946. Upfest 2017 (16)

First impressions count, and when I was doing my first walk around Upfest on the Saturday, this piece leapt out at me and grabbed my attention. Although I tend to have many favourites much of the time, I think I would have to say that this was the outstanding piece for me at Upfest 2017.

Bisser, Upfest, Bristol, July 2017
Bisser, Upfest, Bristol, July 2017

This friendly monster is by Bisser, a 27 year old Belgian artist and according to his Upfest biography notes ‘he’s influenced by graffiti, street art, muralism, cartoons and comics. His visual style is figurative and is very recognisable’.

Bisser, Upfest, Bristol, July 2017
Bisser, Upfest, Bristol, July 2017

The first thought I had when I saw this monster was of the book ‘Where the Wild Things Are’, by Maurice Sendak. So much expression, a simple idea beautifully executed. This piece deserves a permanent wall. Maybe if he comes to Upfest again he’ll get one – he certainly ought to on the back of this.

Bisser, Upfest, Bristol, July 2017
Bisser, Upfest, Bristol, July 2017

I chatted for a while with Bisser, and he is such a decent unassuming, modest fellow. He told me that his name in Flemish (I think that’s what he said) means ‘taken twice’ in relation to exams/college work – I think the equivalent in English would be ‘retake’. He adopted the name because he had to do his art exams a second time after first failing them. I like it that he has found strength and even a moniker from facing up to challenges. My favourite piece at Upfest.

945. Stokes Croft, the Carriageworks (27)

The work of Face F1st continues to develop and improve. Recently he has moved much more into pastel shades for much of his work, which gives his pieces an unassuming quality. They blend in more with the walls with modesty.

Face F1st, Stokes Croft, Bristol, July 2017
Face F1st, Stokes Croft, Bristol, July 2017
In this particular piece, Face F1st has become more elaborate with his wildstyle writing, and it is lees obvious that it says ‘face’. Also the face itself has less expression on it that in previous work, giving nothing away to the viewer.

Face F1st, Stokes Croft, Bristol, July 2017
Face F1st, Stokes Croft, Bristol, July 2017
The colours and the paisley patterning make this a really interesting piece. It is one that few stop to look at, even taggers, because, I would assert, of its subtlety. (whoah – slow down on the commas).

Rot

 

On the forest fringe

long decayed woody debris;

foundation for life.

 

by Scooj

944. The Bearpit (82)

I am always struck by the work of Sirens. He seems to create stark images in which he contrasts the beauty of the world with utilitarianism. Rural versus urban. Or at least this is how his pieces come across to me.

Sirens, The Bearpit, Bristol, July 2017
Sirens, The Bearpit, Bristol, July 2017

In this one he gives us a gorgeous sunrise appearing over Aylesbury estate, where, reading from his Instagram feed, it would appear Sirens comes from. I keep bumping into Sirens when I go for my lunchtime walks. We always stop for a quick catch up, and every time it is a pleasure. He is unconventional in his approach to street art, and his work is all the better for it. I Love this piece.

943. Charles Street (2)

Some of the artists who came to Upfest made the most of their time in Bristol to decorate other areas of town, such as Stokes Croft. D7606 returned to ‘his spot’ as he described it, next to an Aspire robin. I think this must be the third or fourth telephone box that D7606 has pasted up here. This time with Debbie Harry ‘hanging on the telephone’.

D7606, Charles Street, Bristol, July 2017
D7606, Charles Street, Bristol, July 2017

I like to see his work in Bristol, as I don’t get to London much these days. A couple of the previous wheatpastes are shown below.

Aspire and D7606, Charles Street, Bristol, August 2016
Aspire and D7606, Charles Street, Bristol, August 2016
Aspire, Charles Street, Bristol
Aspire, Charles Street, Bristol

Wedding

.

No church bells ring here

joined in civil partnership

their happiest day. 

.

by Scooj

Truth and reconciliation

 

Soon the storm will pass

and the blue skies will return

then we will have peace.

 

by Scooj

942. Dean Lane skate park (71)

This is a very quick one from Si2, who also paints as Hull Graffiti. He was in Bristol for Upfest, and had a troubled time spraying the railway carriage down at Ashton Gate – the weather was not kind. Indeed I never got to see the final piece, but will post what I did get in good time.

Si2 (Hull Graffiti), Dean Lane, Bristol, July 2017
Si2 (Hull Graffiti), Dean Lane, Bristol, July 2017

Here he got some kicks by spraying a devilish head, and leaving a little Upfest souvenir. Thank you Si2. Pity it had been a bit dogged by the time I got to it.

941. Upfest 2017 (15)

Oze Arv was a very busy man during his short stay in Bristol for Upfest. This Portuguese artist from Lisbon uses patterns to mix expression and graphics. His style is instantly recognisable, as you will see as I post all of the work he left behind for Bristolians.

Oze Arv, Upfest, Bristol, July 2017
Oze Arv, Upfest, Bristol, July 2017

This is a lovely shutter piece on North Street, one of two ‘official’ pieces he sprayed for Upfest. Shutters are always hard, but he has been smart with this one, laying down a white background, which lifts the whole piece really well. I think most of his work tends to include the natural world.

Oze Arv, Upfest, Bristol, July 2017
Oze Arv, Upfest, Bristol, July 2017

I like the combination of the abstract and natural, I think it works well. I caught up with him for a few minutes, and he seemed like a really nice guy, happy to chat about his work. Lots more to come.

Money spider

.

From the corner of 

my eye, I spied a spider

dangling from my hair. 

.

by Scooj