Tag: Wheatpaste

432. Upfest 2016 (48)

C3 is a street artist I admire very much. The distinctive cut out pasteups C3 produces were very much in evidence at Upfest along the hotly contested spots of North Street. There wasn’t a biography of C3 in the Upfest programme, so I am not certain that the works were entirely official, which in my mind makes them all the better.

C3, Upfest, Bristol, July 2016
C3, Upfest, Bristol, July 2016

The work of C3 will often feature, as in this wheatpaste, a backdrop of newspaper, typically with an image of a woman in black ink and red hair. Instantly recognisable and each telling a story of love or heartbreak. Since seeing C3’s work in Bristol, I have photographed a whole lot more in Shoreditch, which I will share soon. Worth a quick squint at C3’s website too.

431. Upfest 2016 (47)

I know I have said it before and I will say it again. One of the real pleasures at Upfest 2016 was the huge number of wheatpastes that appeared overnight between the Saturday and the Sunday of the festival.

Face the Strange, Upfest, Bristol, July 2016
Face the Strange, Upfest, Bristol, July 2016

This was my first introduction to the crazy world of Face the Strange, a wheatpaster who creates characters with heads substituted for any manner of everyday objects. His pieces are witty and rather stylish – I like them. This works on several levels and the reproduction of naff flying ducks is very funny.

Face the Strange, Upfest, Bristol, July 2016
Face the Strange, Upfest, Bristol, July 2016

Face the Strange has a Facebook page, which is well worth a look. Since this first discovey, I have since found more of his work in Bristol from Upfest, and loads in Shoreditch and Camden Town. More to come from this prolific artist.

416. Upfest 2016 (43)

I like a bit of edge, and at This year’s upfest it was provided in small doses by the brilliant wheatpaster ‘What Have I Done Now’. I don’t know if he had a ‘feature piece’ or whether he had been invited to simply paste up his work wherever he felt like, but there was plenty of the latter on show.

What Have I Done Now, North Street, Upfest, Bristol, July 2016
What Have I Done Now, North Street, Upfest, Bristol, July 2016

This small Piece appeared on the corner of a large advertising hoarding, and as with so many of these things, many visitors to Upfest walked straight past it, probably focusing on finding the next art venue. A pity.

What Have I Done Now, North Street, Upfest, Bristol, July 2016
What Have I Done Now, North Street, Upfest, Bristol, July 2016

I liked What Have I Done Now’s biography in the Upfest programme, it reads:

‘When people ask me what kind of artist I am, I say political.As more often than not I’m responding to the machinery of control as it grinds us all up in its gears. I’m trying to remind folk we can simply refuse to stop applying the grease.‘

Good words, and great art work. More to come.

414. Upfest 2016 (41)

23Magpies is an artist I have admired for sometime now. Although she has already featured in one Upfest 2016 post already, her ‘official’ work, I couldn’t resist including some of her ‘extras’.

23Magpies, North Street, Upfest, Bristol, July 2016
23Magpies, North Street, Upfest, Bristol, July 2016

These extras are often left behind by street artists during a festival and wheatpastes in particular seem to appear all over the place. 23Magpies leaves these treats for people like me to find. Often she pastes them onto utility boxes and lamp posts.

23Magpies, North Street, Upfest, Bristol, July 2016
23Magpies, North Street, Upfest, Bristol, July 2016

Generally to get a good look and photograph one needs to stoop somewhat drawing strange glances from passers-by. Of course if you don’t look, you won’t see. Some will never see beyond their next text message.

23Magpies, North Street, Upfest, Bristol, July 2016
23Magpies, North Street, Upfest, Bristol, July 2016

23Magpies is known for her wildlife and environmental themes in her work and with this cat and mouse pair she doesn’t sdisappoint. More 23Magpies extras in a future post…I promise.

397. Charles Street (2)

I posted about this duo back in January this year, with a focus on the robin by the talented Aspire. At the time I didn’t know who had created the wheatpaste of a yellow telephone box with Marilyn Monroe in it. It was of course D7606…he even signed it!

D7606, Charles Street, Bristol, August 2016
D7606, Charles Street, Bristol, August 2016

Recently, the yellow telephone box has been replaced by an orange one and Monroe by Bowie, I am guessing that D7606 made this exchange during Upfest, as he was in Bristol doing his stuff during the festival.

D7606, Charles Street, Bristol, August 2016
D7606, Charles Street, Bristol, August 2016

Since becoming aware of D7606, and reading an excellent interview with him, I have really begun to enjoy his work, and with my weekly work trips to London, I encounter his treats all over the Shoreditch area. There is something fun about the repetition of themes that he pastes up, and he makes street art very accessible for wannabe graffiti artists (like me).

