I have a feeling that you are going to be seing a lot more from this artist (Mest) who is making his debut on Natural Adventures with this rather nice piece on the M32 roundabout. Mest has only crossed my radar over the last few months but in that time I have noticed his throw ups and burners appearinng all over the place.
This is rather a nice black and grey number with a bit of a flame effect around the outside of the letters MEST. The letters, which are broken up into blocks of colour have an unusual 3D shadow and a turquoise border. The letters are a combination of small and full caps and overall I think the writing is pretty good. There is lots more to come, so watch this space.
I have a feeling that this is the first piece from Turoe One post-lock down easing or at least if it isn’t then I have missed something. Situated in one of his favourite spots, at the left hand end of the first wall in Dean Lane, this is a striking and well executed piece.
Such is the turnover at Dean Lane at the moment that this didn’t last too long, and even some of the bigger pieces there are being over painted. This is what happens when you restrain artistic talent for months, there is a surge of activity. It is difficult for folk like me to keep up. This Turoe One burner is a high quality piece from an experienced hand.
This is the second of three large recent pieces by Taboo that appeared at the back end of May. Unfortunately, the third and largest had been overpainted by the time I got to it, such is the high turnover of work at the moment.
I’m not sure if it is just me or what, but the piece seems to say ABOO without the T… maybe he just ran out of space or the T and A are conflated. Big letters, a snake and a skull give me all I would need from a large burner like this. Great work.
This is the first of several new pieces from Soge, who seems to have been really busy since the lock down restrictions eased. His style is similar to his compatriot Hire’s, but perhaps slightly less jagged.
Soge has knocked it out of the park with this piece. The SOGE writing is incredibly detailed and decorated with stars and bubbles. The background is a perfect colour for the main colours of the piece and the whole thing is very easy on the eye. You can see a little 2020 hidden in the letters too.
Something a bit new, or that I haven’t been aware of before is that Soge has started to include characters with his work, and to the right of this piece is a little Beaver with a speech bubble saying ‘I love furlough’. I’m not sure why the beaver has an axe with a bleeding blade, but it adds a little bit of edge to the cute character. This is a really nice piece from Soge.
Of course you’d expect Rezwonk to be quick out of the blocks once the lock down restrictions eased, I guess it is the clause that allows you to ‘exercise’ for as long as you’d like that has made the difference to street artists being able to paint pieces without stressing about the rules.
This is a complex REZER design in fairly basic colours, but it has been carried off with real style and panache. With pieces as complex as this, I just can’t get my head around how the artist sees what they are doing – incredible skills really. A high quality Rezwonk burner.
This is a rather nice burner from an artist we tend to associate with bunny rabbits, but whose work is in fact broad and varied, Nevergiveup. There is an awful lot to like about this carefully put together piece, which spells out ZBOK, which I believe means deviant (or something of that nature) in Polish. The beautiful deep red background frames the extraordinary interior filling that displays wonderful technique with sharp patterning of the letters.
Nevergiveup tends to sign these pieces NGU although he has several different aliases which he uses on his Instagram accounts, such as @followmyrabbits or @zbok_ngu or @ngufam_vandals. This is a nice tidy example ofhis versatility.
Vibrant and sharp, this is a magnbificent bit of graffiti writing from Rezwonk and the left-hand half of a collaborative wall with Rusk. What really brings this piece to life is the clean letters and striking blue trim, it’s really something special.
Rezwonk, or Rezer as he writes, has been incredibly busy with his street work this spring/summer and he seems to enjoy painting with othert artists, often with Decay and Nightwayss. It is funny how these artists rise through the mist of anonymity. I think Rezwonk first hit my radar back in the summer of 2017, before that I can’t recall ever seeing any of his work. This is one of his best (IMHO).
I have always loved the work of Kid Crayon, and this fabulous burner in Dean Lane completely reinforces my view. The colours, brick red and two shades of green, work really well together and lift this piece away from the wall. Classy.
It seems that in recent months Kid Crayon has been enjoying his burners and also creating monsters. I’m very much looking forward to seeing more work like this in the near future. If you want to hear more from this lovely artist, thre is a great podcast interview with him from April on The Rough Skecth Podcast – an interesting insight into the life of an illustrator/urban artist.
Diced Mango is an artist reasonably new to me, having only been aware of his street pieces for about six months or so. He has become rather busy lately and his letters are appearing in various spots around the city.
This piece, from January this year was in St Werburghs tunnel and shows how the artist plays with shapes and shadings to make the letters look like they are twisted a little. Clever stuff and it gives me ideas for things that I can try out at home. Several more to come from Diced Mango soon.
Rezwonk is another Bristol artist who has been rather busy on the streets lately, bombing here and there, tagging this and that and creating these rather decorative ‘designer’ burners, either in collaborations or as in this case, solo.
Rezwonk has perfected the art of straight line stripes, which I think he does freehand. I like his work, and I have been posting it for about a year or so now. I’m not entirely sure how much street work he was doing before that, but it is difficult to go to any spot in Bristol now that doesn’t have a little signature from this artist.