6007. M32 roundabout J3 (572)

Hypo, M32 roundabout, Bristol, April 2024
Hypo, M32 roundabout, Bristol, April 2024

I have enjoyed immensely the vigour with which Hypo has upped his game over the last year or two, both in terms of the quality and quantity of his painting. Sticking with his HYPO letters, he has come up with a sequence of colourful and strong designs of which this is one of his more recent.

Hypo, M32 roundabout, Bristol, April 2024
Hypo, M32 roundabout, Bristol, April 2024

Unfortunately I captured this piece on a late sunny afternoon, and there is a bit of glare, but it doesn’t hide the excellence of the artwork. The colour palette is really good and the transitions through greens to yellows and oranges and blue are really well done. some spots are added for decoration, but it is the overall design of the letters and the clean finishing that I am particularly attracted to in this piece. Great work from Hypo.

6006. Greenbank (115)

SkyHigh, Greenbank, Bristol, April 2024
SkyHigh, Greenbank, Bristol, April 2024

We are lucky that SkyHigh and Roo appear to have a strong association with Bristol – I believe that they have family here. This is good, because every time they come to visit, they drop a couple of pieces, which mixes things up nicely.

SkyHigh, Greenbank, Bristol, April 2024
SkyHigh, Greenbank, Bristol, April 2024

This is a beauty from SkyHigh in which he has spelled out his name with several optional variations in how you choose to read it. The block letters, each in a different font/style, have loads of depth to them and are displayed in different orientations creating a kind of 3D collage effect. The tried and trusted pink and blue combination is a winner, and is augmented with some splashes of yellow in the form of smiley ‘stickers’. Tidy.

6005. Frome Side (33)

Mudra, Frome Side, Bristol, April 2024
Mudra, Frome Side, Bristol, April 2024

It feels like only a matter of months but is actually more than three and a half years since I first encountered Mudra’s work, and over that time it has improved immeasurably from the small character-based pieces to complex pieces of writing/character combinations.

Mudra, Frome Side, Bristol, April 2024
Mudra, Frome Side, Bristol, April 2024

This piece underneath the M32 reminds me a little of Minto’s work, with its combinations. The colours red and green work well together and rather contradict the fashion industry maxim that ‘red and green should never be seen’. The letters are quite fancy and the face in the centre of the piece a little odd. Overall though, this is a nice piece that shows how the artist is constantly stretching himself.

6001. Frome Side (32)

Logoe, Frome Side, Bristol, April 2024
Logoe, Frome Side, Bristol, April 2024

When Logoe comes to Bristol from Wales where he lives, he tends to paint in the Eastville spots, so I imagine that he has friends who he can stay with in the area. This piece from a recent visit was painted underneath the M32 motorway, a spot that I don’t visit all that often because it is quite tricky to do with the dog.

Logoe, Frome Side, Bristol, April 2024
Logoe, Frome Side, Bristol, April 2024

This piece, which has not photographed very well because of the light conditions, follows the classic Logoe formula. Some decent script writing, nicely filled and bordered, set on a contrasting background and sprinkled with oval spots. I think that brighter colours might have suited the spot better, but remains a fine piece of graffiti writing.

5999. Dean Lane skate park (712)

Dibz and Fade, Dean Lane, Bristol, April 2024
Dibz and Fade, Dean Lane, Bristol, April 2024

The machine that is Dibz and Fade continues to produce outstanding collaborations, and this one in Dean Lane is a cracker. The Dark Knight is a popular icon for street artists, and Dibz and Fade have gone with the darker variant of the caped crusader, unlike the comedic, lighter cartoonish options they might have gone with

Dibz and Fade, Dean Lane, Bristol, April 2024
Dibz and Fade, Dean Lane, Bristol, April 2024

When I asked Fade how I should attribute the artwork in their pieces, he suggested that where the lines become blurred, just label them Dibz and Fade. The writing is attributable, with Fade on the left and Dibz on the right, but the rest of the work is collaborative. A well-thought-out piece, tidily presented – what else would you expect?

