She waits patiently
cryptic, uncompromising,
her trap fully primed.
by Scooj
She waits patiently
cryptic, uncompromising,
her trap fully primed.
by Scooj
Well several of these beautiful stencils by Kin Dose appeared sometime between Saturday evening and Sunday morning, each sprayed on a utility box. This one of a hare I think from recollection is opposite the Louis Masai piece.

I think that this is a very clever stencil, because of the thought that has gone into the background swirls which really help to highlight the subject so well. Kin Dose only occasionally takes to the streets, but when he does he excels every time. A perfect ‘unofficial’ Upfest piece. More to follow.
To kick of the third set of ten posts from Upfest 2018 is this magnificent piece by the brilliant artist Annatomix. I have seen a few of her pieces and I have to say the more I see of them, the more I like them.

This piece was on a new wall for 2018, which it suited perfectly, in a little garden space behind an arched gateway on North Street. I wrote a haiku about this gateway some time ago.

I managed to have a quick chat with Annatomix during one of the several showers on the Saturday, and I think she was worried about getting behind schedule with the piece. It was such a pity that it rained during Upfest, especially as it was in the middle of a heatwave.

The choice of subject, a kingfisher, and the stunning colours – thanks largely to the kingfisher itself – was absolutely perfect for this space. Her origami style of painting is so clever and really attractive – a kind of abstract take on wildlife.

I think it would be nice to keep this as a permanent wall, but I don’t know it that is likely to happen – best to enjoy it while it is there I guess. Bravo Annatomix – one of the festival highlights.
I have seen a few pieces by Bristol artist J. West around the place and posted two or three of them on this blog in the past. He is an animator turned artist and much of his inspiration has come from a spell working at Bristol Zoo Gardens and from David Attenborough TV shows.

I haven’t seen too much of his work, but that which I have seen appears to be bilaterally symmetrical and this Upfest piece is no different. I am sorry that I didn’t stop to talk to him because I think we probably share inspirations, but he looked pretty busy, and it is never easy chatting to people with a mask on.

I will keep looking out for his distinct style of work, but for me, this piece I think is my favourite that I have seen so far.
fluffy, scruffy ball
in uncertain surroundings;
young bird forages.
by Scooj
Unbothered by my
hanging, dragonfly alights
on the whiligig.
by Scooj
I have a feeling that this piece was stencilled by John D’oh during last year’s Upfest, but because it is on a shutter, I just haven’t seen it as I’m not usually in Bedminster outside normal working hours. For those not familiar with David Attenborough (is there anyone on this blue planet?) the phrase used by John D’oh is an affectionate ribbing of one of Attenborough’s much used phrases, spoken in whispered tones.

The stencil is very typical of John D’oh’s work, although in this instance devoid of politics. There is something a little unfortunate about the monkey in the top right glancing down at Attenborough – his face appears to be a graffiti cock and bals, which is what I hought it was the first time I saw it. I’m not sure if this is deliberate or not, but once pointed ut it is difficult not to see it (sorry). Nice work again from John D’oh.
Rising from the stream
graceful fluterer settles;
an angel in blue.
by Scooj
A miracle of
convergent evolution;
hummingbird hawk moth.
by Scooj
.
Biohazard stripes
advertising toxic taste
on ragwort flowers.
.
by Scooj