Tag: Wildstyle

1427. Dean Lane skate park (117)

Ugar is a promising young artist, originally from Budapest but now living in Bristol, whose unique style of writing is getting better and better. It is the organic nature of his letters and the kind of marbelling effect he uses to fill them that stands out in his work.

Ugar, Dean Lane, Bristol, April 2018
Ugar, Dean Lane, Bristol, April 2018

This piece , which is really rather beautiful, is on the curved wall at Dean Lane and has been well prepped and uses the wall to its full potential – not all work here is afforded the same thoughtful approach. I am enjoying watching Ugar develop.

1420. Old Bread Street (12)

This is one from the archive that I can release, because I recently posted my first work from Amoe which he sprayed at the M32 roundabout. The reason it took me so long to identify thisartist is that he is only an occasional visitor from Cardiff, and my knowledge of artists is pretty much confined to Bristol.

Amoe, Old Bread Street, Bristol, March 2016
Amoe, Old Bread Street, Bristol, March 2016

There is something very forgiving about his writing style, the curves create a softness that is very easy on the eye. Some writing can be much more challenging than this. It feels good to liberate this picture after a little over two years. The wall however has not fared so well and there is now only a small stretch of hoarding left at this spot.

Amoe, M32, Bristol, March 2018
Amoe, M32, Bristol, March 2018

1390. M32 roundabout J3 (70)

A few weeks back there was a bit of an informal paint jam at the M32, with artists from Swansea, Cardiff, Tiverton and Taunton all represented. I managed to be there at the right time and photograph the artists at work. The interesting thing for me was that most of these artists/graff writers were completely new to me.

Amoe, M32, Bristol, February 2018
Amoe, M32, Bristol, February 2018

This is a lovely piece by Karm Amoe from Cardiff. He has a website, but it doesn’t say too much and appears to be incomplete, so I really don’t have too much information on the artist.

Amoe, M32, Bristol, March 2018
Amoe, M32, Bristol, March 2018

There is something very pleasing about the form of his letters, and the colours he has selected are outstanding. The swirly pattern at the base of the piece and white at the top adds some real class. Nice to be able to see something new (to me).

1383. Dean Lane skate park (114)

Back to the more recent stuff now. I am not used to seeing writing from NEVERGIVEUP, who is better known for his bunnies and monsters, so this one in Dean Lane comes as a bit of a surprise.

NEVERGIVEUP, Dean Lane, Bristol, March 2018
NEVERGIVEUP, Dean Lane, Bristol, March 2018

I can’t really make out what the letters say, probably because I haven’t seen much of his writing before and the style is typically unique. He does like to do things his way and is fast establishing himself into the Bristol street art scene.

1381. Co-Operation Road

I took this picture on election day a couple of years back. The result of this photograph was great, the election result rather less so. I remember it was a gorgeous day, and I had been tipped-off about a whole load of great street art in Devon Road, Easton. I was not disappointed. Then at the top of the road was this beautiful wall piece by Deamze. A really classy piece it is too.

Deamze, Co-Operation Road, Bristol, May 2016
Deamze, Co-Operation Road, Bristol, May 2016

I haven’t been back there for a while now, and don’t know if this is still there. I guess I ought to get myself over to Easton soon to take a look. Deamze at his creative best.

1373. Roman Road

In the depths of Easton is this Deamze piece on a cafe wall. I have known about it for some time, but parking in this particular spot is utterly impossible, and it is onluy recently that I have been able to do so and grab a couple of pics. Unfortunately, and because of the parking issues in the area, there is a car obscuring the wall.

Deamze, Roman Road, Bristol, March 2018
Deamze, Roman Road, Bristol, March 2018

I have a feeling this piece has been around for a while, but I still thought I’d post it. It reminds me of the craze for colouring books, as it appears to be unfinished, however i can assure you it is complete. I love the character, but am not sure who it is. There is a tribute to Dom, which dates it to within the last 18 months or so. Always a pleasure to find pieces off the beaten track.

1357. Dean Lane skate park (112)

I always like finding Elvs pieces, there is something about how intricate and so very clean about them. Fantastic detailing and sharpness that so many pieces I see every day just don’t have. One of the features that helps his work stand out, is that his vanishing point for the shaded edges of the letters is somewhere in the middle of the piece, whereas much of the writing you see has a vanishing point to one side or the other. Small thing I know, but these things help give artists their uniqueness.

Elvs, Dean Lane skate park, Bristol, March 2018
Elvs, Dean Lane skate park, Bristol, March 2018

As ever his lettering is outstanding and the colours really stand out on the blue background. I get the impression that his work probabkly takes quite some time to do, no sign of a quick throw up mentality here. I have not yet med Elvs, but would sure like to se him at work.

1345. Raleigh Road, vector (22)

Yet another piece from my archive – I have to say that I rather like posting things sometime after I captured them, it somehow adds to the legacy element of what I do. This is a fine piece of wildstyle writing from Dibz on the hoardings that will very soon be coming down.

Dibz, Raleigh Road, Bristol, July 2017
Dibz, Raleigh Road, Bristol, July 2017

Dibz’ complex pieces are characterised by a deep shadow lifting the piece out from the wall and giving it a bit of body. His Instagram account is well worth a squint to see pictures of his latest sketches in his black book. A great Bristol graffiti writer.

1343. The Black Swan

I have driven past this piece by Deamze many, many times, but never been able to stop and photograph it. At last I managed to do just that, but in the meantime I think the piece has faded a little. It has been exposed to the elements and has suffered from being on the kerbside of a busy street.

Deamze, The Black Swan, Bristol, February 2018
Deamze, The Black Swan, Bristol, February 2018

The piece is outside the Black Swan in Stapleton Road and is a bit of a landmark. Here we find then trademark character and writing work so typical of the endless skill of this artist. I’m not too sure who the character is, but something from the depths of my memory is saying ‘wally gator’. Of course the mind is a fickle beast and I may have this completely wrong. A nice piece.

1332. M32 Spot (14)

What a nice surprise this was. I had been told there were some new pieces down by the M32, but nobody had said there was a new SkyHigh piece and that it was really good. I have featured SkyHigh a few times in this blog, posting pieces in Bristol and in London, but I think that this is my favourite so far.

SkyHigh, M32 Spot, Bristol, February 2018
SkyHigh, M32 Spot, Bristol, February 2018

He spacialises in combining different designed letter block fonts spelling out the word SKYHIGH, and as a whole it becomes an interesting form of wildstyle writing. It is not so much cryptic as it is creative and technically attractive.i love this piece and I think the colour scheme works perfectly in this site. Top marks.