Very close to the Mr Klue/Decay collaboration, John D’oh has been busy with his 2016 stencil. A great many of John D’oh’s pieces are edgy or political, but this one I think captures the feelings of a majority of Bristolians, that for many reasons 2016 was not a good year, and the Grim Reaper is welcome to it.
I love John D’oh’s stencils as they are usually contemporary with uncomplicated messages and often replicated in several sites. Both of these were in the same area of the Bearpit, and there was at least another one too.
I very much hope that 2017 brings more hope and joy to the city, but I suspect it won’t. I sense a rebellious undercurrent will oppose injustice in all it forms and be expressed in a typically Bristolian way. Graffiti art will play its part, and John D’oh will most likely be at the heart of it.
Natural adventures 
Unrest brings great graffiti. I think we will see some great graffiti out of Bristol in 2017. I like his pieces for the same reasons that you do.
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I have much more of his work in archive because it is so contemporary it can lose its impact quite quickly.
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Great summing up of 2016 Bristol fashion
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Thank you. Bristol and Southampton I feel share many things – maybe the independence that a maritime culture fosters.
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