D7606, Charles Street, Bristol, August 2016
D7606, Charles Street, Bristol, August 2016

This is a wonderful vibrant, contemporary piece, and I love it. Aspire looking good as ever.

379. Moon Street (16)

One of the great things about Upfest is all the ‘extras’ that get left behind by artists who come over to Bristol for a few days. Hunting these down is all part of the fun for street rats. This is a wonderful set of three wheatpastes left by Din Din, whose ‘official’ stencil was utterly fantastic.

Din Din, Moon Street, Bristol, August 2016
Din Din, Moon Street, Bristol, August 2016

Here on the North side of town it is great to see some of Din Din’s work. Although it is already looking a bit scruffy, it is still a pleasure to see it. I am not too sure who the pictures are of other than they are heavily tattooed men, but I like them regardless. More of these ‘naughties’ to come.

374. Upfest 2016 (25)

Anyone who reads this blog regularly will know that I am particularly fond of wheatpastes. First it was Kid Crayon that got me interested and then 23 Magpies. More recently I have discovered the magic of Phoebe New York. Always there though, has been the work of D7606 a recent convert to the world of street art. Take time to read this excellent interview with D7606 by London Graffiti Interviews, in which he explains his name and describes his transition into wheatpasting.

D7606, North Street, Upfest, Bristol, July2016
D7606, North Street, Upfest, Bristol, July2016

When D7606 first pasted up this “Twiggy” post box, there was nothing else there, just a clean red box and his Twiggys. By the time I came to photograph it a day later, it was accompanied by no end of stickers…it would seem that a great many sticker enthusiasts enjoy the freedom that Upfest affords. You will spot also that some horns and glasses have been added to the left hand Twiggy.

D7606, North Street, Upfest, Bristol, July2016
D7606, North Street, Upfest, Bristol, July2016

I really like D7606’s work, and have spotted it all over the place so look out for more posts about him coming soon.

342. Upfest 2016 (1)

What a busy couple of days it has been – a lot of walking and looking at hundreds of new pieces in South Bristol. Many of the works created are temporary and will be removed after the festival, some have been allocated prime sites and will remain for at least a year, others have been surreptitiously slapped up in interesting places and will have variable lifespans.

Phoebe New York, Upfest 2016, Bristol, July 2016
Phoebe New York, Upfest 2016, Bristol, July 2016

I will start my posts of Upfest with some wonderful pasteups by Phoebe New York (aka artist Libby Schoettle). I was especially pleased to see her work here in Bristol as I have only recently become aware of her and how brilliantly refreshing she is. A simple idea really well executed.

Phoebe New York, Upfest 2016, Bristol, July 2016
Phoebe New York, Upfest 2016, Bristol, July 2016

I particularly like the edge of her work, both in the content and statements, but also in the locations she chooses. I am a fan, and I expect there are more than just these two examples from Upfest in Bristol. I will be hunting for more.

Phoebe New York, Upfest 2016, Bristol, July 2016
Phoebe New York, Upfest 2016, Bristol, July 2016

Upfest is a truly spectacular festival and I feel honoured as an adopted Bristolian that people have come from all over the world to participate over the last two days. There is still one more day to go, but it is a working day and I suspect things will be a lot quieter. I have no idea how I am going to post all the amazinf things I have seen this weekend – I’ll just have to see how it goes.

270. Stokes Croft, Canteen (3)

It is high time that I posted another fabulous wheatpaste by Tian from his recent tour of Bristol and the UK. I think that this might be my favourite of the lot. The figure is, I am sure, a very famous image, but regrettably my classical education was so very long ago and although I am familiar with the image, I don’t know who it is. Actually…on second inspection it looks a lot like Elizabeth Taylor (Cleopatra?).

Tian, Stokes Croft, Bristol, April 2016
Tian, Stokes Croft, Bristol, April 2016

Tian certainly brightened up the Stokes Croft area with his paste ups back in April 2016 and some of them are still there for all to see. Some though have been tagged, and others removed.

Tian, Stokes Croft, Bristol, April 2016
Tian, Stokes Croft, Bristol, April 2016

I rather hope Tian returns soon for another tour, he provided something very different for us to enjoy.

243. Moon Street (12)

Another wonderful pasteup from the recent visit by Tian. Again he has taken a still (a promotional shot?) from a film, which I haven’t been able to identify yet (any ideas?) and turned it into a monochrome stunner.

Tian, Moon Street, Bristol, April 2016
Tian, Moon Street, Bristol, April 2016

As always, location is key to a wheatpaster’s  art, and this is no exception, it looks splendid amongst all the other posters on this wall. The council worker ripped off loads of posters, but thankfully left this Tian piece in situ. It was still there yesterday.

Tian, Moon Street, Bristol, April 2016
Tian, Moon Street, Bristol, April 2016