was well advanced with this piece and only had the writing and finishing touches to do. It is extraordinary to think that Tera has only painted a handful of times in his life, and can produce pieces like this that many artists take a lifetime to achieve.
Tera, Dean Lane, Bristol, June 2025
Tera clearly has a great understanding of form, colour, light and shade, and seems to have mastered can-control really quickly. The detail on the character’s mask and the pipes attached to the mask is awesome. A tidy bit of urban landscape and some great letters (TERA) round the piece off nicely. Naturally, there are one or two rough edges to the piece, but I believe Tera will be turning out some outstanding work in the future, and I am very much looking forward to seeing it.