Rob Wass took a lot of care and attention in producing this piece, and was out on both days, dodging the showers like everyone else. Some of you may remember his beautiful fox from Upfest 2015 which shares the same distinctive characteristics with this beautiful tree.
Rob Wass, Upfest, Bristol, July 2017
Simplicity splashed with carefully selected colours leaves us with a very pleasing piece that generates a sense of calm and connection with our environment…I think I am a fan of his work.
My guess is that this is a cheeky little unofficial piece by Whysayit at Upfest this year. To my reasonably trained eye this looks like an opportunistic ‘quick one’ from an artist beter known for his ‘marginally less than legal’ tags and graffiti art all over the City.
Whysayit, Upfest, Bristol, July 2017
It is a nice piece executed in his square style, which looks like it was put up in a bit of a hurry. I suspect he saw a free board at the festival and took his chance to make his mark, and why not? Festivals run the risk of being too clinical and up their own backsides with ‘corporate’ pieces – it is only when we have some real local street/graffiti artists that we remind ourselves what this is all about. Thank you YSAE.
Perhaps better known for his smaller pieces, stencils and wheatpastes, this large blue face by Beastie came as a bit of a surprise to me at Upfest, so much so that I didn’t even know it was by him when I photographed it.
Beastie, Upfest, Bristol, July2017
This was a striking piece that stood out and grabbed the attention and would appear to have an environmental theme to it too. It is interesting that this year’s Upfest appeared to have quite a lot of large portraits, many in single shades of one colour – maybe it is a thing or maybe just coincedence.
Beastie, Upfest, Bristol, July2017
Looking forward to seeing what direction Beastie takes with his street art as his work is always interesting.
Agent Provocateur is a bit of a mystery, and like many street artists, doesn’t seem to want to give too much away. This is more than just understandable, it is just how things are in the world of graffiti art. His Upfest profile says:
‘Agent Provocateur […] is […] an […] amazing […] artist *
*edited due to being fake news.’
Agent Provocateur, Upfest, Bristol, July 2017
This piece is a nicely worked stencil with a message of sorts – a pigeon with bombs under its wings. He has uploaded a picture of this onto his website, which offers not a great deal more insight into his world, but has some nice pictures of his artworks.
Woah, hold on there…this is a spectacular stencil by Marvin (or Marlon). Let alone that it is a crazy picture of a dog outside a kennel (Ron’s house) smoking a cigar, it is also a magnificent example of incredibly detailed and intricate stencil work.
Marvin, Upfest, Bristol, July 2017
Marvin (or Marlon) has not crossed my radar before, and I know little about him. The Upfest programme notes say that he has been cutting stencils and spraying for about four years or so, and that he enjoys the fine detail of his stencils which can take up to 60 hours to produce. This is a really great piece.
At upfest many of the artists get paired up on neighbouring boards, and because of the portrait nature of these it is much easier for me to post about them as a pair. These two pieces are by Lea Gudrich and Dan Pritchard.
Lea Gudrich, Upfest, Bristol, July 2017
Lea Gudrich is German-based artist living in Cologne. This piece was hashtagged with ‘childhood memories’ on her instagram account so I guess there is a story there. Most of the work she produces features wildlife largely in black and white with some incorporation of bright colours. Beautiful illustrations mostly.
Dan Pritchard, Upfest, Bristol, July 2017
Dan Pritchard, by contrast is an illustrator with a rather more brash and colourful style. Based in Bristol, his Upfest profile says his work is inspired by humour found in the British way of life, the hum drum of the 9-5 commute and the films and television of the 80s and 90s. I guess this one is drawn directly from ‘Ghostbusters’.
Post 1111 – this would have David Shepherd hopping in his grave (an oblique reference to one of England’s finest cricket umpires). This small wheatpaste is a collaboration between d7606 and PDX artist Voxx Romana, Phoebe New York, and Twiglet boy, although I am baffled how such a small piece can be a collaboration between four artists. Maybe I have misunderstood D7606’s Instagram description of this piece.
D7606, Upfest, Bristol, July 2017
So we have Albert Einstein wearing a colander on his head and a fine pair of spectacles with the face of somebody reflected in the lenses. I have no idea what this is all about, and I’m not too sure I want to know, but I do know that I like this eye-catching paste up.
A truly awe-inspiring collaboration from Upfest this year was by the magnificent My Dog Sighs and Snub23. There is so much to like about this piece, starting with the wall itself, which played host to this fabulous piece by Sokar Uno in 2016.
My Dog Sighs and Snub23, Upfest, Bristol, July 2017
The eye and the water drops which provide the focus for the piece is by My Dog Sighs, and there is a whole story going on in the reflected figure in the eye itself. I am a big fan of his work, and it just seems to be getting better and better.
My Dog Sighs and Snub23, Upfest, Bristol, July 2017
Snub23 has been to Upfest for the last three years now, and his geometric patterns are becoming more of a feature of his work. You may recall he created similar patterns on the side of the bus at Upfest 2016.
My Dog Sighs and Snub23, Upfest, Bristol, July 2017
This is an absolutely outstanding collaboration and one that will go down as a highlight of this year’s festival for many visitors, including myself.
On the hoardings in South Street Park, not far from the Miss Wah and Korp collaboration, was this exceptional piece by Hazard. I am not all that familiar with Hazard’s work, but she has been recognised by The Guardian as one of the top five female street artists in the UK, and you can see why.
Hazard, Upfest, Bristol, July 2017
Her pieces are often feature a female portrait with ornate hair ornamentation, and this is a really superb example of her work. It is interesting to see that she completed the portrait first and then went on to decorate the hair with scarves and feathers. The horns add another strange element to the whole thing.
Hazard, Upfest, Bristol, July 2017
I didn’t get a chance to meet her, but with any luck she will be back in Bristol before too long. I have a feeling, from reading her biography on her website, that she might live somewhere in the West of England, but that is just a hunch.
Collaborations are always fun to observe. Some take the form of two artists creating a seamless piece in the style of the pair, for example Nomad Clan, while others produce work incorporating their own styles that complement each other. This piece is a great example of the latter. What makes it more appealing is that both of the artists clearly got on and really seemed to enjoy working together.
Miss Wah and Korp, Upfest, Bristol, July 2017
The bunny figure in the centre of the piece is by Miss Wah, and the three worm-like creatures either side are by Korp. I would like to think that the two characters sandwiched in between are by both artists, but they have more of a Miss Wah feel to them.
Miss Wah and Korp, Upfest, Bristol, July 2017
The colours work very well together across the whole piece, and overall it has an upbeat feel to it. I’m not sure that they have collaborated since, but I’m sure they would both be up for it if the opportunity presented itself again.