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The old man in bed
dreaming wild morphine daydreams
sleep after the fall.
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by Scooj
Tag: UK
1394. Upfest 2017 (151)
There were many fine collaborations at Upfest last year, but few of them were finer than that between Hannah Adamasek and Saroj. I have written many times about Hannah’s work, but don’t believe I have come across Saroj before.
In the Upfest programme there is a really nice profile for Saroj Patel, and rather than paraphrase it, I have decided to offer it in full:
Saroj is a designer and artist whose practice encompasses illustration, painting, graphic design, typography and art direction. Nature is a compelling part of her work which incorporates decorative arrangements of organic forms, flora, and wildlife, creating a distinctive hand drawn style which displays a fluidity of movement through the use of patterns, lines and colour.
Saroj draws inspiration from exploring the natural and built environments around her, from wandering city streets to hiking in forests and mountains, capturing moments of stillness and chaos, embracing and absorbing the beauty in every moment.
I like this aquatic piece that places a swimmer in a setting of plants and fish, resulting in a rather atmospheric and fresh piece.
I was lucky enough to visit this piece, which was in the beer garden of the Steam Crane, several times over the festival and it is interesting to see how it developed. I am hoping that both will return this year.
1393. The Bearpit (127)
Although I am confident this is a Tom Miller piece, with his trademark explosion of swirling colours, it is not signed, and so there is that tiny little nagging doubt about it. However, since nobody else in Bristol paints like this, I will attribute it to him anyway.
I’m not sure if it is still there or not, it has been a week or two since I did any street art hunting in Bristol, but most of his recent stuff has been tagged and oversprayed unnecessarily quickly, which is pretty annoying really.
In this piece, a motif he uses a lot, a heart, is surrounded by a chaos of colour. A nice piece.
1392. M32 Spot (17)
I posted my first piece by Nevla about a week ago, and this is the second. Fortunately, I have a whole bunch more I can share, now that I know who the artist is.
His cartoon style is something quite different and refreshing in Bristol as well as being really distinctive. His characters are usually framed by a red or blue border and tend to be black and white, almost as if he has drawn the cartoon using a flip chart and thick black marker pen. It is a pity that he favours tunnels, because the light is always poor and photographs dishonest.
Sprinter
Enough already!
Winter’s tendrils holding fast,
bring me some sunshine.
by Scooj.
1391. M32 roundabout J3 (71)
A nice quick one from Mr Draws, which was to mark the arrival of storm Emma, one of a couple of snow events that hit the UK and Bristol during March this year.
I like this piece, it is modest and unassuming, but contains some lovely little details inside the dull chrome letters. As ever, always good to see Mr Draws’ work.
1390. M32 roundabout J3 (70)
A few weeks back there was a bit of an informal paint jam at the M32, with artists from Swansea, Cardiff, Tiverton and Taunton all represented. I managed to be there at the right time and photograph the artists at work. The interesting thing for me was that most of these artists/graff writers were completely new to me.
This is a lovely piece by Karm Amoe from Cardiff. He has a website, but it doesn’t say too much and appears to be incomplete, so I really don’t have too much information on the artist.
There is something very pleasing about the form of his letters, and the colours he has selected are outstanding. The swirly pattern at the base of the piece and white at the top adds some real class. Nice to be able to see something new (to me).
Family
Blue-eyed boy returns
family reunited
it feels good this way.
by scooj
1389. Dean Lane skate park (116)
Another Laic217 piece, this time on the long wall at Dean Lane which was sprayed at the same time as the NEVERGIVEUP piece just to the left. Both artists are part of the vibrant community of Polish street artists in Bristol, which also includes Hire and Skor85. It is nice when they work together.
This is only a small piece, but what a fabulous piece it is. I particularly like the folds in the leather (PVC?) jacket the skeleton is wearing. Laic217 has been improving so much over the last couple of years, but it is his understanding of materials that has really developed…his skeletons parading an extensive wardrobe. I look forward to seeing one wearing a fur coat…a challenge.
Laic217 has been busy lately, which is always a good thing in my book.
1388. The Bearpit (126)
Going back just a little, I found this unusual collaboration between Decay and Dirtystreetart. QI know a lot about the former and have posted a lot of his work here, the latter though is new to me, and I am guessing that he was visiting Bristol.
I think this collaboration works really well, Decay adding some green to his usual red white and black abstract work fusing brilliantly with the photorealistic ant in the middle of the piece by Dirtystreetart.
I was pleased to get this shot of the piece, because it didn’t get to hang around for too long before getting sprayed over. I’m not sure if these two have collaborated before, but I think this works well, and I would certainly like to see more from the pair.
Having just checked out Dirtystreetart on the Interweb, it turns out he comes from Cheltenham, as does Decay, before he made his home in Bristol, which would go some way to explaining this collaboration.
