1871. St Werburghs tunnel (53)

It is often the way with photographing street art that you can go for long periods without seeing anything from an artist, and then all of a sudden a rush of pieces all come along at once. This has as much to do with the habits of the viewer (me) as it does with the painter.

Rusk, St Werburghs, Bristol, November 2018
Rusk, St Werburghs, Bristol, November 2018

This is a fine piece in the middle of the tunnel at St Werburghs by Rusk from RAW (Read and Weep). Unfortunately the colours are dulled by the orange lighting in the tunnel, but you can see the metallic sheen on the writing, cleverly enhanced with the white accent dots. In case you haven’t worked it out, the letters spell RUSK. Two things I like here…the first is the piece hanging above by Corupt and the second is the Read and Weep label on the right hand side. Rusk rarely disappoints.

1869. M32 roundabout J3 (107)

Sometimes words aren’t really enough to describe how good a piece of graffiti writing is, and this is a case in point. This is Deamze’s contribution to the recent paint jam by ASK and friends on the M32 roundabout, and it really leaves me speechless.

Deamze, M32 roundabout, Bristol, November 2018
Deamze, M32 roundabout, Bristol, November 2018

There is so much to like about this piece over and above the technical execution, for example the exquisite colour selections that match the other works on this wall, but not only that, the way Deamze uses the colours, especially the greens, lifts the piece from the wall. The leafy design within his letters is also really beautiful. In all this is a masterful piece.

1866. M32 roundabout J3 (106)

Consistency. A word that comes to mind when I think about graffiti writing by Soker. His work is always immaculate, beautifully conceived and generally just brilliant in every way.

Soker, M32 roundabout, Bristol, November 2018
Soker, M32 roundabout, Bristol, November 2018

This piece is the third that I have posted from this magnificent paint jam earlier in the month, featuring mainly artists from ASK plus one or two guests…more on them later. The crew have really raised the bar this time.

1864. Star and Garter (1)

I have known this spot for a long while now, and have visited it a couple of times in the past, but there hasn’t been much that I have been able to get my teeth in to…that is until now. This is a really fabulous piece of writing from PWA’s Soap. Great design, vibrant colours and lovely crisp lines.

Soap, Star and Garter, Bristol, November 2018
Soap, Star and Garter, Bristol, November 2018

I particularly like the way the colours bleed out of the top right hand side in smokey clouds – a clever effect. PWA (Pirate Wall Art) have really been showing the way over the last six months or so, and are a dominant force in the Bristol street art scene. Great spot, great work from Soap.

1863. New Stadium Road (10)

Back in one of his favourite spots, Deamze is at it again with one of his wildstyle writing plus cartoon combos.On this occasion no amount of research is going to help me identify the cartoon character. It is one of those that you either know or you don’t.

Deamze, New Stadium Road, Bristol, October 2018
Deamze, New Stadium Road, Bristol, October 2018

These pieces seem to come so easily to Deamze, and yet I’m sure there is a lot of hard work that goes into producing each one, especially as his lines are so sharp and precise. I wonder if after so much practice Deamze can simply freestyle these or whether he follows a plan – as I’ve not yet met him (I think we have different biological clocks) I’ve never been able to ask him. One day maybe.

1860. M32 roundabout J3 (103)

Hemper is something of an enigma, as indeed are so many street artists in Bristol. Other than that he has long experience spraying in the city and that he is highly regarded by his peers, I really know very little about him.

Hemper, M32 roundabout, Bristol, November 2018
Hemper, M32 roundabout, Bristol, November 2018

This is a wonderfully sophisticated piece of wildstyle writing that disguises the letters HEMS, each of the letters in alternate white or black paint. The interlocking of the letters is something of a marvel, and just looking at the piece makes my mind boggle. It really is very good.

Hemper, M32 roundabout, Bristol, November 2018
Hemper, M32 roundabout, Bristol, November 2018

I particularly like the little green spheres that set the whole thing off, and feel that without them it might have looked a little sterile. This is the second piece I have posted from a recent paint jam at this spot.

1843. Upfest 2018 (84)

I think I might have said this last year, but somehow Upfest wouldn’t feel like Upfest without a presence from Cheo. One of Bristol’s most established graffiti writers and character street artists, his work is always of the highest quality. Judging from his Instagram account, I think he prepares these pictures on his computer and then recreates scaled up versions, which lends itself to his very clean style with solid fills.

Cheo, Upfest, Bristol, October 2018
Cheo, Upfest, Bristol, October 2018

I have seen these characters a few times before. I never quite know what they are, frogs? toothless crocs? monsters? your guess is as good as mine. The writing has a feel of Japanese script to it and from time to time Cheo uses this. I really don’t know what it says, but would guess at CHEO, although I can’t see it myself. He finishes the whole thing off, of course, with one of his signature bees. All good.

1839. The Bearpit (168)

Mr Draws is not being quite as busy on the streets these days, so it was a welcome surprise to come across this recent piece in The Bearpit on my way in to work, especially as Bristol City Council are making it very difficult for anyone to do anything beautiful in The Bearpit at the moment.

Mr Draws, The Bearpit, Bristol, October 2018
Mr Draws, The Bearpit, Bristol, October 2018

This piece just screams out ‘doughnuts’ to me…I’m not sure if it is meant to, but it does. It is alwats great to see these happy pieces by Mr Draws, whose colourful works definitely brighten up the place.

1837. Waterloo Place (4)

Deamze comes up trumps again with this spectacular piece of wildstyle writing that was sprayed next to the piece by Kleiner Shames I posted a little while back on the wall at the back of the Sofa Project. This wall is just magnificent and both artists have used the same colour schemes but presented their personal styles, so strictly speaking this was working at the same time together, but not necessarily a collaboration.

Deamze, Waterloo Place, Bristol, October 2018
Deamze, Waterloo Place, Bristol, October 2018

Unusually, this is a piece without a cartoon character and has a little more gravitas for it. It almost feels more like a study…a serious piece of graffiti writing turned out impeccably with crisp lines and clean edges, strong solid fills and complex design. Even if not a fan of writing, one can marvel at the technical ability of the artist. I love this and its partner piece. Brilliant.

Kleiner Shames, Waterloo Place, Bristol, October 2018
Kleiner Shames, Waterloo Place, Bristol, October 2018

1832. Dean Lane skate park (173)

I got really lucky just before Halloween when I took my lunchtime constitutional down to Dean Lane. I always expect to see something new and occasionally expect to see an artist at work, but when that artist is Rusk it is a real treat and make no mistake.

Rusk, Dean Lane, Bristol, October 2018
Rusk, Dean Lane, Bristol, October 2018

Halloween I have observed is a time when street artists seem to enjoy hitting the streets and stretching their repertoire with a seasonal theme, which is always fun for people like me. This witty piece conflates Rusk with Count Duckula, the vegetarian duck vampire…who ever dreamed up that cartoon series?

Rusk, Dean Lane, Bristol, October 2018
Rusk, Dean Lane, Bristol, October 2018

Rusk always has time for a chat, and as he does so he makes fine adjustments to his work, always seeking perfection. Much of what I have learned about the Bristol street art scene and culture I have gathered from our conversations. I love the way he works so hard to get his pieces just right. It is a privilege to see him painting.

Rusk, Dean Lane, Bristol, October 2018
Rusk, Dean Lane, Bristol, October 2018

Unfortunately light conditions were a bit tricky – that autumnal sunshine is a real bugger, but at least I got some shots of the piece before it got tagged the following day. The day carried on being amazing with the arrival of Jee See just as Rusk was finishing off. My lunch break took a little longer than expected!