With my eyes closed I
can hear the shrill cries of swifts
signalling Summer.
by Scooj
With my eyes closed I
can hear the shrill cries of swifts
signalling Summer.
by Scooj
I caught sight of this caravan across the M32 while out for a walk last week. It had all the hallmarks of a work by Aspire, but it wasn’t until I downloaded the pictures onto my PC that I was able to see the signature.

When I see a piece like this, which I might add is another beauty, I am left with so many questions. Who lives in the caravan? How does Aspire know them? Was it a commission? and so on. This is an unusual and distinctive piece.

This little side street just off Stokes Croft is a very popular spot with DNT and his friends, one of whom is Mr Klue. We are used to seeing rather more abstract pieces from Mr Klue, so this seated figure with a hat would have to go down as one of the more unusual pieces by him.

I really like the calmness of the work and it’s distinctive style. He is an artist I am really enjoying at the moment.
Chauntecleer was proud
the fox was even prouder
Pertelote knew this.
by Scooj
Other poetry
scares the living daylights out
of me; not ready.
by Scooj
Just to make a point I guess, I thought I’d post another Deamze burner in exactly the same place as the one in the previous post. As mentioned, these pieces are all very similar in structure and style, but each time the colour selection seems to be faultless.

There are more of these in my backlog of Bristol street art, but I will give you a break for the time being.
The master of wildstyle writing in Bristol is also known for his rather less elaborate burners, particularly in the Stokes Croft area. They all follow a similar structure and clearly show the ASK (After School Klub) tag. Another tag that these are often given is ‘oxygenthieves’ to which I must admit to knowing very little, although I think it has something to do with Soker, Epok and Old Hempsy – I would guess a crew, since they are all established Bristol writers.

I love these striking burners. They have such clear, crisp lines and colour contrasts that seem to work very well together. Stokes Croft wouldn’t be Stokes Croft without a DEAM loitering out there somewhere.

I have only seen one other piece by Zesk, and it is the rather lovely work on the side of the Three Tuns pub in Partition Street, near my work. This Burner contains many of the characteristics of Zesk’s work, including the stars and the colours, shading and black spots used. I guess the biggest give away though is that it says ‘Zesk’ in big letters.

This is a nice piece by a great artist. It is good to see that someone who is accustomed to doing commissions, still hits the areas where street art is tolerated rather than permitted (another way of saying not strictly legal).
Sitting bolt upright
in bed, too frightened to sleep;
shadows leave the room.
by Scooj
Another lovely piece from the extraordinary outdoor gallery, AKA Devon Road. This cat in a deckchair is by one of the godfathers of Bristol street art – Rowdy, and contains all his hallmarks, as you can see from looking at this previous post.

I think that there is at least one other artist involved in this piece, but somewhat disconnected from our feline friend. I am not sure who the artist is.

There is something wonderfully laid back and ‘Bristol’ about the work of Rowdy. Highly accomplished, distinctive, relaxed and mildly anarchic – great stuff.