Impossible day
builders, noisy pets and kids
demanding my time.
It is hard to comprehend
why we do it to ourselves.
Tag: UK
1731. Upfest 2018 (42)
I approached Upfest on the Saturday morning from East Street and as I was at that end of Bedminster, dived into Dean Lane skate park because it is always busy with ‘fringe’ festival art, and by that I mean it is not all entirely official. This is one such stencil work by About Ponny, an artist not known to me before…I have immediately become a fan.
About Ponny is a highly skilled stencil artist from Bologna in Italy and I found a short biography on his Facebook page which I have translated from the Italian using Google translate. It reads as follows:
Ponny was born in Bologna one evening after dinner.
Single, but only in the name, because always accompanied; for this reason it has no gender.
Son of a game between friends and of the passion for art, in all its forms, as long as expression and creativity, incessant source of emotion.
In continuous search for balance on the edge of legality, the road torments him, the only place to express himself!
This work, in my mind, is stencil work of the highest calibre. The subject is touching and soulful, the execution brilliant, the colour scheme has an earthy and innocent quality and the location is brilliant. One of the best ‘unofficial’ Upfest 2018 pieces.
1730. Upfest 2018 (41)
Off we go again on another batch of fabulous street/graffiti art from Upfest 2018, starting with this stunner from Lokey. Lokey, a Bristol artist is a specialist at 3D writing, and this piece is close to perfection in my view. With subtle shading and clever ‘hourglass’ highlights the letters LOKEY are lifted out from the black background.
Everything about this piece is good – the colours, the design and proportions and the lovely clean sharp lines. This is definitely one of my favourite graffiti pieces from the festival this year. It took me a couple of days to get a good picture of it though, because every time I went to take a look at it, there were bunches of people standing in front of it. There should be a law against that.
Conker
Try to look beyond
the abrasive covering;
elegance concealed.
by Scooj
1729. Jamaica Street (16)
Well this came as a bit of a surprise and something of a treat too. On my walk in to work a couple of weeks back, I thought I’d take a small detour down Jamaica Street, and there, big as you like, was this wonderful collaboration between Bristol’s Cheba and Lebanese calligraphy artist Ghaleb Hawila.
This kind of collaboration is quite unusual in Bristol, and I am not certain I have seen any calligraphy here before, although I have seen plenty in London. Additionally, this wall is an absolute bugger to photograph because it sits in a gated courtyard and the angles are all wrong…this is the best I could do.
Cheba has painted a silhouette clutching some bright object that is sending out shards of light. The silhouetted figure is filled decorated with Cheba’s trademark cosmic space scenery, which gives it some depth.
Ghaleb Hawila said this on his Instagram feed about the collaboration:
“You gotta believe in yourself; in the lights buried within you. Give yourself the permission to glow and grow.” A collaboration with my brother @cheba_bristol his magnificent work and personality. That’s exactly one year after meeting this crazy guy in Alay, Lebanon during the @ahlafawda and @risegallery cultural exchange.
I spent four days at his beautiful house, with his hyper dog and lovely wife. We explored a lot in his studio and i just can’t sum the experience with words. It was an intensive restless art residency were you get to explore yourself more and more.
It is great to get a bit of insight into how these things are achieved. A wonderwall.
1728. M32 roundabout J3 (94)
There is one circumstance in which is is absolutely ok to buff over someone’s work, and that is when it is your own.Here is an example of just that where Soker has painted over one of his own pieces, and if you look closely, you can see the similar shape of the letter ‘R’ in both.
Wildstyle writing (graffiti writing) is an incredible artform in its own right, and I am a big fan of it. That has not always been the case. In the early days of photographing street art, I simply didn’t get it and considered it inferior and messy. Having studied it for close on four years now, I am able to enjoy it just as much as conventional street art. Soker of course is the master of this form.
Rees-Mogg
.
Insufferable
bore, darling of the far right;
Victorian code.
.
by Scooj
1727. M32 roundabout J3 (93)
Face 1st (F1st) is the master of getting his work squeezed into just about every corner of Bristol. At any one time, the M32 roundabout must play host to four or five of his pieces, which is pretty impressive really. I would hate to see his monthly spend on spray cans.
This is a return to his more ‘traditional’ style of a pretty face incorporated into some beautifully decorated letters which usually spell out FACE, but in this instance I’m not sure about that. It is always great to see work by one of my absolute favourite Bristol artists.
1726. Upper York Street (13)
Whenever qWeRT comes to town there is always an exciting trail of wheatpastes hidden in the back streets of Bristol. I am constantly on a quest to find them, but know there are some I will never find.
This one is on the pillar of a car park, which adjoins a former church and so is entirely appropriate to its environs. Jesus is rarely depicted in street art, which is peculiar in a way, because in years gone by he has been the subject of countless murals, inside and outside. This is a wonderful piece…a googly eyed Jesus – not something you see every day.
Legacy
An old overcoat
that belonged to my dad still
smells of cigarettes.
by Scooj
Natural adventures 