7786. M32 Cycle path (318)

Werm, M32 Cycle path, Bristol, April 2026
Werm, M32 Cycle path, Bristol, April 2026

It feels like I have posted a lot of pieces by Werm recently, probably because I have. This is another in a sequence of high quality and original pieces of graffiti writing the artist is producing with great regularity and panache.

Werm, M32 Cycle path, Bristol, April 2026
Werm, M32 Cycle path, Bristol, April 2026

The symmetry, while there, is less strict than in other pieces, with the ‘W’ and ‘M’ being opposite ways up and the ‘E’ and ‘R’, being readable. The overall shape however is symmetrical. Three central colours dominate, orange, green and light blue, although the latter is a little lost alongside its stronger neighbours, which unbalances the piece a little. Some nice squiggles break up the solid fills enough to add variety, without being over-fussy. Another very nice piece by Werm.

7779. Sparke Evans Park (157)

Werm, Sparke Evans Park, Bristol, June 2026
Werm, Sparke Evans Park, Bristol, June 2026

Just when you think you have seen all the improvements and variations Werm can make with his letters, he comes up with an original piece like this one. Spelling out the letters WERM, the piece is almost (but not quite) perfectly symmetrical.

Werm, Sparke Evans Park, Bristol, June 2026
Werm, Sparke Evans Park, Bristol, June 2026

The thick letters are filled with blues and oranges, with a pink and purple puffy background… not a combination of colours that should work in my mind, but somehow it works really well and draws the eye. I think that this piece really demonstrated that Werm keeps pushing boundaries and developing his style. Never a dull moment.

7754. L Dub (90)

Werm, L Dub, Bristol, June 2026
Werm, L Dub, Bristol, June 2026

Werm continues to turn out outstanding pieces of graffiti writing, and has dropped into a steady rhythm of creating calm technically accomplished pieces. A few years back he used to create very busy, highly complex pieces that were almost overwhelming, but his work these days is much more assured, and it feels like he has nothing to prove any more.

Werm, L Dub, Bristol, June 2026
Werm, L Dub, Bristol, June 2026

The colour selection in this piece, grey, pink and green, while a little unusual, seems to work really well. As expected, there is a bilateral symmetry to the letters WERM that is very easy on the eye, and the starbursts at key points across the piece add a touch. A classy piece from Werm at Lawrence Weston.

7741. Cumberland Basin

Werm, Cumberland Basin, Bristol, May 2026
Werm, Cumberland Basin, Bristol, May 2026

Werm is going through something of a purple patch lately, and I am really enjoying his ‘next level’ pieces. As his style develops and evolves he is growing in confidence and technical ability. I think that he is also discovering that sometimes less is more, and that clarity of presentation pretty much trumps all else.

Werm, Cumberland Basin, Bristol, May 2026
Werm, Cumberland Basin, Bristol, May 2026

In this piece of graffiti writing, Werm has written his name into a kind of symmetrical diamond shape, partially framed on a light blue rectangle. The red colour stands out nicely on the turquoise background. A neat and tidy piece that shows off Werm’s talent well.

7735. M32 roundabout J3 (781)

ARSA, M32 roundabout, Bristol, May 2026
ARSA, M32 roundabout, Bristol, May 2026

Another strong and reliable piece from ARSA. His symmetrical blocky letters present as very solid and confident both structurally and also in the manner of their impact. You can spot an ARSA piece from a mile away, due to the distinctive style.

ARSA, M32 roundabout, Bristol, May 2026
ARSA, M32 roundabout, Bristol, May 2026

The colour fills in the ARSA letters follow a regime, but are not uniform, which is quite unusual for the artist – perhaps he is loosening up? The piece is set on a silhouetted urban landscape and was part of a larger paint jam.

7681. Dean Lane skate park (925)

Trafficity, Dean Lane, Bristol, May 2026
Trafficity, Dean Lane, Bristol, May 2026

Mr consistency, that is the name of the game for Trafficity. He produces his complicated ZIOS letters time and again to his tried and tested formula. Quite how he is able to replicate this with such accuracy in so many spots is beyond admirable.

Trafficity, Dean Lane, Bristol, May 2026
Trafficity, Dean Lane, Bristol, May 2026

There is a lovely symmetry about his work, which usually incorporates three horizontal colour fills, as in this piece. He has a wonderful skill for blending simplicity with complexity. Always great work.

7676. Sparke Evans Park (151)

Arsa, Sparke Evans Park, Bristol, April 2026
Arsa, Sparke Evans Park, Bristol, April 2026

The style, which is instantly recognisable, and the letters ARSA combine to tell us who this attractive piece is by. There is a lot of precision in the piece, aided by the mortar lines on the surface of the brick wall.

Arsa, Sparke Evans Park, Bristol, April 2026
Arsa, Sparke Evans Park, Bristol, April 2026

The letters are filled with a camouflage colour palette and patterned in an unblended fashion. There is a nice drop shadow and red border, but the signature element in Arsa’s work is the symmetrical presentation, which works really well. Distinctive and pretty cool.

7572. Cumberland Basin

Werm, Cumberland Basin, Bristol, March 2026
Werm, Cumberland Basin, Bristol, March 2026

It feels like Werm has stepped up a level recently. His work has always been technically sound, and he has always been up for adjusting his style from time to time, but there is something about his presentation and confidence that has gone up a level.

Werm, Cumberland Basin, Bristol, March 2026
Werm, Cumberland Basin, Bristol, March 2026

This is a super piece, which looks on the surface to be a ‘simple’ piece, probably because of it’s clean and tidy appearance. It takes a huge amount of talent and experience to create a piece like this. The symmetry of the letters is very well worked, and the seamless wavy pattern of fills, appears effortless, but is really tricky. There is a nice stripy drop shadow, and a touch of green decoration around the outside. The piece looks extra excellent because it is painted on a cleanly buffed wall. Really great stuff here from Werm.

7520. River Avon (114)

Werm, River Avon, Bristol, February 2026
Werm, River Avon, Bristol, February 2026

Werm has been on fire this year, turning out a variety of tight pieces, each with a slightly different look. This piece brings us back to his favoured structural letter style with a solid bilateral symmetry.

Werm, River Avon, Bristol, February 2026
Werm, River Avon, Bristol, February 2026

What makes this one stand out for me is the superb colour selection and freshness of the piece. Everything is near perfect. The letters are beautifully proportioned. The turquoise fill with its contiguous pattern of blue circles joined with lines has a molecular model feel to it, and is simply amazing. The red border is regular and clean and the piece sits on a beige buffed wall with superb red bricks randomly distributed. A very classy piece from Werm.

7499. Dean Lane skate park (905)

Werm, Dean Lane, Bristol, February 2026
Werm, Dean Lane, Bristol, February 2026

What a superb piece from Werm in the Deaner. The symmetry created from the letters WERM is excellent, and something Werm plays with a lot in his work. This might be the tightest one yet. The brownish fill is in two tones and is best described as a chocolate mousse look – regulars will know that I am not fond of brown, but I’ll let it go in this instance.

Werm, Dean Lane, Bristol, February 2026
Werm, Dean Lane, Bristol, February 2026

The deep drop shadow veering to the left provides depth and the light blue background plenty of contrast, bit devices lifting the letters nicely. The red border creates a nice boundary between the letters and background, and I like the ‘cloud’ detail in the blue background. This is an interesting piece that deserves a while to enjoy it.