5997. M32 roundabout J3 (571)

Logoe, M32 roundabout, Bristol, April 2024
Logoe, M32 roundabout, Bristol, April 2024

A little while back, Logoe hit town again with another rash of wonderful script writing. This time, I wasn’t so quick to get all the pieces, and they tend not to last too long – perhaps a feature of the spots he chooses, but this one I did snap up, and it is a bit of a beauty.

Logoe, M32 roundabout, Bristol, April 2024
Logoe, M32 roundabout, Bristol, April 2024

Once again, Logoe has written his name in a script style, although this time the letters are a little plumper and kinder than usual. There is a bit of a drip thing going on, which is always good to see, and the colour transition from green to yellow is nicely worked. The piece is finished off with the customary sprinkling of oval spots running through the middle. An eye-catching piece of graffiti writing.

5995. M32 roundabout J3 (570)

Kosc, M32 roundabout, Bristol, April 2024
Kosc, M32 roundabout, Bristol, April 2024

I feel that I have almost exhausted superlatives when describing Kosc’s work, and this piece leaves me scratching around for something to say that isn’t already clichéd in some way. How about this: Kosc is a great artist who has painted a fascinating and touching tribute to the American cartoon artist and graffiti-world favourite Vaughn Bode.

Kosc, M32 roundabout, Bristol, April 2024
Kosc, M32 roundabout, Bristol, April 2024

The writing alone is worthy of praise, but it is the Cheech Wizard and Lizard characters that augment the letters so well and bring the whole piece alive and straight into the crazy world of Vaughn Bode. Kosc is on a roll and just seems to get better and better, and this is a truly masterful piece.

5994. St Werburghs tunnel (421)

Mr Klue, St Werburghs, Bristol, April 2024
Mr Klue, St Werburghs, Bristol, April 2024

Ooh, I like this rhapsody in pink and yellow from Mr Klue very much. There is a wonderful balance in the piece, which can’t necessarily be said of all his work, but here he has absolutely nailed it. Mr Klue’s abstract style is best described as being ephemeral, like a wisp of smoke that might disappear at any moment.

Mr Klue, St Werburghs, Bristol, April 2024
Mr Klue, St Werburghs, Bristol, April 2024

After the winter slumber, Mr Klue is once again dominating in the tunnel, which is no mean feat, as there are still many very strong pieces there from Ryder’s paint jam at the end of March. I would normally expect the letters here to spell out KLUE, but if I am really honest I cannot pick them out, and wonder if it might read something else. Whatever the letters, this is yet another wonderful piece from the quiet and modest Mr Klue.

5992. Brunel Way (271)

Pura Decadencia, Brunel Way, Bristol, April 2024
Pura Decadencia, Brunel Way, Bristol, April 2024

Although she doesn’t paint walls all that often, Pura Decadencia nearly always makes an impact when she does. Her unique bubble writing style combined with vampire teeth sinking into letters and long tongues makes her work instantly easy to spot.

Pura Decadencia, Brunel Way, Bristol, April 2024
Pura Decadencia, Brunel Way, Bristol, April 2024

Pura Decadencia’s work is most endearing; despite the potentially gruesome theme and blood drops, there is something that is gently and warming about her work. Perhaps it is the bubble letters, or the bubbly background, I don’t know, but the bitter-sweet presentation works very well indeed. Nice work.

5989. Cumberland Basin

Minto, Cumberlan Basin, Bristol, April 2024
Minto, Cumberlan Basin, Bristol, April 2024

The return of Minto to Bristol has, without doubt, been a highlight of the last six months as his unique graffiti writing style has significantly impacted on the already wide spectrum of styles on offer. Although Minto doesn’t follow a fixed formula, there is a lot that is distinctive about his work, in particular, it is often vertically quite compressed.

Minto, Cumberlan Basin, Bristol, April 2024
Minto, Cumberlan Basin, Bristol, April 2024

This dazzlingly colourful piece seems to have a trainer theme going on, with at least three trainers depicted in the MINTO lettering. There are also a couple of characters peering over the top of the letters, something that Minto builds into much of his work. This is a fine example of his work and an outstanding piece.