Back to the more recent stuff now. I am not used to seeing writing from NEVERGIVEUP, who is better known for his bunnies and monsters, so this one in Dean Lane comes as a bit of a surprise.
I can’t really make out what the letters say, probably because I haven’t seen much of his writing before and the style is typically unique. He does like to do things his way and is fast establishing himself into the Bristol street art scene.
I took this picture on election day a couple of years back. The result of this photograph was great, the election result rather less so. I remember it was a gorgeous day, and I had been tipped-off about a whole load of great street art in Devon Road, Easton. I was not disappointed. Then at the top of the road was this beautiful wall piece by Deamze. A really classy piece it is too.
I haven’t been back there for a while now, and don’t know if this is still there. I guess I ought to get myself over to Easton soon to take a look. Deamze at his creative best.
In the depths of Easton is this Deamze piece on a cafe wall. I have known about it for some time, but parking in this particular spot is utterly impossible, and it is onluy recently that I have been able to do so and grab a couple of pics. Unfortunately, and because of the parking issues in the area, there is a car obscuring the wall.
I have a feeling this piece has been around for a while, but I still thought I’d post it. It reminds me of the craze for colouring books, as it appears to be unfinished, however i can assure you it is complete. I love the character, but am not sure who it is. There is a tribute to Dom, which dates it to within the last 18 months or so. Always a pleasure to find pieces off the beaten track.
I always like finding Elvs pieces, there is something about how intricate and so very clean about them. Fantastic detailing and sharpness that so many pieces I see every day just don’t have. One of the features that helps his work stand out, is that his vanishing point for the shaded edges of the letters is somewhere in the middle of the piece, whereas much of the writing you see has a vanishing point to one side or the other. Small thing I know, but these things help give artists their uniqueness.
As ever his lettering is outstanding and the colours really stand out on the blue background. I get the impression that his work probabkly takes quite some time to do, no sign of a quick throw up mentality here. I have not yet med Elvs, but would sure like to se him at work.
Yet another piece from my archive – I have to say that I rather like posting things sometime after I captured them, it somehow adds to the legacy element of what I do. This is a fine piece of wildstyle writing from Dibz on the hoardings that will very soon be coming down.
Dibz’ complex pieces are characterised by a deep shadow lifting the piece out from the wall and giving it a bit of body. His Instagram account is well worth a squint to see pictures of his latest sketches in his black book. A great Bristol graffiti writer.
I have driven past this piece by Deamze many, many times, but never been able to stop and photograph it. At last I managed to do just that, but in the meantime I think the piece has faded a little. It has been exposed to the elements and has suffered from being on the kerbside of a busy street.
The piece is outside the Black Swan in Stapleton Road and is a bit of a landmark. Here we find then trademark character and writing work so typical of the endless skill of this artist. I’m not too sure who the character is, but something from the depths of my memory is saying ‘wally gator’. Of course the mind is a fickle beast and I may have this completely wrong. A nice piece.
What a nice surprise this was. I had been told there were some new pieces down by the M32, but nobody had said there was a new SkyHigh piece and that it was really good. I have featured SkyHigh a few times in this blog, posting pieces in Bristol and in London, but I think that this is my favourite so far.
He spacialises in combining different designed letter block fonts spelling out the word SKYHIGH, and as a whole it becomes an interesting form of wildstyle writing. It is not so much cryptic as it is creative and technically attractive.i love this piece and I think the colour scheme works perfectly in this site. Top marks.
I don’t visit this spot very often as it is slightly out of the way and I need to find time to get there, park up etc in my very busy family schedule. Often I find that going to the recycling centre (tip) is a good excuse for taking a bit of time out, but on this occasion my wife had to do some shopping locally and offered to drop me off…never one to pass up an opportunity I accepted the offer.
Lucky that I took a look, because I found this rather nice pairing of Whyasyit and Kleiner Shames who used to spray a lot together until KS moved to London a little over a year ago. Both artists have such unique styles which once you get your eye in are easy to identify.
I like it when two or more artists use common colours and background and do their thing. Kleiner shames always write FOIS, and for a long time I thought it was the artist’s name…early posts refer to him as Fois. His lines ans designs have what I would call an ’80s deco feel about them (I know what I mean by this, but you might not).
Whysayit seems to be forever busy on the streets writing YSAE with similar ‘handwriting’ but always with creative and imaginative backgrounds and fills. Two great writers who work well together.
There is a reliable consistency about the work of Soker. Always high quality and always delivered with some panache. In this piece of writing e has opted for a chrome finish on a wall background. The chrome complements the Rusk piece next to it.
There is a big thing for chrome writing, and it seems to be the colour of choice for many graffiti writers, I guess because of the impact it has. If I am honest, I’n not too sure about it, I feel it is a little over-used to achieve impacts, however what it lacks in subtlety it makes up for in clout. A nice piece of writing.
Well, well, well. This is a sensational piece of writing by Epok which was sprayed at the same time as the Sepr pianist. Two great artists painting together but not a collaboration. The modern phrase that comes to mind when I look at this is ‘he’s smashed it’.
With some references to the modernist movement, this piece is technically brilliant, bringing together elements of writing, shading, colour selection and mood that have created a master work.
Anyone with aspirations of becoming a writer should take a long hard look at this piece. It would be worthy of hanging in any gallery. Perhaps you have noticed that I like it…a lot.
Natural adventures 